Quotes About Classical

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

Too much horsing around with unrealistic stances and classic forms and rituals is just too artificial and mechanical, and doesn't really prepare the student for actual combat. A guy could get clobbered while getting into this classical mess. Classical methods like these, which I consider a form of paralysis, only solidify and constrain what was once fluid. Their practitioners are merely blindly rehearsing routines and stunts that will lead nowhere.

There are so many different ways to talk and think about art. We just spoke about when attitude becomes form. But when I was a kid, I had these two art teachers, a couple, who were continuing a line of very classical, atelier art training, and they instilled in me a sensitivity to all the classical verities of line, shape, color, texture, and composition, which is only engaging if you're making two-dimensional objects.

I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.

I studied classical percussion for ten years. At one point I was thinking about going to the Sydney Conservatorium of Music, but then I realized it's actually not what I wanted to do.

Its a small community, the classical music community, along with the excitement of new places and new things and this feeling of being at home wherever you go because thats where your community is.

Listening to classical music is a journey not a state; it's an activity not a meditation.

When you have rules to abide by, does that curtail you as a designer, or set you free? People think of classical architecture visually, but I think the brilliant part of it is actually spatial.

Quality in a classical Greek sense is how to live with grace and intelligence, with bravery and mercy.

I got obsessed with classical music, I got obsessed with Chopin, with playing the piano.

For young players, their minds are not overloaded. I am 54 with four kids and I do many other things. Even if I stopped everything else, spent months working just on chess, for a long match against most of the top players, a classical match, six hours, say, I don't stand a chance. I have a better chance in shorter matches. Rapid is 25 minutes, or blitz events where you have five minutes to make a move, or bullet games, where it is one minute. For blitz, five-minutes chess, I would be top ten, top five. But longer games, no chance.

My father is doing a radio program - classical music. He has a beautiful speaking voice and that's his passion in life, his music. My mother lives in Melbourne and is an avid photographer. She's also started writing for a magazine out there and she submits poems, very funny ones, and articles. In some way or other, my family is always doing something with the media.

I would prefer to listen to a French classical composer like Olivier Messiaen than to the pop hits of the day.

I went to the Performing Arts School and studied classical ballet. That attitude is something that's put into your head. You are never thin enough.

Most of these charges that people pay are economically unnecessary. There's no real cost behind them. There's no real value behind them. So, they're what the classical economist called empty pricing. Prices with no real cost value. What they called rent and fictitious capital. Capital claims on junk mortgage borrowers. The pretense is that all these debts can be paid but it's all fictitious, because everybody knows - at least on Wall Street everybody knows - that many debts can't be paid.

Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.

When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.

I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.

I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to.

I had to listen to the classical music because it calms me down, calms my nerves down.

[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.

The classical example of a successful research programme is Newton's gravitational theory: possibly the most successful research programme ever.

For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.

No, no," Mr. Darling always said, "I am responsible for it all. I, George Darling, did it. MEA CULPA, MEA CULPA." He had had a classical education.

I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.

All the classical meditation traditions, in one way or another, stress nonattachment to the self as a goal of practice. Oddly, this dimension is largely ignored in scientific research, which tends to focus on health and other such benefits. I suppose the difference has to do with the contrast in views of the self from the spiritual and scientific perspectives. Scientists value the self; spiritual traditions have another perspective.

I know there are a lot of eyes on me now from young girls, and it makes me so proud. The only Black woman examples aren't Rihanna and Beyoncé. It makes me proud that I am a classical ballerina and they can look at me and see another way to succeed. That is setting a new standard.

I've been a faithful reader of the great classical documents of economics, or tried to be. The first book in the field that I ever read was Principles of Economics by Alfred Marshall. I suppose subsequently I would have to pick out Keynes, Adam Smith, Marx.

I took classical piano lessons from the age of five.

Running is the classical road to self-consciousness, self-awareness, and self-reliance.

A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.

All these poses of classical torture ruined my mind like a snake in the orchard. I did go from wanting to be someone, now I'm drunk and wearing flip-flops on Fifth Avenue.

I like rock music. I also like classical, if you ask me. I'm very adaptable, they say that. But I have certain preference too, be honest.

I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.

I started getting interested in the notes that I could hear being generated when I hammered on while playing a classical guitar.

We can compare classical chess and rapid chess with theatre and cinema - some actors don't like the latter and prefer to work in the theatre.

I've been lucky that I've performed with a lot of the classical people I've wanted to work with so I'd like to do something that people didn't see coming. Like Madonna, or being Welsh - the Tom Jones thing. Or somebody suggested N-Dubz - that would be brilliant!

I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.

In those days a boy on the classical side officially did almost nothing but classics. I think this was wise; the greatest service we can to education today is to teach few subjects. No one has time to do more than a very few things well before he is twenty, and when we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.

I listen to mostly-classical music, but mostly by radio - I'm not an audiophile.

Classical pianist Awadagin Pratt. I first heard this eccentric and introverted performer when I was living in the Midwest. He was playing Brahms ballades - haunting.

Jazz isn't as profitable for labels like Hip hop or Rap. Jazz needs subsidies to continue, just like European classical works of Bach and Beethoven are subsidized.

Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.

My Dad died during the flu epidemic in 1918 when I was 4 years old. He left a lot of classical recordings behind that I began listening to at an early age, so he must have been a music lover.

I have a very varied taste in music. Everything from rap to classical to Latino to Rat Pack to jazz.

At a certain point, I became a kind of musician that has tunnel vision about jazz. I only listened to jazz and classical music.

From the heaviest of the heavy to classical to country, that's what I listen to, I listen to a variety and I enjoy good music, good songs.