Quotes About Background

Al-Ghazali is the most important philosophical theologian of classical Islam, and Moderation in Belief is among his most important works. It sets out al-Ghazali's Ash?arite theology with unusual clarity and provides important background for such well-known works as his autobiographical Deliverance from Error and his attack on Avicenna in The Incoherence of the Philosophers. This first English-language translation, with notes that bring out the argumentation and background of the work, is thus very much to be welcomed.

In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the center of the girl's face, Shimamura felt his chest rise at the inexpressible beauty of it.

Just watching people who come from a stand-up background is different from watching people who come from an improv or sketch background.

I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.

Just me existing, as an openly black transgender woman from a working-class background, thriving, is a political act. My brother always reminds me that if you are black in America and you're alive, you deserve a round of applause. There are so many forces that don't want us to be alive, and so just being openly who I am, and happy and thriving, is a political act.

I understand that I may make mistakes with characters who don't share my own background, but I commit to doing my best.

I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.

Comedy is something that we can all share, no matter what language we speak or our background, it has the power to unite us all.

I read one or two other books which gave me a background in mathematics other than logic.

You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.

As you see something that yo want to shot and it's bearing down on you, it's important to start framing long before the subject gets close to you. The light will reveal itself possibly long before you want to take the image, but you have to wait until the picture comes to you, and if you've been anticipating carefully when the subject will be in position, the background will have been figured out in advance.

Guys don't go for me. Period. I don't distract them. They don't sneak glances in my direction. They don't think of me when I'm not standing right in front of them. I'm scenery. I'm background.

Against the background of the Obama administration' s negotiating what can turn out to be the most catastrophic international agreement in the nation's history, to complain about protocol is to put questions of etiquette above questions of annihilation.

For people who aren't familiar with my background, I didn't graduate high school. My career high salary was about $200,000. My last position was about $122,000. For a guy without a high school diploma, that's pretty good.

I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.

You can't be conscious unless you have variable receptors... When people say the way I see the world is the way it is - that's ridiculous. We can only see it depending on the quality of our receptors and background.

I'm from a Gypsy background!

Of course, I love everyone I meet. How could I fail to! Within everyone is the spark of God. I am not concerned with racial or ethnic background or the color of one's skin; all people look to me like shining lights! I see in all creatures the reflections of God. All people are my kinfolk - people to me are beautiful!

The world's a poor standard. any society which is free of hunger and violence looks bright against that background.

There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick.

Albert Murray's The Omni-Americans is the most valuable non-business book because it discusses how you have to draw upon everyone's creativity. America is a mash-up of cultures and traditions, and great businesses know how to tap the strengths of all their employees, whatever their background may be.

The one that came really easy was the Japanese lover, because he's like a ghost in the book. He's always in the background like a spirit, like a shadow, almost. There's a very delicate line there.

I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.

The brain "fills in" the missing information from the blind spot. Notice what you see in the location of the dot when it's in your blind spot. When the dot disappears, you do not perceive a hole of whiteness or blackness in its place; instead your brain invents a patch of the background pattern. Your brain, with no information from that particular spot in visual space, fills in with the patterns around it. You're not perceiving what's out there. You're perceiving whatever your brain tells you.

The idea of right and wrong, being righteous, acknowledging when you make a mistake, repentance - all these important things I got from my Catholic background.

Having no background in philosophic thought and ignorant of the reasons supporting their faith, they experience great uneasiness when someone questions their beliefs. Such people often live closely guarded lives, fearful of encountering someone or something that might shatter their insecure spiritual foundation.This attitude, however, is not the fault of religion but of their own limited understanding. True Dharma leads in exactly the opposite direction. It enables one to integrate all the many diverse experiences of life into a meaningful and coherent whole, thereby banishing fear and insecurity completely.

The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from stage right to stage left in a big Broadway house. Coming from a theatrical background and temperament, this is something I am still learning. However, I think ultimately your responsibilities to the character and the overall story are the same in both mediums, so my approach felt very similar.

To end the crisis [of gun violence], we have to regulate -or, in the case of handguns and assault weapons, completely ban -the product. We are far past the [point] where registration, licensing, safety training, background checks, or waiting periods will have much effect on firearms violence.

I'm interested in everything about what it means to be a human being, so every role is an excuse to delve into a different way of life, a different socio-economic background, and a different tragic or comedic circumstance.

When you sit in a café, with a lot of music in the background and a lot of projects in your head, you're not really drinking your coffee or your tea. You're drinking your projects, you're drinking your worries. You are not real, and the coffee is not real either. Your coffee can only reveal itself to you as a reality when you go back to your self and produce your true presence, freeing yourself from the past, the future, and from your worries. When you are real, the tea also becomes real and the encounter between you and the tea is real. This is genuine tea drinking.

it is really astonishing how few colors are inharmonious when they are profusely massed and have green for a background.

Because of my background in theater and radio acting, I knew that I could make a living as an actor.

As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.

I think sometimes when you come from a conservative background, you want to rebel a little bit. I dropped out of school at 15 and learned early in life that saying yes was a lot more fun than saying no. If you have the opportunity to explore the skies and attempt something people haven't done before - well, I was damned if I was going to sit around watching television while someone else was doing it.

Men didn't understand that you couldn't let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do. Men didn't understand that there was nothing big enough to exempt you from your obligations, which began as soon as the sun rose over the paper company and ended only after you'd finished the day's chores and fell exhausted into sleep against the background noise of I-94.

I love fashion, but I don't come from a background of loving clothes, and I remember feeling badly dressed from a young age.

When I think of my background, if I was privileged on any level, it was in terms of the kind of exposure to experience and bohe-mian cultural influence that my parents and my uncles and my grandfather gave me. On both sides I come from an extremely eccentric, artsy, intellectually intense, activist family.

Suppose I try to say the US carries out terror, in fact it's one of the leading terrorist states in the world. You can't say that between commercials. People rightly want to know what do you mean. They've never heard that before. Then you have to explain. You have to give background. That's exactly what's cut out.

Jazz exemplifies artistic activity that is at once individual and communal, performance that is both repetitive and innovative, each participant sometimes providing background support and sometimes flying free.

Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.

When I joined the band I was coming largely from an improvising background, and the idea of a fluid rhythm that was really coherent attracted me.

My background may be common, but I have specialized in elegance.

The discipline, nonetheless, is exacting: everything that can be observed should be observed, even if it is only recalled as the bland background from which the intriguing bits pop out like Venus in the evening sky. The goal is always finding something new, hopefully unimagined and, better still, hitherto unimaginable.

I should also mention that the Neue Galerie is piping music into the galleries where "Klee and America" is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.

If [lawmakers] lose elections in part because of their votes on the background-check bill or their position on the terror gap bill, then there will be a rethinking of this issue within the Republican conference.

My whole background, my whole life was just lots and lots of theater, a lot of that being musical theater.

What's missing is the testosterone. What's missing is the fury. What's missing is the passionate convicted commitment. And I got a lot of mine from my religious background. So y'all best stop imagining the way Dr. Zorba looked, or some defenseless Hasidic Jew with a little yarmulke on his head, 'cause that ain't here for you.

I did more research into the police procedure. I worked out with SWAT guys and ex- and active military guys, and consulted with them and read books. As far as the character itself, I don't know how you can research being a focused guy, aside from just being a focused person and knowing what that's like. Outside of the character background and all that, there wasn't a whole lot of other stuff to really delve into. You just do what you do.