Quotes About Color

For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.

Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.

Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

The shiny red color of the soles has no function other than to identify to the public that they are mine. I selected the color because it is engaging, flirtatious, memorable, and the color of passion.

Light and color are closely linked. The colors can make a crucial change in nature, if you switch from daylight to artificial light or just from strong to weak illumination. In addition, color perception is affected by the material structure. Even if a piece of textile can have the same color as a shiny enamel plate, then they will act completely different.

There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.

During college, when I was working full time for my father [the decorator Mark Hampton], I rented an apartment and I just couldn't take time off to paint it. So I went there one evening and stayed up all night painting the place what I thought was a lovely pale yellow. When the sun came up, I realized I'd painted the walls the color of insanity. I had to immediately mix in all my trim color to tone it down. Yellow is an electric color and wholly misleading. It becomes more yellow with the sun's yellow light on it. The moral is, even if you think your yellow is the one, go paler.

In terms of bridal dress, I've tried everything. I've tried short, long, deconstructed, constructed, bustiers, working in fabrics, working in color. I've been working in color in bridal for probably 15 years. Who else would do an entire collection dipped in tea? I did that one year. My design team dipped every single dress in tea in a bathtub. I did that just because I wanted to work out of the vocabulary of white.

'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.

For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.

And when you tell me that somebody's skin color or gender is going to determine their prospects in this world, that is turning the clock back hundreds of years. Back to a time before this nation declared that all men are created equal and endowed by their creator; not by their ancestry, not by their skin color, not by their gender, not by Congress, not by the Constitution, and not by the laws

No matter our background, or income, or geography, we are all citizens of America. And no matter our color, or the blood, the color of the blood we bleed, it's the same red blood of great, great patriots.

If you force me to pick one color, it'd be Black... It covers up the things inside of me that I don't want to be known. Well, for the same reason, black is the color I hate, too.

Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.

Learn to recognize the false dawn from the true; distinguish the color of the wine from the color of the cup. Then it may be that patience and time may produce, out of the spectrum-viewing sight, true vision, and you will behold colors other than these mortal hues, you will see pearls instead of stones. Pearls, did I say? Nay more, you will become a sea, you will become a sun traveling the sky.

I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.

The system of white supremacy is intended to make folks of color doubt themselves, their intelligence, their abilities, their very sanity. And so it's important to remember that folks of color know their own realities.

When color TV arrived, it just sat there and you saw color. I've been to retail stores where there were no 3-D glasses at all and the 3-D images were all blurred. People were coming in and saying, "I don't want to buy that." There's a lot of marketing connected to introducing technologies and especially introducing new experiences.

When I look in the mirror I see the woman I knew I wanted to be as a child. When I was a young girl, I had a vision of the woman I wanted to be. And I often reached out to women of color in America for inspiration. My mother would regularly buy Essence and Ebony. I would look at those magazines filled with images of professional, intelligent women of color who knew who they were, who enjoyed who they were, and who were surrounded by other people who enjoyed who they were. When I look in the mirror, I'm really glad that that's what I see today, but it took awhile to get here.

Reporter lady: What's that color? John: Hm. I'd call this a color!

Until the philosophy which hold one race superior and another inferior is finally and permanently discredited and abandoned... Everything is war. Me say war. That until the're no longer 1st class and 2nd class citizens of any nation... Until the color of a man's skin is of no more significa...nce than the color of his eyes, me say war. That until the basic human rights are equally guaranteed to all without regard to race me say war!

While the 2013 color of the year, PANTONE 17-5641 Emerald, served as a symbol of growth, renewal and prosperity, Radiant Orchid reaches across the color wheel to intrigue the eye and spark the imagination.

The whole point is that colors that are harder to wear, like pink, less expected, or maybe not as commercial; if they're used in the right way, they can make a design way more compelling, especially in menswear where color isn't often used. I think it's really exciting to have a lot of color in men's stuff.

One of my favorite beauty products is Vincent Longo Water Canvas creamy blush. I have it in every color and I've been using it for 5 years and that's all I put on when I leave the house. It looks so natural I just put a little bit on my cheeks to give them some color.

Not an ugly color, Nanny thought. Just not a human color.

My hope as an actress is knowing that I'm someone who is more privileged - I'm biracial and lighter-skinned - and I hope it can open up the door for more women of color, especially darker-skinned black women. I hope everyone hops on the bandwagon and decides to start putting women of color in movies that aren't just about race.

This being Black History Month, I would like to ask people to celebrate the similarities and not focus on the differences between people of color and not of color.

The color of the object illuminated partakes of the color of that which illuminates it.

With all its variety and liveliness, color acts in the work of art as blood does as it circulates through our bodies. Color is what keeps the painting alive and moving.

Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation.

The older I get, the more I feel that color is what painting is. Painting is primarily color.

Full color experience is peculiarly satisfying even though it is exhausting and leaves you feeling two-thirds color blind when you're not making the effort.

At least 15 percent of human females possess a genetic mutation that gives them an extra (fourth) type of color photoreceptor - and this allows them to discriminate between colors that look identical to the majority of us with a mere three types of color photoreceptors.

My comedy has no color, it's for everybody, black, white, Latino, Asian. It's not a pro-black show, not a def jam show; it's just straight, wholesome type of humor.

I find color schemes that I just like and that just feel right.

[Trump's worldview states] that, for example, women are incompetent as compared to men in business settings. That women in general are intellectually inferior and have to make up for that by using their sexuality to get ahead. That women of color are angry, irrational, lazy, and always ready to get into a fight for no reason. That men in the workplace can say incredibly racist and sexist things, and as long as they make more money than their competitors, the racist and sexist things they say and do are totally acceptable.

I had a really bad blushing problem when I was younger. The first time I ever performed was in an English class. I had an essay that I was supposed to write, and, instead of writing an essay, I wrote a song. So, I was playing this song in class, and I literally turned the color of this sweater that I was wearing, completely red. I think it was that feeling of challenging everything in me, my introverted personality. Like, "This is what you have to do. It doesn't matter if you do it wrong, you just have to do it."

Color is vibration like music; everything is vibration.

My black-and-white work is more of a celebration and the color work became more of a critique of society.

I admit it: I am louder than the average human being and have no fear of speaking my mind. These traits don't come from the color of my skin but from an unwavering belief in my own intelligence.

Uriah looked better than he did an hour ago--he washed the blood from his mouth, and some of the color returned to his face. I'm struck, suddenly, by how handsome he is-- all his features are proportionate, his eyes dark and lively, his skin bronze-brown. And he has probably always been handsome. Only boys who have been handsome from a young age have that arrogance in their smile. Not like Tobias, who is almost shy when he smiles like he is surprised you bothered to look at him from the first place.

I cannot consent to take the position that the door of hope - the door of opportunity - is to be shut upon any man, no matter how worthy, purely upon the grounds of race or color. Such an attitude would, according to my convictions, be fundamentally wrong.

Why is it that many contemporary male thinkers, especially men of color, repudiate the imperialist legacy of Columbus but affirm dimensions of that legacy by their refusal to repudiate patriarchy?

It is only my eye that has helped me. I am still hopeless with that thing called a scale ruler. I love color, but that comes very naturally to me. From the beginning, I never followed trends. If I was aware of them, I didn't care, for I believed as I do now, that rooms should be timeless and very personal. I don't set out to achieve a particular style. And I certainly don't have a 'look' - just a mishmash of everything that somehow, by instinct, usually turns out to be a warm imaginative, 'living room'.

You don't like the girl. You don't know what color eyes she has, you don't like her.

Color helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.

There probably is no more important quest in all science than the attempt to understand those very particular events in evolution by which brains worked out that special trick that has enabled them to add to the cosmic scheme of things: color, sound, pain, pleasure, and all the other facets of mental experience.