Quotes About Beatles

I've had nightmares about having to kick people out of my band because they've said that they don't like the Beatles. I'd wake up and turn to them and say, "You like the Beatles, right?"

But times changed, and I changed, and I didn't feel that way anymore. The Beatles were happening. I think that was probably the main thing. The Beatles just changed the whole world of music.

I love Bach, I love Beethoven, I love Mozart, I love the Beatles, I love you know, Stockhausen, I love many things. But for some reason I come back to Elizabethan music because it's a little bit like the Beatles.

There was a TV show called Thank Your Lucky Stars, with the catchphrase "I'll give it five!" The Beatles and Stones were so popular when they were on it. One week The Beatles were number one and then the Stones were right on their heels.

Don't you think that the Beatles gave every sodden thing they've got to be the Beatles? That took a whole section of our youth - that whole period - when everybody else was just goofin' off we were workin' 24 hours a day!

The Beatles mean so much to so many people, you know? Everybody has at least one song of The Beatles that's one of their favorite songs of all time.

Carrying The Beatles' or the Sixties' dream around all your life is like carrying the Second World War and Glenn Miller around. That's not to say you can't enjoy Glenn Miller or The Beatles, but to live in that dream is the twilight zone. It's not living now. It's an illusion.

Hanson has rapid female fans, which I’m completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There’s younger fans. More and more guys are Hanson fans [but they’re] musicians or kind of guys who were into a Beatles record.

The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.

The Beatles tried to do some tours and found it to be completely pointless and became a non-touring band after that, and with very good reason.

They should invent some way to tape-record your dreams. I've written songs in my dreams that were Beatles songs. Then I'd wake up and they'd be gone.

The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.

Depth on different levels is so important to me. You look at a band like The Beatles, all their material has so much depth to it. And I want people to be able to run away with my melodies and get lost in them and take the lyrics and be able to relate to them.

I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'

Somebody said to me, 'But the Beatles were anti-materialistic.' That's a huge myth. John and I literally used to sit down and say, 'Now, let's write a swimming pool.'

I think it's maybe because Sergeant Pepper's came out when I was about 13 or 14 and that was a pretty impressionable age, and it was such a kind of radical period. But that period of the Beatles really had a big influence on me and I think are directly related to hyperinstruments.

If there were no Carl Perkins, there would be no Beatles.

You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.

I was a huge Beatles fan. The Stones, Dylan. Later on, I got into Stevie Wonder, and Bill Withers - he's one of my heroes. Al Green, too.

You cant beat The Beatles, you join em.

I don't believe in magic ... I don't believe in Jesus ... I don't believe in Buddha ... I don't believe in Elvis ... I don't believe in Beatles.

Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.

My inspirations include the Beatles - love, love, love them - Elton John, Carole King, and Stevie Wonder.

You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.

I fell into hip-hop right from the beginning. I was a teenager in the '60s, so I was putting all my pocket money into buying LPs. I followed the ascent of the Rolling Stones, the Beatles, and Stevie Wonder. I followed popular music very closely, and I've never stopped.

I am a big Beatles fan. And, you know, unbeknownst to anyone, I used to be one. But I have no problems of putting titles and lines from other songs in my songs, because they're great lines and great titles.

Take away all the emotional baggage of any band's fight, be it The Beatles or The Stones, but in the end, you just enjoy the creativity. That's what the legacy is.

The Beatles are lucky, very lucky. But what has happened to them has nothing to do with them, in a sense. They came along at the right time. Attention was focused on them. They've had the chance to grow in almost any direction they wanted. Very lucky. They are not exceptionally talented.

Before the Beatles, songwriters were very anonymous people and nobody paid any attention to them.

I've found that there isn't any correlation whatsoever between the hours put in and the quality of what comes out. Most of the Beatles' songs probably originated in about five minutes.

Do you remember when everyone began analyzing Beatles songs..I don't think I ever understood what some of them were supposed to be about

The reason I love my dog so much is because when I come home, he's the only one in the world who treats me like I'm the Beatles.

I doubt very much if The Beatles would have happened if it was not for Elvis.

Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.

Well, for that matter, I was also a good friend of Leonardo da Vinci, Botticelli, Francis Bacon, Albert Einstein, and John, Paul, George, and Ringo." He pauses, seeing the blank look on my face and groaning when he says, "Christ, Ever, the Beatles!" He shakes his head and laughs. "God, you make me feel old.

My earliest memories as a child are listening to Beatles records, and they are a big part of how I've learned to write pop songs.

I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.

There is nothing conceptually better than rock 'n' roll. No group, be it Beatles, Dylan or Stones, have ever improved on Whole Lot of Shaking for my money. Or maybe I'm like our parents: that's my period and I dig it and I'll never leave it.

What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.

They were and still are a groundbreaking band. Even though they haven't released any new music in ages, you can put on the first Black Sabbath album and it still sounds as fresh today as it did 30-odd years ago. And that's because great music has a timeless ability: To me, Sabbath are in the same league as the Beatles or Mozart. They're on the leading edge of something extraordinary.

The Beatles were basically a vocal band.

Almost everything The Beatles did was great, and it's hard to improve on. They were our Bach. The way to get around it may be to keep it as simple as possible.

I grew up a massive Beatles fan.

I am a rock & roll man, and therefore, a denim man. Musicians of any era - whether it be The Beatles, the Rolling Stones, Rage Against the Machine, or, of course, Madonna - will inspire fashion. And we in turn will inspire them.

I don't know about friends, but what time I spent with The Beatles they were very courteous to me.

If you're a guest [at my $113 million house], you'll be able to call up on screens throughout the house almost any image you like - presidential portraits, reproductions of High Renaissance paintings, pictures of sunsets, airplanes, skiers in the Andes, a rare French stamp, the Beatles in 1965.

'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.

While the Beatles always had George Martin around to clean up their act, the Rolling Stones had Andrew Loog Oldham to coarsen theirs.