Quotes About Book

A book has got smell. A new book smells great. An old book smells even better. An old book smells like ancient Egypt.

My books have been part of my life forever. They have been good soldiers, boon companions. Every book has survived numerous purges over the years; each book has repeatedly been called onto the carpet and asked to explain itself. I own no book that has not fought the good fight, taken on all comers, and earned the right to remain. If a book is there, it is there for a reason.

Sometime during your life—in fact, very soon—you may find yourself reading a book, and you may notice that a book’s first sentence can often tell you what sort of story your book contains.

After I published a book called Lincoln's Virtues a wit said that my next book should be Lincoln's Vices. But in my opinion that would be a short book!

Here, then, is the point at which I see the new mission of the librarian rise up incomparably higher than all those preceding. Up until the present, the librarian has been principally occupied with the book as a thing, as a material object. From now on he must give his attention to the book as a living function. He must become a policeman, master of the raging book.

Chrysostom, I remember, mentions a twofold book of God: the book of the creatures, and the book of the scriptures. God, having taught us first of all by his works, did it afterwards, by his Words. We will now for a while read the former of these books; 'twill help us in reading the latter. They will admirably assist one another.

However, the daily life of the slaves in the South, as observed by many travelers, was obscured for all time by the relentless promotion of a single book, Harriet Beecher Stowe's "Uncle Tom's Cabin." Even today, any black who dares to say that perhaps we are not as badly off as our brethren in the jungles of Africa is hooted down as an "Uncle Tom." [...] It was no accident that Harriet Beecher Stowe's book became the greatest best seller of its time - it was tirelessly promoted throughout the entire nation, in the most successful book promotion campaign in our history.

The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.

With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.

Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.

Your regular teachers will get mad at you. If you keep asking something again and again, they will get tired of saying the same thing. A book will not do that. A book always will be there for you. In whatever you want, the book will be there.

Angus Deaton has written a wonderful book, The Great Escape: Health, Wealth, and the Origins of Inequality. . . . Deaton's book is a magisterial overview of health, income, and wealth from the industrial revolution to the present, taking in countries poor and rich. Not just jargon-free but equation-free, the book is written with a beautifully lucid style. . . . [P]owerfully argued and convincing.

Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.

I tried every diet in the book. I tried some that weren't in the book. I tried eating the book. It tasted better than most of the diets.

A general cry of "What book? What book? Let us see this famous book!

Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.

If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.

I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years

There was a table laid with jellies and trifles, with a party hat beside each place, and a birthday cake with seven candles on it in the center of the table. The cake had a book drawn on it, in icing. My mother, who had organized the party, told me that the lady at the bakery said that they had never put a book on a birthday cake before, and that mostly for boys it was footballs or spaceships. I was their first book.

Book love is something like romantic love. When we are reading a really great book, burdens feel lighter, cares seem smaller, and commonplaces are suddenly delightful. You become your best optimistic self. Like romantic love, book love fills you with a certain warmth and completeness. The world holds promise.

What better book can there be than the book of humanity.

If you're going to buy a real book, a paper book, there better be a good reason. Perhaps scarcity is one of those reasons.

With the marketplace urging parents to buy all manner of things to make their babies ‘smart,’ Gallagher’s book offers parents a view based in science on how much babies really know and figure out on their own. Parents will have fun with this book and gain new respect and awe for their babies’ amazing capabilities.

No one will be alive by the last book. In fact, they all die in the fifth. The sixth book will be just a thousand-page description of snow blowing across the graves.

Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

No one should ever finish a book they're not enjoying, no matter how popular or well reviewed the book is.

It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me.

You must on no account attempt to use the squares given in the Book of the Sacred Magic of Abramelin the Mage until you have succeeded in the Operation. More, unless you mean to perform it, and are prepared to go to any length to do so, you are a fool to have the book in your possession at all. Those squares are liable to get loose and do things on their own initiative; and you won't like it.

In the course of writing a book I'll produce loads of pieces of paper to help the novel itself. Diagrams, charts, family trees. And at the end of each book I'll pack it all away. It takes me a while to do it - it's like a relationship that way; there's a period of letting - go, of grief, in a way - but then I box it up, label it, and put it in the attic.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

The closure of the book is an illusion largely created by its materiality, its cover. Once the book is considered on the plane of its significance, it threatens infinity.

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.

Ranganathan's 5 Laws: Books are for use. Books are for all. Every book its reader, or every reader his book. Save the time of the reader. A library is a growing organism.

In terms of why everything is different, each book is different than the one before because I'm so bored of what I just finished I want to work on something different. The next book becomes an antidote to what I did before.

If you're going to visit and re-visit a book, it has more reason to be a real book, because of that ability to concentrate and that relationship that you build up with it, as opposed to the relationship that you build up with your screen, rewards replacement.

I suppose every old scholar has had the experience of reading something in a book which was significant to him, but which he could never find again. Sure he is that he read it there, but no one else ever read it, nor can he find it again, though he buy the book and ransack every page.

I wrote a book called The Taste of New Wine because I couldn't find a book that talked about the reality of the situation and how we were dishonest and afraid.

In fact, isn't it a joy - there is hardly a greater one - to find a new book, a living book, and to know that it will remain with you while life lasts?

Libraries are my passion in life. Before I became mayor (of Los Angeles), I used to sneak out here during lunchtime...and I'd go to a corner and take a book-any book almost-and read it for a while, and then feel rejuvenated.

One way to read the Book of Mormon is as a book of encounters between fathers and sons. Some of those encounters were very positive and reinforcing on the part of the father of a son. Some were occasions where a father had to tell his son or his sons that the path that they were following was incorrect before the Lord.

That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.

In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer. [dedication to Isaac Asimov from Arthur C. Clarke in his book Report on Planet Three]

You may want to keep a commonplace book which is a notebook where you can copy parts of books you think are in code, or take notes on a series of events you may have observed that are suspicious, unfortunate, or very dull. Keep your commonplace book in a safe place, such as underneath your bed, or at a nearby dairy.

I want to make sense of things, to understand the world, but my work is never really instructional. I have no wisdom to impart or give, so I think my dream readers would be people who just use the book as an excuse to get into their own cycle of thoughts. The book is just like a map. It's just a jotting-down of things that you can interpret in your own ways.

I know it's late, but could you find a book for me? It's called The Slavs: Study of Pagan Tradition by Osvintsev." Barabas sighed dramatically. "Kate, you make me despair. Let's try that again from the top, except this time pretend you are an alpha." "I don't need a lecture. I just need the book." "Much better. Little more growl in the voice?" "Barabas!" "And we're there. Congratulations!

I really like looking at other people's book collections when I'm at someone's house. I think it is an amazing cross section of a person's brain and lifestyle. I think everyone should photograph their book spines and make a website. Seriously.

I predict that this will be the greatest book ever and it will sell more than any other book in history

The Bible is obviously a mixed book. Literary and nonliterary (expository, explanatory) writing exist side by side within the covers of this unique book.