Quotes About Authors

The diplomatic thing for me to say is that if publishers are dressing up other authors as Terry Pratchett clones then they are doing a disservice to those authors. If they didn't dress them as clones but did something different, then those authors could be pioneering in a different sense.

As 99 per cent of English authors and 100 per cent of American ones [authors] are just such imbeciles, managers and publishers make a practice of asking for every right the author possesses.

Some authors state that the last stage in this chain of measurements involves "consciousness," or the "intellectual inner life" of the observer, by virtue of the "principle of psycho-physical parallelism." Other authors introduce a wave function for the entire universe. In this book, I shall refrain from using concepts that I do not understand.

All varieties of interference with the market phenomena not only fail to achieve the ends aimed at by their authors and supporters, but bring about a state of affairs which - from the point of view of their authors and advocates valuations - is less desirable than the previous state of affairs which they were designed to alter.

Of course, there are hundreds of novels and authors that have influenced me. But to choose three, they are: Stephen King/The Stand (and really most of his books); Anne Rice/The Witching Hour; and Pat Conroy/The Prince of Tides. These authors write my favorite kind of book - epic feel, gorgeous prose, unique characters, and a pace that keeps you turning the pages. From them, I learned a lot about characterization, pacing, prose, voice, and originality.

I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.

Who are those ever multiplying authors that with unparalleled fecundity are overstocking the world with their quick succeeding progeny? They are novel-writers.

Writing is a vessel...with readers the ocean and authors as its sails.

There are some works which the authors must consign unpublished to posterity, however uncertain be the event, however hopeless be the trust. He that writes the history of his own times, if he adhere steadily to truth, will write that which his own times will not easily endure. He must be content to reposite his book till all private passions shall cease, and love and hatred give way to curiosity.

There was a time when self-promotion was considered so verboten, especially for authors.

If the new movies do contradict my books in some way, I can probably come up with some hand-waving story that will explain the apparent discrepancy. If there’s one thing we authors are good at, it’s hand-waving.

I believe that books, once they are written, have no need of their authors.

Authors and publishers want fair compensation and a means of protecting content through digital rights management. Vendors and technology companies want new markets for e-book reading devices and other hardware. End-users most of all want a wide range and generous amount of high-quality content for free or at reasonable costs. Like end-users, libraries want quality, quantity, economy, and variety as well as flexible business models.

To understand the works of celebrated authors, to comprehend their systems, and retain their reasonings, is a task more than equal to common intellects; and he is by no means to be accounted useless or idle, who has stored his mind with acquired knowledge, and can detail it occasionally to others who have less leisure or weaker abilities.

I have turned my entire attention to Greek. The first thing I shall do, as soon as the money arrives, is to buy some Greek authors; after that, I shall buy clothes.

Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else.

So long as the mental and moral instruction of man is left solely in the hands of hired servants of the public--let them be teachers of religion, professors of colleges, authors of books, or editors of journals or periodical publications, dependent upon their literary incomes for their daily bread, so long shall we hear but half the truth; and well if we hear so much. Our teachers, political, scientific, moral, or religious; our writers, grave or gay, are compelled to administer to our prejudices and to perpetuate our ignorance.

I should have no objection to go over the same life from its beginning to the end: requesting only the advantage authors have, of correcting in a second edition the faults of the first.

True art must be evidence of happiness, contentment and purity of its authors.

I can't imagine why everybody is always so keen for authors to talk about writing. I should have thought it was an author's business to write, not talk.

Silicon Valley isn't usually where aspiring authors go to kick-start a literary reputation. [...] How'd he do it? By courting bloggers and influential techies like Joi Ito, Stewart Brand, and Craig Newmark demonstrating that if you can get the geek grapevine on your side, you don't need Random House.

Authors are sometimes like tomcats: They distrust all the other toms but they are kind to kittens

How a big majority of book critics and authors have come to believe and to teach that no book is true to life unless it is true to the worst in life, God knows.

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake.

No man's thoughts are new, but the style of their expression is the never-failing novelty which cheers and refreshes men. If we were to answer the question, whether the mass of men, as we know them, talk as the standard authors and reviewers write, or rather as this man writes, we should say that he alone begins to write their language at all.

If my public existence does anything worthwhile, hopefully it at least demystifies the author a bit, because I know when I was younger I felt like authors were like wizards or something. Turns out they're total muggles.

There seemed to be a mystifying universal conspiracy among textbook authors to make certain the material they dealt with never strayed too near the realm of the mildly interesting and was always at least a long-distance phone call from the frankly interesting.

We need to be the authors of our own life.

I've probably read maybe by now fifteen, twenty books on Matthew. I'd say the authors I like best are an English fellow named Michael Goulder, who taught at the University of Birmingham in England, and he writes about the Jewish background in Matthew's gospel, which is part of what I was just talking about, which is just really thrilling to me.

People should be interested in books, not their authors.

To the question: How do the authors of sketches, stories and novels get along in life, the following answer can or must be given: They are stragglers and they are down at heel.

Once the initial excitement wears off and it's time to sit down to write, the authors are usually still very eager, but the reality of doing the work can be a little daunting.

I have heard that nothing gives an Author so great Pleasure, as to find his works respectfully quoted by other learned authors.

Burmese authors and artists can play the role that artists everywhere play. They help to mold the outlook of a society - not the whole outlook and they are not the only ones to mold the outlook of society, but they have an important role to play there. And I think if they take up this role seriously and link it to the kind of changes were wish to bring about in our country they could be a tremendous help.

Let us welcome controversial books and controversial authors.

All those authors there, most of whom of course I've never met. That's the poetry side, that's the prose side, that's the fishing and miscellaneous behind me. You get an affection for books that you've enjoyed.

I'm thoroughly convinced that editors don't help authors.

One of the least impressive liberties is the liberty to starve. This particular liberty is freely accorded to authors.

When it comes to locations, I'm one of those crazy authors who has to see it, touch it, taste it, before I trust myself to recreate it for my readers. Having said that, visiting a locked-down pediatric psych ward was the most intimidating research I've ever done - and I've visited maximum security prisons, shooting galleries, bone collections, etc.

I think that China has many outstanding authors, and their great works should also be recognised by the world.

As authors, we all expect criticism from time to time, and we all have our ways of coping with unfriendly reviews.

I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.

I've heard that some authors do dream their books and I would love that if it happened to me, but so far it hasn't. Sometimes I'll get a good idea during the night and if I don't write it down, I won't remember it the next morning.

We may observe in humorous authors that the faults they chiefly ridicule have often a likeness in themselves. Cervantes had much of the knight-errant in him; Sir George Etherege was unconsciously the Fopling Flutter of his own satire; Goldsmith was the same hero to chambermaids, and coward to ladies that he has immortalized in his charming comedy; and the antiquarian frivolities of Jonathan Oldbuck had their resemblance in Jonathan Oldbuck's creator.

The wittiest authors evoke a barely perceptible smile.

What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!

Book writing is not a get-rich-quick scheme. Anyone who decides to write a book must expect to invest a lot of time and effort without any guarantee of success. Books do not write themselves and they do not sell themselves. Authors write and promote their books.

Ultimately, I think that the growth and sustainability of the e-book movement depends on authors and end-users (readers).