Quotes About Classical

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

Being a musician, you want to be able to do the hardest stuff there is. People would think it's classical, but in classical, it's all on the page and the difficulty is keeping up with the music.

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

I have been writing JavaScript for 8 years now, and I have never once found need to use an uber function. The super idea is fairly important in the classical pattern, but it appears to be unnecessary in the prototypal and functional patterns. I now see my early attempts to support the classical model in JavaScript as a mistake.

The Beatles are a classical group because they're classic.

The psychology of the saver and the psychology of the investor is very closely connected with Keynes' distinction between risk and uncertainty. When the future is uncertain, he thought that a lot of saving would be directed towards securing, securing more, getting more security in the present, rather than building wealth in the future, which was the classical view, you save in order to invest, in order to consume more later on. What he had called the propensity to hoard or liquidity preference would normally be stronger than the inducement to invest.

I like to listen to classical music... I like mainline jazz.

What would've happened, do you think, had the government not intervened in October 2008? The catastrophe to the economy would've been absolutely unbelievable. And yet classical economists say, "Oh, well, no, it would've adjusted perfectly happily, a few weeks of pain and then everything would've gone on as before, without a banking system left." And that's what makes it so maddening, that these bankers are back saying it was all the government's fault. The government saved their skins. It didn't want to, but it needed to save their skins in order to save the rest of us.

I think any classical training in the theatre is of enormous value.

I learned the cello , but I would still need a massive amount of practice. But I do play classical music, so I understand where that comes from.

There are fields of scientific work...which have been explored from the different sides of pure mathematics, statistics, electrical engineering, and neurophysiology...in which every single notion receives a separate and different name from each group, and in which important work has been triplicated or quadruplicated, while still other important work is delayed by the unavailability in one field of results that may have already become classical in the next field.

A lot of blues guitarists play with only three fingers, and they can't figure out certain runs that require the use of their little fingers. Classical training is good for that.

when dancing is right, the movement possesss a logic common to us all, an inevitability that takes it beyond the personal and egocentric and makes of it classical art.

Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there.

I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.

Securing, not prohibiting, the orderly transfer of wealth from A to B, based on wealth differentials, is the raison d'être of the [New Deal programs]. The contrast between the modern progressive and classical liberal agendas could not be more explicit.

I'm sure there are a few things in my CD collection that might surprise people. I like classical music, the blues, and I'm a big fan of alternative rock.

We cannot pursue a classical and Christian education as a fad. We are not purchasing intellectual hula hoops for the kids.

One should study the Bible alongside other intellectual traditions - such as British constitutionalism, Enlightenment liberalism, and classical republicanism - in order to truly understand the American founding.

Mystery. The strangeness of place so necessary to some creative spirits. A perfect mixture of the classical utopia and the pagan mystery.

It started so early, it all runs together. But what made a huge impact on me was when I went to Europe at 15 or 16 years old. All I knew before that was music on the radio and TV. When I went over there I realized there are all different levels of music. There are people who do blues, jazz, classical, working in film, TV and all kinds of places. You might not see them on MTV but there are lots of needs and uses and opportunities for all kinds of music.

I definitely try to broaden the scope of music. I don't know if it's pop or classical or what, but I'm religiously challenging myself all the time, for better or for worse.

I'd like to do some more classical work if I do some more theatre.

Science spotlights three dimensions of nature that point to God. The first is the fact that nature obeys laws. The second is the dimension of life, of intelligently organized and purpose-driven beings, which arose from matter. The third is the very existence of nature. But it is not science alone that has guided me. I have also been helped by a renewed study of the classical philosophical arguments.

In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.

From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.

If a musician wants to blossom into a full-fledged person, it's not enough if he knows only classical music; nor it is enough if he's well-versed only in raagas and techniques. Instead, he should be a knowledgeable person interested in life and philosophy. In his personal life there should be, atleast in some corner of his heart, a tinge of lingering sorrow.

My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.

It certainly is an embarrassing fact, then, for certain classical scholars to have to face, that the Platonic Academy continued to function in Athens for over nine hundred years.

I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.

The pillars of classical liberalism call for flat taxes, with revenues put to limited uses; strong property rights; and free markets.

Jazz isn't dead yet. It's the underpinning of everything in this country. Whether it's a Broadway show, or fusion, or right on through classical music, if it's coming out of the U.S., it's not going to survive unless it's got some jazz influence.

At a certain point, I became a kind of musician that has tunnel vision about jazz. I only listened to jazz and classical music.

A well-rounded performer will listen to all kinds of music. I like classical, Middle Eastern, and rock a lot.

Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.

We must consider not only why the classical theory of democracy appears to be in contradiction with the observed practice, but also why the many different responses to this observation, though mutually incompatible, all share the belief that democracy is the best form of political organization.

In some ways, it is difficult for contemporary composers to find an audience. Both men and women would love a culture that embraced and hungered for new music, as they did in the Classical period. I tell my students that they should just keep writing, write what pleases you, and don't worry about what people or critics may think about your music.

By then, I was making the slow transition from classical biochemistry to molecular biology and becoming increasingly preoccupied with how genes act and how proteins are made.

But if you listen to great piano players, both classical and jazz, theres a huge range of dynamics and colors and emotional expression thats possible with the instrument.

Classical virtuosity is more than technique, line, proportion, and balance. It is as if the performer and spectator come together to hold in their hands a bird with a broken wing. The creature can be felt to stir, to struggle for freedom. Its life responds to human warmth; its wing might brush your check as it flies away.

The musical instuments may be western but my voice never wavers away from my own ragas. it is good to make experiments and I do a lot of them but my thoughts always round the centre and that centre is the tradition of my elders and it is classical music...

Often in the morning I will sit in a favorite chair in my study with a cup of coffee, with classical music playing, not trying to form a prayer with words but waiting, listening, until perhaps I sense the Spirit bringing to the surface a word from God. Then I offer just a simple 'Thank you.'

I was finishing up at High School of Performing Arts and finally, by the end of junior year and start of senior year, made some progress as a 16 year-old classical saxophone player. But not really... not like how the legit cats do. But I love the [Jacques] Ibert, love [Alexander] Glazunov, love the [Paul] Creston.

A classical work doesn't ever have to be understood entirely. But those who are educated and who are still educating themselves must desire to learn more and more from it.

I call myself a liberal - a classical liberal as in John Stuart Mill.

I was fairly poor but most of my money went for wine and classical music. I loved to mix the two together.

The classical music scene was completely unfamiliar to me. A lot of people think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.

Culture dictated from above is the enemy of folk music. Whether it's stuffy classical music or pre-engineered pop where somebody's paid tons of money to make sure that everyone hears this song a certain number of times a day - that feels like the opposite of folk music.