Quotes About Band

So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.

There's very notable dynamics in all of the collaborations I've done. It's hard to say if one is more important than the other, but if I had to think of all situations and point to one band that I enjoyed most it would be when I was eight years old. I had a band with my little sister and the kid across the street. We sat around all day playing music and it was bliss. I didn't have any expectations or do it for anyone or worry about selling an album. That was really my favorite band. We were called Hot Chocolate.

My favorite band was The Band, and nobody compares in my mind with The Band.

The Beatles weren't like any other band. Everybody in the band sang, which is why you knew everybody in the band.

I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.

I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.

Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.

Toasted Heretic should have been cherished and helped, rather than ignored or sneered at, or put down as "quirky band with an arrogant singer". So I certainly didn't help the band, but the virtues I had meant that we recorded albums when everyone else just listened to them. But, yes, if you could suffer from high self-esteem, then I certainly suffered.

Acting had always been the social scene I'd fallen into. It was sort of a merry band of band geeks and theater nerds.

It's a band singing on how metal should be played, the effect it has on the band and its listeners.

My grammar school graduating class in 1941 had a little party for 13 or 14 year-old kids. [Trumpeter] King Kolax's band played for the party and Gene Ammons was playing tenor saxophone with the band. And that's when I said, "That's it!" Just like that, tunnelvision ever since.

I think I would be much more enthusiastic about a band that covered more than just one particular album of mine. I don't ever really intend to record or to do shows with a live band. I don't really have a problem with it, but it doesn't really affect me either way.

Everyone can lock into the rhythm on a tune. It's organic in nature. It connects the band as a whole and connects the band to the audience.

After moving to England I did some recording and eventually formed an English band, this was together for quite a few years with only a keyboard replacement. The band had no name, just my name.

I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.

The thing about Matt Cameron is he has made us 1000 times a better band than we've ever been. He's such a freight train on drums and such a cool individual as a man that it makes us better as a band, and we are now complete with him.

Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that.

When Adam's House Cat broke up in 1991, which was Cooley and my band for six years, I put my entire life, heart, and soul into that thing. I mean everything. I ended up getting divorced over it, and then the band broke up and I was left with nothing. I had nothing to show for six years of my life except for a finished record that still hasn't come out. And I went through a pretty deep, dark, two-year depression after that, [which] probably resulted in some of the earlier songs that became Drive-By Trucker songs, for that matter.

Being a part of a band is easier to brainstorm, and it's fun - you're encouraged and inspired by the others. In this band, it's especially that way for me, because they're my favorite musicians - they've been my favorite musicians for so long, and I get to play with them now. A lot of times onstage, I'm overcome with admiration or something, which also means that you need to step up, you need to really bear down to match the level of musicianship or artistry. It's really challenging.

I was the drummer in a band called Hemsworth for a brief stint, too - it was not very great. I didn't even write the songs, but the band was named after me.

A band isn't a band unless they're playing together. Otherwise it's just five guys that are living off their royalty checks.

Sometimes the problem is not the people in the band, but the people around the band.

The day Metallica's over, i'm not going to put an ad looking for another band. I'll put my drumsticks on the shelf and there's 14 other things I wanna try. Metallica's the only band I've ever been and it's the only I ever wanna be in.

Nine Inch Nails were the best and most popular industrial band of all time; as a consequence, industrial purists usually assert that Nine Inch Nails aren't an industrial band at all (this is a counterintuitive phenomenon that tends to occur with purists from all subcultures, musical or otherwise).

When I clicked into this idea of doing a band and examining a band as a dysfunctional family, I wanted to reverse that Rescue Me formula.

As a result, I had to get my own playground which was my band Colours. This band lasted for about eight years and then the air was out of it and it was time to finish.

I have total respect for anyone who discovers a band like Snow Patrol. I would be hopeless at signing a rock band, or anything alternative, cause I don't know what that audience are into and I don't particularly like that kind of music.

Kiss is the number-one American band in gold-record sales. In the world, only the Beatles and the Stones are ahead of us. Every other band should be wiping my ass. The line forms over there to the left.

"Anybody have money?" Frank checked his pockets. "Three denarii from Camp Jupiter. Five dollars Canadian." Hedge patted his gym shorts and pulled out what he found. "Three quarters, two dimes, a rubber band and - score! A piece of celery." He started munching on the celery, eyeing the change and the rubber band like they might be next.

I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.

A song is what you fall in love with first, but then I think a band's ideals and a band's sense of fashion and a sense of how they treat people is what you fall in love with afterwards.

I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.

I'm sure that a lot of women and men feel differently about it, but for me this isn't about being the girl in the band... it's just about being IN the band, if that makes sense? We're trying to keep it in a pure and genuine place for us and not break it down to gender, because it's just a bit boring and obvious isn't it?

Throughout my whole life, as a performer, I've never played with a band. I've always played alone, so I was never required to stay in rhythm or anything. So it was a real different experience for me to start playing with a band. There were so many basic things for me to learn.

REGARDING THE MARCHING BAND: How much more interesting it would be to see a creeping band.

People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.

Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.

My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.

Another factor is that in terms of the original compositions, this is our strongest year yet. Everyone wrote a fantastic piece and everyone really had a greater sense of how to write for this band -- not only for this particular instrumentation, but for these particular players. Each year, the reality is getting closer to the ideal of a collective.

Smashing Pumpkins has never been a band about hit songs.

It's hard to say. Whenever you play with a group of people for a long time it influences the way that you play with others. They were all very defining in their own way and all affected the band in one way or another. I don't think they are so obvious in the music. The fact is that The Lawrence Arms is the culmination of a long search of trying to find people who play well as a unit.

The only way out of the Scientology church is rip the Band-Aid off and know that your eternity is not at stake and know that you're doing the right thing and know that you're involved in a damaging, hurtful cult. Just look outside, don't listen to Scientology. They are not saving the world. Don't give up your lives, don't give up your families, don't give up your friends for something that turns its back on you and is ultimately a lie. What's Scientology's selling is a lie.

There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.

I've got quite a big gay following. I played a lesbian prostitute in the TV series 'Band Of Gold' but I think my following really grew when I played one in the film 'Imagine Me & You,' with Piper Perabo.

We've gotten better at shooting down routine material or stuff we feel like we've done better in the past. Getting different people in the band for periods also keeps it from going stale.

Even though there's reasons to try things that may or may not work, it's still a real intimate way to finish the song with everybody right there in the band just locked in.

The Republican Party had a big day in yesterday's midterm elections and now controls the House and Senate. And don't ask me how this happened, but the Republican Party also gained control of three seats in our show's band.

Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.