Quotes About Authors

At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.

I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.

As 99 per cent of English authors and 100 per cent of American ones [authors] are just such imbeciles, managers and publishers make a practice of asking for every right the author possesses.

Some authors state that the last stage in this chain of measurements involves "consciousness," or the "intellectual inner life" of the observer, by virtue of the "principle of psycho-physical parallelism." Other authors introduce a wave function for the entire universe. In this book, I shall refrain from using concepts that I do not understand.

I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors

What a heartbreaking job it is trying to combine authors for their own protection... the first lesson I learned was that when you take the field for the authors you will be safer without a breastplate than without a backplate.

The primary objective of copyright is not to reward the labor of authors, but ‘[t]o promote the Progress of Science and useful Arts.' To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. This result is neither unfair nor unfortunate. It is the means by which copyright advances the progress of science and art.

Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.

I think the more avenues that open up when people want to publish, the better. Some of the authors that want to jump ship from the traditional houses and go on their own, you know what? Good luck. It's going to be a lot tougher than you think.

I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.

Publishers are humane men, and rarely commit crimes. Authors, however, are a hardened set, who usually perpertrate a felony every time they issue a book.

I think it's more difficult now to write a spy thriller with the collapse of the Soviet Union. Many authors have tried, but few have succeeded in capturing the interest of readers.

One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.

Some authors have what amounts to a metaphysical approach. They admit to inspiration. Sudden and unaccountable urgencies to writecatapult them out of sleep and bed. For myself, I have never awakened to jot down an idea that was acceptable the following morning.

It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books.

Without explaining why, and, most of all, without naming other authors or books, I can only say my novels are influenced by love and death.

If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries. These libraries should be open to all — except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors. For the Bill of Rights is the guardian of our security as well as our liberty.

I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles.

Beware of books. They are more than innocent assemblages of paper and ink and string and glue. If they are any good, they have the spirit of the author within. Authors are rogues and ruffians and easy lays. They are gluttons for sweets and savories. They devour life and always want more. They have sap, spirit, sex. Books are panderers. The Jews are not wrong to worship books. A real book has pheromones and sprouts grass through its cover.

Northwestern's alumni list is truly impressive. This university has graduated best-selling authors, Olympians, presidential candidates, Grammy winners, Peabody winners, Emmy winners, and that's just me!

To be fair, much of the Bible is not systematically evil but just plain weird, as you would expect of a chaotically cobbled-together anthology of disjointed documents, composed, revised, translated, distorted and 'improved' by hundreds of anonymous authors, editors and copyists, unknown to us and mostly unknown to each other, spanning nine centuries

We are the authors of our own fate-we write it each day with every one of our actions.

[Confiscating a book and punishing its author] is a sign that one does not have a good case, or at least doesn't trust it enough to defend it with reasons and refute the objections. Some people even go so far as to consider prohibited or confiscated books to be the best ones of all, for the prohibition indicates that their authors wrote what they really thought rather than what they were supposed to think . . .

As the moon, though darkened with spots, gives us a much greater light than the stars that sewn all-luminous, so do the Scriptures afford more light than the brightest human authors. In them the ignorant may learn all requisite knowledge, and the most knowing may learn to discern their ignorance.

Authors do not choose a story to write, the story chooses us.

I enjoyed reading all the classic authors like Isaac Asimov and Bradbury.

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel.

Authors are the vanguard in the march of mind, the intellectual backwoodsmen, reclaiming from the idle wilderness new territories for the thought and activity of their happier brethren.

The thing that helps me do a good job is that I don't feel the need to explain everything about the world to my reader. I'm not writing a history text on the Four Corners. I'm telling a story that's set there. The setting belongs in the background for the most part, and it's easy for fantasy authors to forget that. That's one of the unfortunate parts of Tolkien's legacy, in my opinion. Read the first hundred pages of the Fellowship of the Ring and you start to get pissed, "Shut up about the Shire's museums! Isn't the world supposed to be in peril or something?"

I don't remember titles of books or authors from when I was young. I remember the title of only one book, which was 'The Timber Toes.' I remember it was a family of little wooden people who lived in the woods, and for some reason that stayed with me.

There are two classes of authors: the one write the history of their times, the other their biography.

One of the least impressive liberties is the liberty to starve. This particular liberty is freely accorded to authors.

Though by whim, envy, or resentment led, they damn those authors whom they never read.

There is a difference between writing and being an author. Authors talk. I'm standing here talking now. This has nothing to do with writing.

It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again.

Some authors, when starting a novel, imagine a place first. Others, a character starts taking shape in their head. I start with a hook, a situation, a 'what if.

Book writing is not a get-rich-quick scheme. Anyone who decides to write a book must expect to invest a lot of time and effort without any guarantee of success. Books do not write themselves and they do not sell themselves. Authors write and promote their books.

One of my favorite authors is Robert Cormier. He was a devout Catholic and a very nice man, which might not be the impression you get from reading his books.

The goal of Bible translation is: be transparent to the original text - to see as clearly as possible what the biblical authors actually wrote.

As part of my research for An Anthology of Authors' Atrocity Stories About Publishers, I conducted a study (employing my usual controls) that showed the average shelf life of a trade book to be somewhere between milk and yoghurt.

Its authors meant it to be... a stumbling block to those who in after times might seek to turn a free people back into the hateful paths of despotism. They knew the proneness of prosperity to breed tyrants, and they meant when such should re-appear in this fair land and commence their vocation they should find left for them at least one hard nut to crack.

Time is the author of authors.

It is well known that, when two authors meet, they at once start talking about money-like everyone else.

There were speeches made in Congress in the very last session before the outbreak of the Rebellion, so ferocious as to show that their authors were under the influence of a real frenzy.

You can sell a lot more books if you work with other authors than if you try to do everything all by yourself.

Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.

The evidence for our New Testament writings is ever so much greater than the evidence for many writings of classical authors, the authenticity of which no one dreams of questioning. And if the New Testament were a collection of secular writings, their authenticity would generally be regarded as beyond all doubt.

With Crucible, any big changes I wanted to make I only had to run by Lucasfilm, not other authors whose stories I might affect.