Quotes About Book

No nation is better than its sacred book. In that book are expressed its highest ideals of life, and no nation rises above those ideals. No nation has a sacred book to be compared with ours. This American nation from its first settlement at Jamestown to the present hour is based upon and permeated by the principles of the Bible. The more this Bible enters into our national life the grander and purer and better will that life become.

My father used to say: Every bird is one bird, and every book is one book, and every bird and every book is one thing too, under the words and the feathers." He finished with a flourish, as though the meaning of this was self-evident.

Book culture has also become something that's kind of incredible to younger people now, because of the Internet. If you go to any of the book fairs - PS1 or the MOCA Book Fair - none of the people are over the age of 40 years old there, and they trade and buy books, because they're almost antiquities at this point. They're not really important, in a way, because the Internet is how information is taken in.

But then books, as I'm sure you know, seldom prompt a course of action. Books generally just confirm you in what you have, perhaps unwittingly, decided to do already. You go to a book to have your convictions corroborated. A book, as it were, closes the book.

I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.

Your book grows. The early part of your book is growing still while you are writing the later part of your book.

The book. The book...think about a book. What a perfect invention. The best and most important ever.

Your very eyes. How they have always been for me the command to obey, the inviolable and beautiful commandment. No, no, I'm not telling lies. Your appearance in the doorway! ... You have been my body's health. Whenever I have read a book, it was you I was reading, not the book, you were the book. You were, you were.

Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'

Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.

The book of the moment often has immense vogue, while the book of the age, which comes in its company from the press, lies unnoticed; but the great book has its revenge. It lives to see its contemporary pushed up shelf by shelf until it finds its final resting-place in the garret or the auction room.

If my novel gets any attention in Bulgaria, it will be as a scandal: a book about a teacher at a famous school and his relationship with a prostitute. I doubt very much it will be evaluated on its merits as literature. If Bulgarian were the book's only language, that would be painful and limiting to me as a writer. Since my book also exists in English - where it isn't scandalous at all - I feel comfortable with the possibility of scandal.

Chapter One. The Bride." He held up the book then. "I'm reading it to you for relax." He practically shoved the book in my face. "By S. Morgenstern. Great Florinese writer. The Princess Bride. He too came to America. S. Morgenstern. Dead now in New York. The English is his own. He spoke eight tongues." Here my father put down the book and held up all his fingers. "Eight. Once in Florin City...

It is not simply a theological treatise, a code of laws, a religious homily, but the Bible - the book - while the only book for the soul, the best book for the mind

The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.

Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.

I should write a book. I've always wanted to write a book. I should write a book about kids who see dead people.

A lot of people love the idea of improvising but are terrified of it, so I tried to make a book that was not a chef's book about improvising but a real home cook's book with a real home cook's pantry, supermarket ingredients, that sort of thing.

There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.

When I write a book I write the best that I can and so much of that for me is following the book's demands, the subject's requirements - I love books, I always have. They have always been one of the places where I have felt very happy in the world. When I was younger, I loved to read genre fiction - I loved the magic-carpet ride of story! Now I need other things - I need the beautiful particular and strange language and form which brings a writer's book to life in me and speaks to my intellect, and, dare I say it, to my soul.

The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.

We all face difficulties of our own, and how comforting it is to immerse yourself in a book - my book, any book, any romance. It's entertainment, it's escape, and it can even be an inspiration!

My parents would frisk me before family events, and find the book, and lock it in the car. And then be disappointed where, somewhere at the event, I would find a book and sit under a table where nobody could get me and go back into book land.

I have also written a book about the Giving of the Torah, and a book on the Days of Awe, and a book on the books of Israel that have been written since the day the Torah was given to Israel.

The book one must read to learn natural sciences is the book of nature. The book from which to learn religion is your own mind and heart.

A book is one of the most patient of all man's inventions. Centuries mean nothing to a well-made book. It awaits its destined reader, come when he may, with eager hand and seeing eye. Then occurs one of the great examples of union, that of a man with a book, pleasurable, sometimes fruitful, potentially world-changing, simple; and in a library...witho ut cost to the reader.

Well, Thanksgiving we'll all gather at my house for dinner and we usually do Christmas at Beau's house. My mom is still feisty and kicking. She's 92. I saw her last night and she published a book at 90. It's a wonderful book called "You Caught Me Kissing" and it's basically love-poems that she wrote for my dad. It's more than that, it's a wonderful book.

I myself discovered many authors through school reading lists and through school anthologies. The positives are: young readers can find the world opening up to them through books they study. The negatives may include bad experiences kids have - if they don't like the book or the teacher, or the way the book is taught.

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.

Each my book feels like my last book. And then I think, like a dedicated alcoholic, that one more won't do me any harm.

There's only one good test of pornography. Get twelve normal men to read the book, and then ask them, ''Did you get an erection?'' If the answer is ''Yes'' from a majority of the twelve, then the book is pornographic.

Tokyopop's been extraordinary. They approached me to do My Dead Girlfriend - Julie Taylor, one of the senior editors was a huge fan of The O.C. - asked if I'd be interested in creating a book for Tokyopop. My Dead Girlfriend was the book we all agreed upon as being the one that I would do first, and they've just embraced it completely.

People often ask me if I'm working on a book. That's not how I feel. I feel like I work in a book. It's like putting myself under a spell. And this spell, if you will, is so real to me that if I have to leave my work for a few days, I have to work myself back into the spell when I come back. It's almost like hypnosis.

I had been working on a second book with [David] Petraeus called Relentless. Obviously that book and the income that it would have generated went away.

Well, it's my age group, anywhere from, I'd say 30 to 70. The biggest comment I get about the book is how honest it is and that people can relate to my circumstances going across the line. Anybody could learn and deal with this book from reading it.

If he can give his readers no reason why they should read his book, except that the events happened to him, it is not a valid book.

Every book for me is a chapter in the long book which will finally be closed on the day of my death.

My greatest wish — other than salvation — was to have a book. A long book with a never-ending story. One I could read again and again, with new eyes and a fresh understanding each time.

The first book really was kind of an entertaining textbook for the homemaker. I couldn't find a good book about entertaining in 1982, and neither could my friend, so I decided to write it.

Every book takes me from 35 to 41 days to write. I don't know why that is. I've tried to get it down to 30 or 31, depending on the length of the month, but it won't work. I don't drink while I'm writing because it fuddles my logical processes, but when I finish a book I go down to the kitchen and pour myself a big belt.

If you write a page a day in couple months you have a good chunk of the book and then after a year you have almost a book. It's not that...hard.

Book dedication To myself, without whose inspired and tireless efforts this book would not have been possible.

The Bible is obviously a mixed book. Literary and nonliterary (expository, explanatory) writing exist side by side within the covers of this unique book.

Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.

Either god should have written a book to fit my brain, or he should have made my brain to fit his book.

Oh for a book and a shady nook, Either indoors or out, with the green leaves whispering overhead, or the street cries all about. Where I may read at all my ease both of the new and old, For a jolly good book whereon to look is better to me than gold

For the book unwritten is the book burned.

A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.