Quotes About Classical

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

My Mom is a ballet director, so I had this idea in me that classical training is the best foundation for anything you do, so I wanted to get a classical background and voice.

Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.

When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.

Too much horsing around with unrealistic stances and classic forms and rituals is just too artificial and mechanical, and doesn't really prepare the student for actual combat. A guy could get clobbered while getting into this classical mess. Classical methods like these, which I consider a form of paralysis, only solidify and constrain what was once fluid. Their practitioners are merely blindly rehearsing routines and stunts that will lead nowhere.

I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.

There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.

Wherever and whenever I sing, if there is only one spiritual on a program, people will talk about two things afterward, and one of them will be the spiritual. What I bring to this is the best of my classical training - not all of it. I apply what is appropriate.

It's not that people don't like classical music. It's that they don't have the chance to understand and to experience it.

When you have rules to abide by, does that curtail you as a designer, or set you free? People think of classical architecture visually, but I think the brilliant part of it is actually spatial.

Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it becomes your friend for life.

You know how some people seem to think that their love for classical music makes them spiritual or at least something quite special? And others who think you are a monster if you don't 'love children,' however obnoxious the children may be? Well, I found out that many people who love flowers look down on those who don't.

When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer.

I like to listen the blues and some classical.

For young players, their minds are not overloaded. I am 54 with four kids and I do many other things. Even if I stopped everything else, spent months working just on chess, for a long match against most of the top players, a classical match, six hours, say, I don't stand a chance. I have a better chance in shorter matches. Rapid is 25 minutes, or blitz events where you have five minutes to make a move, or bullet games, where it is one minute. For blitz, five-minutes chess, I would be top ten, top five. But longer games, no chance.

I write right off the typer. I call it my "machinegun." I hit it hard, usually late at night while drinking wine and listening to classical music on the radio and smoking mangalore ganesh beedies.

I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.

I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."

I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.

I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.

Classical music is a wonderful 1200 year-old tradition that witnesses everything that it has meant and what it means right now to be human.

[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.

Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats.

I read and write classical piano and percussion, also guitar.

In blues, classical and jazz, you get more revered with age.

I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.

The perfect aphorism would achieve classical balance and then immediately upset it.

Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers.

I learned some classical music history, which I had done quite a bit at of Performing Arts. But I got some more with a great teacher named David Noon, who I've been in contact with quite a bit in recent years.

Our odd idea of the classical world, the white Washington, D.C., is based on buildings that were originally brightly painted.

It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong

Perhaps if the year was 1447 instead of 1947 I might have hoodwinked my gentle nature by administering her some classical poison from a hollow agate, some tender philter of death. But in our middle-class nosy era it would not have come off the way it used to in the brocaded palaces of the past. Nowadays you have to be a scientist if you want to be a killer.

I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.

The peculiar characteristic of classical music is that it is really better than it sounds.

Classical theology defines sin as 'rebellion against God.' The answer is not incorrect as much as it is shallow and insulting to the human being. Every person deserves to be treated with dignity even if he or she is a 'rebellious sinner'.

Einstein does not remain attached to the classical principles, and when presented with a problem in physics he quickly envisages all of its possibilities. This leads immediately in his mind to the prediction of new phenomena which may one day be verified by experiment.

The day is past when schools could afford to give sufficient time and attention to the teaching of the ancient languages to enable the student to get that enjoyment out of classical literature that made the lives of our grandfathers so rich.

I'm a prostitute. Do you know what, it really is basically I just really like to work! I'm thrilled that there's a variety. It's why I got into this business to begin with, because I really don't have the discipline or intellect to have a 9-to-5 job. But I came from a classical music background and I merged that to theatre, it kind of opened up the door to a lot of different possibilities.

The classical man's worst fear was inglorious death; the modern man's worst fear is just death

I used to dance for seventeen years -classical ballet, which was very disciplined. I like yoga and Pilates, but I don't have the discipline to go to the gym.

I always listen to all kinds of different music from different years. I listen to the contemporary, but once in a while into eighties, you know just for fun, and sometimes classical too. So I have this big mix on my i-pod... Amy Winehouse, Gwen Stefani, OutKast, Jay-Z. I listen to trance, pop, everything. It really depends on my mood.

I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.

All these poses of classical torture ruined my mind like a snake in the orchard. I did go from wanting to be someone, now I'm drunk and wearing flip-flops on Fifth Avenue.

I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.

On horseback you feel as if you're moving in time to classical music; a camel seems to progress to the beat of a drum played by a drunk.