Quotes About Band

Hopefully people can look at our band and see that we're a heavy rock band. We're definitely not a metal band, but we're a band that focuses on meaningful lyrics and melody.

If you have a great band with a mediocre drummer, you have a mediocre band. If you have a mediocre band with a great drummer, you have a great band!

The band? No way! There ain't no band. The band is not 'the band' right now. It's just three guys.

I pretty much built a band out of the most incredible guys I could possibly find. I didn't really want a six-piece band, but it just ended up being a six-piece band because these guys are all awesome.

My favorite band was The Band, and nobody compares in my mind with The Band.

All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.

We went from being a band that was recording songs in my bandmate's bedroom to a band that's doing extensive touring and had a record on the Billboard charts and everything happened insanely fast, but it's not something that I sought out. It just happened.

Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from

When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.

I've always seen My Chemical Romance as the band that would have represented who me and my friends were in high school, and the band that we didn't have to represent us - the kids that wore black - back then.

Occasionally I hear a band that blows me away. For instance, there's a musician in Oakland named Weasel Walter who has a band called the Flying Luttenbachers. Go see the Flying Luttenbachers when they're in your town. He's one of the greatest rock composers who ever lived, and he's struggling and living like a poverty-stricken hermit.

I think a band - even a band that's been around as long as the Rolling Stones - I think that's still the formula. You know you're gonna get those songs, and you don't mind sitting through the ones that you maybe don't know very well because you know they're not gonna let you down - they're not gonna mess with you. And I kind of feel the same way about the way I structure my shows.

I have some idea that if I pick on [boy band] One Direction, I'll get a ton of hate mail, because I know that when you're 15, you love a band like you will kill people. But I don't quite realize that that's true about people - adults - who read The Hunger Games.

My musical background in Tyler, Texas was quite outstanding. Uh, I grew up with, uh, with high school teachers who were in bands, they could play music. And we had a nine piece band there in Tyler, and I joined them when I was about, oh, 15 years old and traveled all over Texas in that band, playing for the elite oil people. Hah. And um, I was making about 50 bucks a night, and uh, it taught me, they taught me how to find my timing and to learn the songs that I wanted.

You know why Foo Fighters have been a band for 20 years? Because I've never really told anybody what I think of them. The last thing you ever want to do is go to therapy with your band.

The chances of a reunion now are less likely. I was thinking of having a 40th anniversary of the band, but now they are really another band, so it's all a bit weird.

Our band tries and be as personable with fans as possible because up until the last two months it's been very bearable and easy to get to know fans on first name basis, especially the fans who come to multiple shows. Now its getting a little bit harder with new people and it's a little overwhelming so we're trying to strike the balance of being a very public band that establishes a relationship with the audience.

I think women should band together to get us more respect in all the businesses that we're in because, you know, if we turn 40, we're nothing and nobody. We all should band together and just say we're not gonna go down like that.

I saw an article where the manager of the Pussycat Dolls, which is kind of this like striptease band, girl band, said, oh well, the girls are totally third-wave feminist. This is what third-wave feminism is about. Like you don't get to use that word. You don't get to say that something is feminist as a way to sell back sexism to women, as a way to further consumerist ideas.

I think we're a little bit protective in that way. You're always trying to balance between what's spreading the word about the band and what's good money and what's a shitty look. Is this good for the longevity of the band? Do people even care these days? We care, but do we care more about the money? We've had a lot of discussions about things. It gets us into a lot of fights, but it also makes you question your own morals in a really good way.

But I always wanted to do a theatrical stuff. But when you're in a metal band of course you're limited because five people in the band, um, you've got no keyboards... you're limited. And I wanted... to go over-the-top, you know. Literally. I wanted to make an album that people would either hate or love.

I think some of my inspiration came from just being around music. My family was into music. My uncle had his own band and my father use to sing in my uncle's band. If you want to go to the music influences we could be here all day. That's everybody from Michael Jackson all the way up to people in the game now that inspire me.

When I joined the band I didn't know any of the tunes, and when I left the band I didn't know any of the tunes!

Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.

When the band plays fast, you play slow; when the band plays slow, you play fast.

I enjoy making music alone, and I like keeping my options open for how I release my own songs. But everybody in Grizzly Bear is full of ideas. So it's kind of boring to come to the band with a complete song and be like: "Here's what I want you to do." With this record, we wanted to make everything feel like everyone - music that we could never do on our own. That's a real gift, and it's one of the best things about being in a band like this.

REGARDING THE MARCHING BAND: How much more interesting it would be to see a creeping band.

As I said to Ringo, I was in a successful Rock N Roll band. He was in a band that changed the world. That's the difference.

It ["Begin the Beguine"] became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.

When that band started out, I was 18 years old. So that was my reality all the way up until I quit the band. And even then, you know, Guns N' Roses has a nasty way of sticking around.

You can't live the Christian life without a band of Christian friends, without a family of believers in which you find a place.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.

I feel like there's this weird thing that as a feminist band you get put in this role as ambassadors.

Even though there's reasons to try things that may or may not work, it's still a real intimate way to finish the song with everybody right there in the band just locked in.

We are different people - you get a different take on the band whoever you speak to. Somehow, at the end of it, it goes through the filtering process and out comes the Radiohead thing.

Pantera is the only band I've ever been in, and at the start we used to play covers to make a living.

When everything is together - the band, me, the audience, it's boss! It's just like magic.

Mexicans are a band of illiterate Indians.

From my time in 'King Crimson,' I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.

It's really easy, in a band, to overstate - you feel like everything you do is different than the past. I think this is just another Hold Steady record, but at the same time, there is some evolution. Like, "How can we make this chorus bigger?" "What do we want this to sound like?"

It wasn't until The Sixth Sense that people started saying, wow, man, you're an actor. People didn't think of me as the guy in a band anymore.

My Chemical Romance is done. But it can never die. It is alive in me, in the guys, and it is alive inside all of you. I always knew that, and I think you did too. Because it is not a band- it is an idea.

People in my band and in my life see me as someone who is seeking out chaos, and that's why it comes to me. And these people who have never met me say because of when I was born and how the planets are aligned, chaos sees me as a portal.

I thought I'd do something nice for the band... I'll hang myself.

I got the whole band set up in the basement and we are jamming.

In the late summer of 1986, the band I had been in for five years stopped playing. Suddenly, I was on my own. This new state of bandlessness was, at first, traumatic. When your group breaks up, a lot of broken parts hit the ground.

And what do the Theban hoplites see in this extended rending of the sky, this white-bright glory of Enlil's lightning? The future, but not theirs: paired cavalry fighters; formed ranks of armored death; grim men on their tall horses with lightning limning weapons tailored to the task; men spoiling for a fight if the gods allowed - the Sacred Band of Stepsons, out from shadows and the dark.

You always come back to Duke Ellington - he's kind of like the thread that holds everything together from the big band descending to lots of jazz, actually.