Quotes About Became

This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.

The dot that became a speck that became a blob that became a figure that became a boy

It was in the 1960s that the left convinced itself that there is something fascistic about patriotism and something perversely "patriotic" about running down America. Anti-Americanism - a stand-in for hatred of Western civilization - became the stuff of sophisticates and intellectuals as never before. Flag burners became the truest "patriots" because dissent - not just from partisan politics, but the American project itself - became the highest virtue.

LSD was my "wonder child", we had a positive reaction from everywhere in the world. Around two thousand publications about it appeared in scientific journals and everything was fine. Then, at the beginning of the 1960s, here in the United States, LSD became a drug of abuse. In a short time, this wave of popular use swept the country and it became "drug number one". It was then used without caution and people were not prepared and informed about its deep effects. Instead of a "wonder child", LSD suddenly became my "problem child".

I was modest--they accused me of being crafty: I became secretive. I felt deeply good and evil--nobody caressed me, everybody offended me: I became rancorous. I was gloomy--other children were merry and talkative. I felt myself superior to them--but was considered inferior: I became envious. I was ready to love the whole world--none understood me: and I learned to hate.

If you compare the United States with Europe, my view is that what happened in Europe is that the church became deeply distrusted by people, because it sided with the monarchs. It instituted the Inquisition and became part of the repressive state apparatus. That never happened here. We don't have that history.

The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .

Every wave of immigrants who came [to America] were treated pretty badly, but when they all finally became integrated, all of us became Anglo-Saxons.

I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.

About 1990 there was a huge shakeup in the music industry and the 6 major record companies fired all the music people and hired business graduates to take over the spots. So the music became not as important. What really became important was the bottom line, how much money you could make.

Suffering did different things to different people...Some souls became tempered, unshakable in their faith, while others became twisted and mis-shapen, throwing off all connection to God.

[My mother] is the greatest hero I'll ever know because she kept us all together, she made sure we all graduated college. She always believed in us no matter what we do. My older brother Joel became an art teacher; my brother Rip ultimately became a television producer and singer and actor himself.

When I became a father acting sort of took the place of what I did in my free time and my children became the main focus. I play a lot and my children play. Both my sons - my daughter's still too young really - have surpassed me with their music skills, which is wildly irritating.

Our home had many books due principally to the educational interests of my sister and two brothers, all of whom where serious students engaged in professional studies; my sister became a doctor of medicine and my brothers became lawyers.

Rock became an incredible commercial success, people just became bored with serious music, and it was forgotten.

My own dreams fortunately came true in this great state. I became Mr. Universe; I became a successful businessman. And even though some people say I still speak with a slight accent, I have reached the top of the acting profession.

Hell, I'd even failed with women. Three wives. Nothing really wrong each time. It all got destroyed by petty bickering. Railing about nothing. Getting pissed-off over anything and everything. Day by day, year by year, grinding. Instead of helping each other you just sliced away, picked at this or that. Goading. Endless goading. It became a cheap contest. And once you got into it, it became habitual. You couldn't seem to get out. You almost didn't want to get out. And then you did get out. All the way.

When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.

The symmetry and organization of history teaches us that mankind, during its existence and development, genuinely was and became an individual, a person. In this great personality of mankind, God became man.

The wrestling, even though I would only wrestle for 15 or 20 or 30 minutes at a time, and it would look like that was the only time I was in it, was really a 24-hour job. Keeping yourself alive, reinventing yourself, staying physically in shape, the traveling, all the other commitments with being a wrestler, it was a crossover situation where it became sports entertainment and you actually became a media star, so it was very demanding.

I wasn't even prepared to be an actress. I was 17 when I came out of high school, and suddenly became Miss World and then I became an actress.

What made so many people so upset when Steve Jobs died was that he was a kind of combination of daddy - in this relationship between the machine and ourselves - and also he was our guide. He was the one who led us to look into the mirror. He created these devices that became extensions of ourselves. Suddenly, he wasn't going to hold our hand as we went from product to product, which became increasingly about who we were.

I became a bit of a teacher's pet, and it became known in the school by both faculty and students that I really excelled in the arts. So that recognition I credit for my growing interest in art that continued to evolve later on.

Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.

I grew up with a sense of tolerance. I don't know that there was any talk about gender differences. It was respect for people. So when I became a professional and saw that there were a lot of differences in the sense of how people lived their lives, I became respectful of their territory, of their thoughts and their ideas, and it was never a problem for me to feel that this is my sister, this is my brother.

And then they would watch her closely as the dark, coagulated masses took form before her eyes, became flesh and bone, became gradually human. For all their show of reluctance, she had a sense that they enjoyed introducing her to these horrors, as seducers took pleasure in the corruption of innocence.

Marking the differences between them was really important. It just became second nature. When we were choosing pajamas or something, instantly you'd be able to spot: those are [princess] Margaret, those are [princess] Elizabeth. It became this sort of language, really, of the two sisters.

Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.

To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.

I'm a surfer at heart. Both my parents moved to Hawaii in the 1970s, where they met and became Christians. Then they taught me and my two brothers how to love the Lord - and how to surf!

It was hypnotic, and then it was unsettling, and finally I became aware of another entity in my universe, sitting on the shore two hundred yards away, smoking a pipe.

If I'd had the nerve, I'd have become a thief or a gangster, but since I didn't, I became a photographer.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.

Although raised on the farm - my grandfather was an unsuccessful fundamentalist preacher turned farmer - my father and his brother both became professors.

Washington's character was rock solid. He came to stand for the new nation and its republican virtues, which was why he became our first President by unanimous choice.

I became obsessed with the true stuff, and that led to shaping 'The Way Back' screenplay somewhat toward a minimalist style, to avoid free-hanging moments, and to hold the music back, so it would never lead you to an emotion, and to try to make the emotions as real as I could.

The media are very dishonest. In fact, in covering my comments, the dishonest media did not explain that I called the fake news the enemy of the people - the fake news. They dropped off the word "fake." And all of the sudden, the story became, the media is the enemy. They take the word "fake" out, and now I'm saying, oh, no, this is no good. But that's the way they are. So I'm not against the media. I'm not against the press. I don't mind bad stories if I deserve them. And I tell you, I love good stories, but we won't - I don't get too many of them.

I didn't think of myself as importing, I thought it was more interesting to write about things people didn't know about than what they did. When I became aware that I was in fact "importing", I stopped doing it.

My dream role is to play in a story of how the Joker became the Joker, and I would play the young Heath Ledger.

The funny thing is that Sydney, who worked on the first film [Tron], developed a bike that had an exposed rider, but they couldn't do it because the computers weren't fast enough, so they gave it a roof, which became the iconic one. Ironically what we do now is basically what they envisioned in the first one but couldn't do technically. I mean this a full on homage in every aspect.

I shall never forget how I was roused one night by the groans of a fellow prisoner, who threw himself about in his sleep, obviously having a horrible nightmare. Since I had always been especially sorry for people who suffered from fearful dreams or deliria, I wanted to wake the poor man. Suddenly I drew back the hand which was ready to shake him, frightened at the thing I was about to do. At that moment I became intensely conscious of the fact that no dream, no matter how horrible, could be as bad as the reality of the camp which surrounded us, and to which I was about to recall him.

I was so absolutely riveted, I felt I was looking into the eyes of the artist. Art just closed the gap of time and space. The 16th century became as real to me as the 20th. It was something magical.

I'm still an amateur, of course, but I became rugby's first millionaire five years ago.

I was an English major at the University of Minnesota, and I was very shy, which many people misinterpreted as intelligence. On the basis of that wrong impression, I became the editor of the campus literary magazine.

All I want to do is model. The reason I'm coming back is for the same reasons that I became a model initially. It's about the clothes and the creation of great pictures. I thought I was old and that I earned my retirement, and enough! It's not enough. I want more. And I'm lucky that I still have that option.

Around my eighth or ninth year I became interested in the world's religions. I was mathematically retarded but theologically precocious. I began to correspond with seikhs in India. After about the third letter they would ask about job opportunities in America.

The Wright Brothers created the single greatest cultural force since the invention of writing. The airplane became the first World Wide Web, bringing people, languages, ideas, and values together.

One other fact is significant: the domestic feasts and sacrifices of single families, which in David's time must still have been general, gradually declined and lost their importance as social circles widened and life became more public.