Quotes About Came

My parents are proud of their Indian heritage, but they came halfway across the world so their children could be born here, raised here as Americans. They came legally, but they came here in search of the American dream, in search of freedom and opportunity.

I am not an educated person. I didn't come up through a ballet company. I came up through burlesque. So I have a lot of inferiority feelings concerning my own lack of education, my entry into show business. I'm not a Baryshnikov. I'm not a Nureyev. I came up in vaudeville. Strippers. So I've always had these feelings. But I think they've also helped me.

As soon as I stopped trying to control everything that came out of my mouth and every picture that came out, that's when I became so much happier.

When Diogenes came to Olympia and perceived some Rhodian youths dressed with great splendor and magnificence, he said with a smile of contempt, "This is all arrogance." Afterwards some Lacedemonians came in his way, as mean and as sordid in their attire as the dress of the others was rich. "This," said he, "is also arrogance.

I'll burn myself, or I'll cut myself. For a burn or a cut might be shown, might be nursed, might scar or heal, would be a miserable kind of emblem; would anyway be there, on the surface of her body, rather than corroding it from within. Now the thought came to her again, that she might scar herself in some way. It came, like the solution to a problem: I won't be doing it like some hysterical girl. I won't be hoping she'll come catch me at it. It won't be like lying on the sitting-room floor. I'll be doing it for myself, as a secret.

I believe that the confidence, really being okay with myself, and really being okay with my gift have grown over the years. It just came with time, and it came with getting my feelings hurt, a few times, and realizing to stop performing for people but if perform for God, who gave you the talent, then you can care less about what any casting directors, producers, or what any of them think. You're doing it for a higher purpose. If they don't like it, that's okay! God does.

I have this theory that people are actually really hungry for sonic space and understanding words, and I think that people are ready to look back and actually appreciate some of what came before. And then you really do have the entire movement that I'm just going to call feminist, because I am a feminist. I think the education of young girls and women about what came before has started and I think that the knowledge of Fanny is part of that.

What sort of man is this, who over and over again, gave numerous details about His death, months before it occurred, and added to each such utterance that on the third day after His decease He would rise again from the dead - and DID RISE, as even the city of Jerusalem soon came to believe? No other founder of a great world religion (or a small one) ever made such statements, or ever came forth from the dead.

Jackson and I spent the day together, just me and him and his children. Little underlings came and went. The P.R. person came and went... It was just Michael and me and the kids. And it was very, very interesting.

The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.

See, the 'On the Road' that came out in 1957 was censored. A lot of the honesty of it, the bitter honesty, is in the original scroll version that came out in 2007 on the 50-year anniversary. Back then, there was so much post-Second World War fear that was imposed on everybody - 'You must live life this way' - and these guys were bored.

God didn't come down and tell me; I had to find it out through many years of experience. The work came first; the inspiration came later.

When Ronald Reagan's career in show business came to an end, he was hired to impersonate, first, a California governor and then an American president who would reduce taxes for his employers, the Southern and Western New Rich, much of whose money came from the defence industries. There is nothing unusual about this arrangement. All recent presidents have had their price-tags.

When I came back, after all those stories about Hitler and his snub, I came back to my native country, and I could not ride in the front of the bus. I had to go to the back door. I couldn't live where I wanted. Now what's the difference?

For me to sit here and give all kinds of excuses to make it right, I can't do. But what I want to ask everyone out there, everyone that has a child, everyone that has a brother, a sister: if your child or family member was abducted today, if a mad man came in, a terrorist came in, abducted your family member or your child and if I said to you I can bring your child home...does it matter how I bring them home?

Each of us has a creation tale - how we came into this world. And I'll add this: each of us has an uncreation tale - how our lives came apart. That which undoes us. Sooner or later, it will claim you. Mark you. More than your creation.

I came up with a new game-show idea recently. It's called The Old Game. You got three old guys with loaded guns onstage. They look back at their lives, see who they were, what they accomplished, how close they came to realizing their dreams. The winner is the one who doesn't blow his brains out. He gets a refrigerator.

I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.

The first year I was in office, only about 800 people came out of the Soviet Union, Jews. By the third year I was in office... second year, 1979, 51,000 came out of the Soviet Union. And every one of the human rights heroes - I'll use the word - who have come out of the Soviet Union, have said it was a turning point in their lives, and not only in the Soviet Union but also in places like Czechoslovakia and Hungary and Poland [they] saw this human rights policy of mine as being a great boost to the present democracy and freedom that they enjoy.

When I collaborated with Nelly Furtado, the idea for the song structure came from myself, but the lyrics and the ideas behind the songs came from her.

I remember when TiVO first came out I was all about TiVo. I came home and that thing was frozen, and I thought 'This is awful. This is the end of the world'. Then I unplugged it, and I plugged it back in, and still frozen. It was paralyzing. I called them. They said, 'Just unplug it longer.' Fixed. But it also taught me I'm an addict.

When I was younger, I would mess about and have a laugh with everyone. I was doing Atonement when I was about 12, and as we went to do this very serious scene, the director Joe [Wright] came up to me ... I'd been giggling right up to the beginning of the take. And he came up to me and said, "Okay, you need to be serious now." I completely idolized him.

In all honesty, because my name is Cinco and I grew up in Phoenix, I had a lot of exposure to Latin culture and those sorts of things, and that inspired the idea of this villain, El Macho. The name came first and everything else came after that. We loved the idea of this villain. Ken actually has a lot of Latino roots in his family, too.

When Donald Trump won the election because when I came into the show, I said, I think this guy can win. This was when he first came down that escalator. He gave his first speech.

I think in my case winning fans came as a result of winning tournaments. Certainly, I didn't have too many supporters when I came on Tour. I didn't look like an athlete, I was overweight, had a crew cut, baggy clothes and on top of that I didn't smile much. I was very serious about my game, literally and figuratively the heavy.

I think of myself primarily as a reader, then also a writer, but that's more or less irrelevant. I think I'm a good reader, I'm a good reader in many languages, especially in English, since poetry came to me through the English language, initially through my father's love of Swinburn, of Tennyson, and also of Keats, Shelley and so on - not through my native tongue, not through Spanish. It came to me as a kind of spell. I didn't understand it, but I felt it.

When I was 18 years old, I came to Tokyo from my hometown, Ise, in the countryside. I'd always been really inspired by fashion and music, especially when punk came out in '76 or '77.

Once, BBC television had echoed BBC radio in being a haven for standard English pronunciation. Then regional accents came in: a democratic plus. Then slipshod usage came in: an egalitarian minus. By now slovenly grammar is even more rife on the BBC channels than on ITV. In this regard a decline can be clearly charted... If the BBC, once the guardian of the English language, has now become its most implacable enemy, let us at least be grateful when the massacre is carried out with style.

I was being brought up on peasant stories; my mother came from Europe and she'd been a peasant and that was the area where the Frankensteins and the Draculas came from and it was entertainment for the people. Nobody had TV, and that was the way peasants would entertain themselves, by telling these stories.

Not so great in England at the moment; in an online poll we came last, we actually came bottom of European countries for quality of life, because of things like the weather, obviously, late retirement, poor holiday, poor public services, poor health service; it's basically just a kind of grey, godless wilderness, full of cold pies and broken dreams.

I used to be a child. It came naturally to me. I was an adult for a time, too. That came less naturally.

The report also said that there wasn't agreement among the 17 agencies. When the FBI came out - they came out - when there was a conclusion on the DNC, their conclusion was very clear and they made it public. Now, if the CIA or whoever else comes out. But they didn't conclude that it was Russia.I don't care if it's Russia or whoever, they shouldn't - we're going to protect Americans. We don't want these countries or whoever else these people are hacking our country, our parties, our - we protect our Americans. We don't like it. We're against it.

Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.

I love the U.S. We came the first time in 2003, and it seems like we haven't left since. James Iha from The Smashing Pumpkins came to Stockholm to see one of our shows, and he really fell in love with the band. He said, "I'm going to take you to America, I'm going to release you on my label." When you're in your early twenties and you get that kind of opportunity, you just gotta roll with it.

I came from nothing. I came from the projects and welfare and ended up a millionaire with no frame of reference. I was bound to hit a wall sooner or later.

I'm feeling better after the game than I did when I came off the floor with cramps. ... I was going to try to give it a go, and 'Spo said 'No.' You know, after I came out of the game, they kind of took off. And it was frustrating sitting out and not being able to help the team.

A sense of calm came over me. More and more often I found myself thinking, "This is where I belong. This is what I came into this world to do.

Most rappers are black men. If you're a black man, you owe something to the community that you came from. If you're rapping about the community that you came from, and you're romanticizing parts of it for the entertainment of people who don't look like you, you certainly owe something to the community.

If a book were written all in numbers, it would be true. It would be just. Nothing said in words ever came out quite even. Things in words got twisted and ran together, instead of staying straight and fitting together. But underneath the words, at the center, like the center of the Square, it all came out even. Everything could change, yet nothing would be lost. If you saw the numbers you could see that, the balance, the pattern. You saw the foundations of the world. And they were solid.

I'm a child of the 70's. R&B to me is Curtis Mayfield. Then a transition came in and I was part of the Hip Hop era when Sugar and Kane came out. That was a good transition for me. Then now R&B is Hip Hop and Hip Hop is R&B.

She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky.

Early on I came to realize something, and it came from the mail I received from kids. That is, kids at that pivotal age, 12, 13 or 14, they're still deeply affected by what they read, some are changed by what they read, books can change the way they feel about the world in general. I don't think that's true of adults as much.

God looked down on this country because this country was founded on the rock and that rock was our Lord and Savior Jesus Christ. And when the storms came and the rains came, the rock, it did not move. But over the last 15 or 20 years, something began to erode.

Bill Blass came in all the time, and I would make him roast chicken with spring potatoes and spring porcini with spring onion. And baby artichokes. And never, ever did he find a better chicken. Norman Parkinson, one of the greatest photographers alive, came every lunch to Le Cirque. And every time he would clean up his plate with his bread and then he would take his marker and write on the plate how much he loved the food. I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.

When Gaddafi came to Paris in 2007, he was supposed to stay at the Hôtel de Marigny, which is the best hotel. But Gaddafi came with a tent. It was this huge flagged tent - just him and his army guards, who were all girls. They were in these crazy leopard outfits. I mean, Gaddafi is way better dressed than any pop star in the world.

I thought it was funny. I always thought Star Wars and Indiana Jones were basically comedies. The humour came out of their relationships; it came out of the fact that we were basically types.

The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.

I had a moment like that with Wilt (Chamberlain). He knocked me out of bounds, I came back and faked him, came across the middle and dunked on him.