Quotes About Book

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.

In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.

The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .

A blessed companion is a book! A book that, fitly chosen, is a life-long friend. A book — the unfailing Damon to his loving Pythias. A book that — at a touch — pours its heart into our own.

A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.

I like to think 'The God Delusion' is a humorous book. I think, actually, it's full of laughs. And people who describe it as a polarizing book or as an aggressive book, it's just that very often they haven't read it.

The book is the book and it will always be there. It's a quiet ending. In the book it's a contemplative ending which I think you could certainly do that in a movie.

The first book I wrote was The Bride Price which was a romantic book, but my husband burnt the book when he saw it. I was the typical African woman, I'd done this privately, I wanted him to look at it, approve it and he said he wouldn't read it.

The best morals kids get from any book is just the capacity to empathize with other people, to care about the characters and their feelings. So you don't have to write a preachy book to do that. You just have to make it a fun book with characters they care about, and they will become better people as a result.

Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.

Your book grows. The early part of your book is growing still while you are writing the later part of your book.

I don't think it is enough appreciated how much an outdoor book the Bible is. It is a "hypaethral book," such as Thoreau talked about - a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better. Or that has been my experience of it. Passages that within walls seem improbable or incredible, outdoors seem merely natural. This is because outdoors we are confronted everywhere with wonders; we see that the miraculous is not extraordinary but the common mode of existence. It is our daily bread.

The book, the idea of a book or the image of a book, is a symbol of learning, of transmitting knowledge.. I make my own books to find my way through the old stories.

If my novel gets any attention in Bulgaria, it will be as a scandal: a book about a teacher at a famous school and his relationship with a prostitute. I doubt very much it will be evaluated on its merits as literature. If Bulgarian were the book's only language, that would be painful and limiting to me as a writer. Since my book also exists in English - where it isn't scandalous at all - I feel comfortable with the possibility of scandal.

If a book really wants the patronage of a great name, it is a bad book; and if it be a good book, it wants it not.

One of the things about the arts that is so important is that in the arts you discover the only way to learn how to do it is by doing it. You can't write by reading a book about it. The only way to learn how to write a book is to sit down and try to write a book

Often the adult book is not for you, not yet, or will only be for you when you're ready. But sometimes you will read it anyway, and you will take from it whatever you can. Then, perhaps, you will come back to it when you're older, and you will find the book has changed because you have changed as well, and the book is wiser, or more foolish, because you are wiser or more foolish than you were as a child.

I'm very much afraid I didn't mean anything but nonsense. Still, you know, words mean more than we mean to express when we use them; so a whole book ought to mean a great deal more than the writer means. So, whatever good meanings are in the book, I'm glad to accept as the meaning of the book.

A good book ... leaves you wanting to reread the book. A great book compels you to reread your own soul.

A lot of people love the idea of improvising but are terrified of it, so I tried to make a book that was not a chef's book about improvising but a real home cook's book with a real home cook's pantry, supermarket ingredients, that sort of thing.

Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord.

I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.

Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.

My parents would frisk me before family events, and find the book, and lock it in the car. And then be disappointed where, somewhere at the event, I would find a book and sit under a table where nobody could get me and go back into book land.

I must say I find television very educational. The minute somebody turns it on, I go to the library and read a good book. ANOTHER VERSION I find television very educating. Every time somebody turns on the set, I go into the other room and read a book. ANOTHER VERSION I find television very educational. Every time someone turns it on, I go in the other room and read a book.

I'm happy to entertain kids you know. It's my biggest pleasure to like see a twelve year old picking up a book that I did and dreaming about being a comic book artist. That's what the magic is, everything else is just production and a job.

Every filmmaker knows that when you make a book into a movie, the first thing you have to do is kill the book, unfortunately. You've got to recreate it.

This book is unique. I know of no other which so artfully tackles two of the greatest mysteries of modern science, quantum mechanics, and consciousness. It has long been suspected that these mysteries are somehow related: the authors’ treatment of this thorny and controversial issue is honest, wide-ranging, and immensely readable. The book contains some of the clearest expositions I have ever seen of the strange and paradoxical nature of the quantum world. Quantum Enigma is a pleasure to read, and I am sure it is destined to become a classic.

No other book has been so chopped, knifed, sifted, scrutinized, and vilified. What book on philosophy or religion or psychology or belles lettres of classical or modern times has been subject to such a mass attack as the Bible? With such venom and skepticism? With such thoroughness and erudition? Upon every chapter, line and tenet?

Words alone are inadequate to express spiritual realities. This book expresses the Red Indian spirit because it combines the best photographs ever taken of the old-time chiefs with some of their best words. You can meet these old-timers and share their wisdom. People who read this book will better understand our sacred ways.

The genius of the Word of God is that it has staying power; it can stand up to repeated exposure. In fact, that's why it is unlike any other book. You may be an expert in a given field. If you read a book in that field two or three times you've got it. But that's never true of the Bible. Read it over and over again, and you'll see things that you've never seen before.

Most chess books only sell a few thousand copies, and a book titled something like "Women in Chess" would sell even fewer. The idea with this title was to spread the book outside the competitive chess world. I'm interested in attracting readers who love chess but play only casually, and feminists interested in male-dominated fields.

I have finished To Kill a Mockingbird. It is now my favorite book of all time, but then again, I always think that until I read another book.

In the course of writing a book I'll produce loads of pieces of paper to help the novel itself. Diagrams, charts, family trees. And at the end of each book I'll pack it all away. It takes me a while to do it - it's like a relationship that way; there's a period of letting - go, of grief, in a way - but then I box it up, label it, and put it in the attic.

The closure of the book is an illusion largely created by its materiality, its cover. Once the book is considered on the plane of its significance, it threatens infinity.

If you're going to visit and re-visit a book, it has more reason to be a real book, because of that ability to concentrate and that relationship that you build up with it, as opposed to the relationship that you build up with your screen, rewards replacement.

It's true that I have spoken about doing a book before, but then everyone you speak to is planning to write a book.

That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.

Every book takes me from 35 to 41 days to write. I don't know why that is. I've tried to get it down to 30 or 31, depending on the length of the month, but it won't work. I don't drink while I'm writing because it fuddles my logical processes, but when I finish a book I go down to the kitchen and pour myself a big belt.

For a very long time, I wrote a book a year, and was eager and willing to do it, to put bread on the table, to have my work out there. Now I must write a book every two years, and that's never enough time, either.

It was very interesting [book Fast Food Nation] because all my friends who were in college, [and] this book became almost mandatory for them to read.

The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and you're better off not touching it until you're all grown up. I'm going to put it on this shelf and leave the room for a while. Don't open it.

Go back and rid the word of that book. Fill it with words before spring comes, or winter will never end for you. And I will take not only your life for the Adderhead's but your daughter's, too, because she helped you bind the book. Do you undersand, Bluejay" Why two?" asked Mo hoarsely. "How can you ask for two lives in return for one?

When I was young, my favorite picture book was 'Fletcher and Zenobia,' written by Edward Gorey and illustrated by Victoria Chess. It's long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children's book for the times.

A second book that makes you rethink the first book is the Holy Grail of a series.

I think you get so wrapped up in the book you're currently writing, it's hard to think about anything else. But I know as soon as I'm done with this book, I'll move on to something else.

What readers ask nowadays in a book is that it should improve, instruct, and elevate. This book wouldn't elevate a cow.