Quotes About Came

Then I turned to him commanding That he go the way he came, whence he came. But he answered me in sorrow, "May the Past not seek to borrow From the Present without blame - Just one memory from its store, Ere it goes to come no more, Back the pathway that it came, whence it came?"

I don't think I came to music. I think music came to me - or was already embedded when I came into this sphere, this realm, this Earth.

You're always looking for somebody to love you, be accepted, and there's the insecurities that are even transmitted through rap. Everyone is trying to aim to please too much. Number one: They're trying to please whoever signed them to a contract. Number two: They're trying to appease a gigantic audience and they get this false magnification of love. I came from a thing which nowadays would be the exception to the rule. I came from a mother and father who always made me secure in my beliefs, and that's where the love came from. Which made me look at everything else as procedure.

The Gospel announces that Jesus came to acquit the guilty. He came to judge and be judged in our place. Christ came to satisfy the deep judgment against us once and for all so that we could be free from the judgement of God, others, and ourselves.

The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.

I am not an educated person. I didn't come up through a ballet company. I came up through burlesque. So I have a lot of inferiority feelings concerning my own lack of education, my entry into show business. I'm not a Baryshnikov. I'm not a Nureyev. I came up in vaudeville. Strippers. So I've always had these feelings. But I think they've also helped me.

Before music videos first came out, you’d listen to a song with headphones on, sitting in a beanbag chair with your eyes closed, and you’d come up with your own visions, these things that came from within. Then all of a sudden, sometimes even the very first time you heard a song, it was with these visual images attached, and it robbed you of any form of self-expression.

My work ethic came from my parents and my fear of failure. I came from a small, predominantly black school and I didn't want to let them down.

I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music.

I played soccer growing up, and then high school came along and the football coach came out one day and was like, 'Hey, do you want to kick for us?' I was like, 'Sure, I'll come out and kick one day.' I got moved up to varsity and that's how the story began.

I'm a conversationalist. I came out of a town with only 300 people. I didn't have anybody to talk to. I didn't want to talk about farming. So when I came out in the world, I started talking. Never stopped.

In the concentration camps, we discovered this whole universe where everyone had his place. The killer came to kill, and the victims came to die.

I hear many condemn these men because they were so few. When were the good and the brave ever in a majority? Would you have had him wait till that time came?--till you and I came over to him?

What people don't seem to ever understand is that any infrastructure that exists under your regime, in your current government, will be appropriated and inherited by the next regime. I mean, the KGB came out of the NKVD which came out of the Tsarist version of the same thing. And now, the FSB operates out of the old KGB building in Moscow. The infrastructure remains exactly the same. There's a little bit of reshuffling of personnel, and that's it. The way to make sure that there's no FSB today would have been for the Tsar to not have built an infrastructure for it in the 1800s.

I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.

The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew into the air came to rest upon the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing.

I had been acting since I was seven years old, but I had a combination of things happen at about the same time. 'Austin Powers' came out on DVD, I got a series regular gig on 'Buffy' and 'Can't Hardly Wait' came out.

Turtles are very stable and have been around forever. But they have problems adapting. When humans came along, turtles came under serious threat. Biodiversity is good, and I think it is good in technology as well.

My father came from Germany. My mom came from Venezuela. My father's culturally German, but his father was Japanese.

What appeals to me? There are things, points of view, uses of the language, habits of dress, ways of thought and believing that came to me from my grandparents and came to them from theirs. Things that are of good use in any situation, no matter what the future may hold.

Just as I came out into the rue, an omnibus came by - pas complet, so I sprang in, without that prayer and fasting which should chasten the mind before risking it in a French omnibus.

South Africa used to seem so far away. Then it came home to me. It began to signify the meaning of white hatred here. That was what the sheets and the suits and the ties covered up, not very well. That was what the cowardly guys calling me names from their speeding truck wanted to happen to me, to all of me: to my people. That was what would happen to me if I walked around the corner into the wrong neighborhood. That was Birmingham. That was Brooklyn. That was Reagan. That was the end of reason. South Africa was how I came to understand that I am not against war; I am against losing the war.

You have to go with your instincts. I remember when I was about to make "Fistful of Dollars" a big article came out that said, "Italian Westerns are finished." I said, "Swell." Then, of course, the film came out, and it did something. I'm so glad for the dozens of times I haven't listened along the way.

As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers

I think of myself primarily as a reader, then also a writer, but that's more or less irrelevant. I think I'm a good reader, I'm a good reader in many languages, especially in English, since poetry came to me through the English language, initially through my father's love of Swinburn, of Tennyson, and also of Keats, Shelley and so on - not through my native tongue, not through Spanish. It came to me as a kind of spell. I didn't understand it, but I felt it.

There was once a Bald Man who sat down after work on a hot summer's day. A Fly came up and kept buzzing about his bald pate, and stinging him from time to time. The Man aimed a blow at his little enemy, but — whack — his palm came on his head instead; again the Fly tormented him, but this time the Man was wiser and said: YOU WILL ONLY INJURE YOURSELF IF YOU TAKE NOTICE OF DISPICABLE ENEMIES.

I came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history.

I'd have to say that "Mr. Crowley" in my most memorable solo... I had spent hours trying to figure out a solo for the song ... Ozzy came in and said "it's crap - everything you're playing is crap" .. he told me to get in there and just play how I felt. He made me really nervous, so I just played anything. When I came back to listen to it, he said it was great.

How sweetly he came to her, she thought. Even with his bulk and power, he came to her...sweetly.

I remember hearing about when U2 first came out and came to America and the gay community was their biggest following. And they were totally surprised, but they were like, that's cool. And for me it's the same thing.

For years, I never really pondered how I came to be a writer from where I came from.

One time there was a student at Punjab University in Lahore who came down with cancer and his friend came to me for help. I stood outside on the street in Lahore and asked the people in that city for help. Within four or five hours, I received more than 40 million rupees [more than US $670,000].

So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.

Ultima came to stay with us the summer I was almost seven. When she came the beauty of the llano unfolded before my eyes, and the gurgling waters of the river sang to the hum of the turning earth. The magical time of childhood stood still, and the pulse of the living earth pressed its mystery into my living blood.

And I'm sort of deconstructing the process of what marks came first, what came later. Every aspect of the image is interesting to me to dissect and understand.

For me, the end of childhood came when the number of candles on my birthday cake no longer reflected my age, around 19 or 20. From then on, each candle came to represent an entire decade.

The real struggle between an American government and the people was one of power, which was settled when they designed their Constitution, which conceded the sovereignty of the people when it came to politics, and the sovereignty of the consumer when it came to economics.

When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."

Children who die young are some of our greatest teachers. We are allowed to die when we have taught what we came to teach and when we have learned what we came to learn.

When you strip it of everything else, Pentecost stands for power and life. That's what came into the church when the Holy Spirit came down on the day of Pentecost.

A sense of calm came over me. More and more often I found myself thinking, "This is where I belong. This is what I came into this world to do.

I don't think we really planned it ahead of time but rather oozed out of our pores. All three of the demonstrative themes of Corrosion of Conformity are on there. The Hardcore/Punk from the 80's, the late 80's/early 90's mathy metal and finally the more Pepper, swampy/doomy stuff. We love all three so that's what came out on the album and I think it came out magically.

Most rappers are black men. If you're a black man, you owe something to the community that you came from. If you're rapping about the community that you came from, and you're romanticizing parts of it for the entertainment of people who don't look like you, you certainly owe something to the community.

What distinguishes the historical social system we are calling historical capitalism is that in this historical system capital came to be used (invested) in a very special way. It came to be used with the primary objective or intent of self-expansion. In this system, past accumulations were 'capital' only to the extend they were used to accumulate more of the same.

We are closest to Christ when sharing the world’s misery. Think you Jesus came to remove our pains? Wherever did you get that notion? The Lord came, not to remove our suffering, but to show us the way through it to the glory beyond. We can overcome our travails. That is the promise of the cross.

[Immigrants ] are going back where they came. If they came from a certain country, they are going to be brought back to their country. That's the way it's supposed to be.

The mountain is not something eternally sublime; it has a great historic and spiritual meaning to us. It stands for us as the ladder of life. Nay, more; it is the ladder of the soul and in a curious way the source of religion. From it came the Law, from it came the Gospel in the Sermon of the Mount. We may trul say that the highest religion is the Religion of the Mountain.

She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky.