Quotes About Bit

I don't want to clip on the armour every morning. I've seen some politicians do this and they get a bit mangled and bitter. I just refuse to do that. I refuse to be angry or bitter or complain, and I remain open. I may sometimes be a bit too open but I'm not going to change that one bit.

People who keep a large snake in their apartment building, which happens quite a bit, all of a sudden, within two summers, have a 14-foot animal that's eating adult rabbits, and needs quite a bit of room and quite a bit of heat. That's the animal that gets put in the back of a pick-up truck and dumped into the Florida Everglades or the city lake, or just left on a doorstep - again, it's quite often the animal that suffers.

My sisters like cooking at my place. It has a bit more room, and the food tastes a little bit better. A big pot of spaghetti and sauce, some warm French bread - works all the time. I think I've been eating pasta for 26 years.

Off goes the head of the king, and tyranny gives way to freedom. The change seems abysmal. Then, bit by bit, the face of freedom hardens, and by and by it is the old face of tyranny. Then another cycle, and another. But under the play of all these opposites there is something fundamental and permanent - the basic delusion that men may be governed and yet be free.

I've never gone out with a guy who is older than me by more than a couple years. Usually it's my age, a little bit older, or even a little bit younger. But not a 15- or 20-year difference.

A little bit added to what you've already got gives you a little bit more.

I remember when I was being told about Watergate, and I thought, "Oh, America is not what I think America is." But America is what I think it is. It's just that it's two bits of it, and I don't go with the Republican bit of it. I go more with the Democratic bit.

I think there's a bit of the devil in everybody. There's a bit of a priest in everybody, too, but I enjoyed playing the devil more. He was more fun.

I have been writing in spurts, bit by bit. It is incredibly difficult. Everything is corroded, broken, dismantled; everything is covered with hardened layers of accumulated insensitivity, deafness, entrenched routine. It is disgusting.

Our civilisation has lost this bond between times, and tends to measure time with a yardstick, bit by bit, from one point to another.

I've worked a lot of historical stuff back in Sweden and there's always conflict with horses. I get a bit paranoid when I'm on them, and they can sense that and they get a bit paranoid. It ends up in this bad spiral where I don't want to be on them, and they don't want me on their backs.

It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.

When I find a woman attractive, I have nothing at all to say. I simply watch her smile. Intellectuals take apart her face in order to explain it bit by bit, but they no longer see the smile.

I've always been criticised for how filthy my material is. Victoria Wood said to me once, 'I wish I was a bit ruder, like you,' and I said, 'Well, I wish I was a bit cleaner, like you.'

George, she says it's the truth that matters. We live and die for the chance to maybe tell a little bit of the truth, maybe shame the Devil just a little bit before we go.

Found one of my old journals. from right around the time we were heading out on tour with NFG in the UK early 2008. i started reading it and couldn't help but cry a little bit. cause that person was really confused. and very lost. and as it went on, the person behind the pen seemed to get a little bit stronger.. that part felt good. it was the reminder that i needed that right now i'm as strong as ever. there really isn't a point to telling you all of this. except maybe i want to thank you. cause you are a constant reminder. that i'm not as lost as i once was.

I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.

I feel like it's me singing back to myself as a younger person and saying have confidence in being a bit different. I really felt I didn't fit in. My dad was from the Caribbean, my mum was English, we lived in quite a white area but we were quite poor, but also quite brainy, and I was a really, really skinny child so I felt a bit awkward about all these things.

I can’t help feeling a little bit competitive and a little bit disappointed in myself that I’m already so far behind. After all, Yulikova thinks Barron has a real future with the Bureau. She told me so. I told her that sociopaths are relentlessly charming. I think she figured I was joking.

[Hillary Clinton] is hinted a little bit about what his[Bill Clinton] role might be, but just a little bit.

The reason I want to explain that you're probably never going to get revenge a sociopath and you're also probably not going to redeem this person, is that it is not a project that will ever succeed. At present, if a person does not have a conscience, we know of no way to instill one - not even a little bit. It's not like something you can take off the shelf and put into somebody's brain. It makes me so sad to hear people say, "I think I can see just a little bit of a conscience."

It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.

I like to always stop with a couple of pages that I haven't - that are just raw copy, where I haven't touched it, I haven't tried to revise it, I haven't tried to polish it. It's like having a little bit of a runway. The next day when you sit down, you have the comfort of saying, well, I have got a little bit here, used to be in the typewriter. Now it's in the magic box, the computer.

I've always been a decent runner so I've never been massively unfit, but for this I've got stronger. I've got rid of a bit of podge and I'm just a bit leaner, which means that I'm just quicker at moving, I'm more agile and I recover much better as well. At the moment I feel ultra-fit and it's been an amazing change.

Deep practice feels a bit like exploring a dark and unfamiliar room. You start slowly, you bump into furniture, stop, think, and start again. Slowly, and a little painfully, you explore the space over and over, attending to errors, extending your reach into the room a bit farther each time, building a mental map until you can move through it quickly and intuitively.

I think one thing that kids who grow up on farms really have going for them is they have exposure to death and birth in a totally different way. I think it takes away a little bit of the mystery and a little bit of the fear, and I do wish I had that. And I wish I was able to grow my own food.

It's so fun to be on a show where we're all on our toes, all the time. We're constantly texting each other and calling each other while we're reading and go, "Oh, my gosh, I can't believe you do that! Holy cow! This is crazy!" Sometimes it's a bit more procedural. Sometimes it's a bit more emotional. We get the best of all genres, in one little package.

I'm not a grunter, I'm relatively quiet. There's a little bit of breathing out. Some people get really loud! There's a little bit of psyching up sometimes, if you're going for a really heavy weight you might make a little noise, but when lifting, I try and keep it quite quiet - I'm not a fan of male noise in that way to be totally honest. I think when girls do it it's not as bad, but when guys do it it's just like, 'Come on mate, hold it in!'.

I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.

Want me to sell my soul, just so I can go gold. You can have the cars, clothes the jewerlies, the houses and hos. Cats do anything for a little bit of fame and a little bit of change. Industry snakes, they ain't friendly. Thought she loved me, she just tricked me.

I ask myself whether Russia is moving in the direction of democracy. I don't believe it is! Bit by bit, Russia is slipping back into an authoritarian empire.

If we got there and we looked up and we said, "You know what? Black folks are still doing a little bit worse off than whites, but it's not like it was 20 years ago," then we can have a discussion about how do we get that last little bit. But that's a high-class problem to have.

As an actor, there's a bit of you that's decided you want to be looked at and watched, but there's a paradoxical bit that wants to run away.

I want to clear my mind a little bit and give my mind a little bit of time to breathe so I can pinpoint or at least nail down feelings I'm having and that I've had for the last however long. I need to nail them down long enough to actually write about and elaborate on them.

Part of our identity is the idea that racism is still there and that we are vulnerable to it. So, the question is, 'How vulnerable?' In other words, is it really a problem for us, or is it just a small thing. How do you evaluate racism in America on a scale of 1 to 10? My suspicion is that most blacks overrate it a bit. Not to say it's not there, but we overrate it because this masking is part of our relationship to the larger society. This is a way we keep whites on the hook. We keep them obligated, and we keep ourselves entitled. There's an incentive, you see, to inflate it a little bit.

Phil Robertson and his family are great citizens of the State of Louisiana. The politically correct crowd is tolerant of all viewpoints, except those they disagree with. I don’t agree with quite a bit of stuff I read in magazine interviews or see on TV. In fact, come to think of it, I find a good bit of it offensive. But I also acknowledge that this is a free country and everyone is entitled to express their views. In fact, I remember when TV networks believed in the First Amendment. It is a messed up situation when Miley Cyrus gets a laugh, and Phil Robertson gets suspended.

The future of Arab films is absolutely up to Arabs and no one else. They've got the equipment, they've got the will, they've got the talent, now they just need a little bit of history behind them and a bit of cultural relaxation.

I find it difficult to judge myself, but people say that I have become a bit more socially acceptable over the years in terms of my material; which apparently at the beginning - though I never really intended it to be - was man hating and now is just a bit more cuddly.

The harsh, unyielding reality of having to compromise your ideals bit by bit, day by day, just to achieve a few little victories in the face of the world’s malice, or indifference. Until sometimes you wonder if there’s nothing left of you but the shell of the man you intended to be, just going through the motions because you’ve nothing better to do.

I kinda like messing with perception a little bit. Kind of what drugs do sometimes, and drinking. I mean, you know, you mess with your mind a little bit to see life from different angles. Within reason, if you can handle it.

That was probably one of the things that if I look back at my career and say what is something I would try and do a little bit differently, I’d try and be a little bit more loose playing the game. Have a little more fun doing it.

I think that 'Hangover II' is as funny as 'The Hangover I,' honest to God, but I think that it's a little bit darker, and the stakes are a little bit higher.

At the very least we should be given a bit of credit and a little bit of space, and maybe the media should think we could help them discover why English teams do not win European competitions.

Everyone is a little bit more close-knit and you rely on people a little bit more. The bigger the budget gets, the more everyone toes the line in their department.

I was finding it very difficult to find a label that understood what I wanted to do and really believed that people wanted to hear something honest and a little bit different. So, I did feel a bit like a clown. You're knocking on everyone's door trying to get them to believe what you're doing.

Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.

You want to teach the next generation so they can learn a little bit faster and a little bit more so everything becomes that much better.

Everybody has a little bit of the sun and moon in them. Everybody has a little bit of man, woman, and animal in them. Darks and lights in them. Everyone is part of a connected cosmic system. Part earth and sea, wind and fire, with some salt and dust swimming in them. We have a universe within ourselves that mimics the universe outside. None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.