Quotes About Commercial

My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.

There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.

I always thought I was commercial. I always thought I was writing hit singles. These days, whatever's on the radio is considered commercial. People like what's on the radio, whatever it is.

I don't audition for "on-air" commercials - the ones where your face can be seen. I've auditioned for voiceover campaigns that I haven't gotten, but I don't really want to be seen in a commercial unless it's a product that I really love. Like, if Adidas asked me, I would do it in a heartbeat. But I did a Reebok commercial, one for Pep Boys, one for Dunkin' Donuts. I auditioned for commercials, but I really couldn't stomach it. It just didn't feel right.

In fact, Clinton-era publications of the US Space Command describe control over space as a parallel to control over the oceans a century ago. Then, countries built navies to protect and enhance their power in commercial and strategic interests. Today, the militarization of space is intended to protect US investments and commercial interest and US hegemony around the world.

We have feudal governments in a commercial age. It would be but an easy extension of our commercial system, to pay a private emperor a fee for services, as we pay an architect, an engineer, or a lawyer. If any man has talent for righting wrong, for administering difficult affairs, for counselling poor farmers how to turn their estates to good husbandry, for combining a hundred private enterprises to a general benefit, let him in the county- town, or in Court-street, put up his sign-board, Mr. Smith, Governor, Mr. Johnson, Working king.

Someday America will have its very own commercial-free TV and radio station devoted to only one thing: to teach people, in their homes, all the essentials of personal achievement.

When profits are pursued by geographic interchange of goods, so that commerce for profit becomes the central mechanism of the system, we usually call it "commercial capitalism." In such a system goods are conveyed from ares where they are more common (and therefore cheaper) to areas where they are less common (and therefore less cheap). This process leads to regional specialization and to division of labor, both in agricultural production and in handicrafts.

Most countries want to bring their people together and tear down physical, commercial and cultural barriers. Anyone who proposes separating them is out of line.

Every nation has to follow a certain policy: Commercial, trade, various other types of policies.

The outlook of the world today is for the greatest era of commercial expansion in history. The rest of the world will become better customers.

In high school, I got picked on. It's funny that I got tormented for what I'm doing now - the acting thing. People would see me in a Nickelodeon commercial, and I would hear about it the next day at school. Kids would say, 'Hi, TV Boy.' They heckled. I never got beat up.

We will proceed with current land reform with or without sanctions, ... Let that position be known here and abroad and let the commercial farmers tell that to their constituency or constituencies overseas.

the wealthy white western minority of the world could not hope to prosper if most of the rest of mankind were foundering in hopeless poverty. Islands of plenty in a vast ocean of misery never have been a good recipe for commercial success.

I think the commercial culture, and also science and technology after all, which gives us greater ease but also makes it harder for us to sit with the small amounts of distress that come just by living itself. It isn't that we're chasing happiness; I think we have the wrong model of happiness. I mean, defined as eudaimonia, defined as a values-based life of integrity and fidelity to yourself and what you most deeply want to stand for, that definition of happiness - man, that's the kind of life I want to live and I think that will support people and sustain people.

As a performer you are being used to keep people watching so the commercial endorsements that support the network can be seen by as many people as possible.

I rang my friend Jim Wolfensohn, who was then running a private commercial bank in New York. I said, "Come up to Vancouver", and he did. I put my proposition to him. He said, "I think it could work." I said, "Will you help us?" He said, "Yes." So, I set aside senior people in our treasury and they worked with Wolfensohn and the investment sanctions were applied. And that's what brought the regime down. The last South African Finance Minister, Barend du Plessis, went on record as saying that it was the investment sanctions that put the final nail in the coffin of apartheid.

The bad things the U.S. health care system are that our financing of health care is really a moral morass in the sense that it signals to the doctors that human beings have different values depending on their income status. For example, in New Jersey, the Medicaid program pays a pediatrician $30 to see a poor child on Medicaid. But the same legislators, through their commercial insurance, pay the same pediatrician $100 to $120 to see their child. How do physicians react to it? If you phone around practices in Princeton, Plainsboro, Hamilton - none of them would see Medicaid kids.

The commercial paper market, when that dries up, you know, that's just like sucking the blood out of the economic body of the United States.

The government needs the help of industry. But the reality is companies will balance that against their own commercial interest in a very competitive market.

The test of friendship is assistance in adversity, and that too, unconditional assistance, Co-operation which needs consideration is as a commercial contract and not friendship. Conditional co-operation is like adulterated cement which does not bind.

I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.

I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.

So many commercial orgs have software where you can come and modify it but they still control everything. And what's controlled is very clearly what's good for their business, or if they're more progressive, their view of what's good for the Internet.

Every McDonald's commercial ends the same way: Prices and participation may vary. I wanna open a McDonald's and not participate in anything. I wanna be a stubborn McDonald's owner. "Cheeseburgers?" "Nope! We got spaghetti, and blankets."

I want to be commercial, so imagine Disney people mixed with underground techno people... mixed with sass. An example of an underground techno person would be that French artist Yelle. She's all in French, so I can't understand a word she's saying, but her beats are really cool, and that's something that I want to do...but mix Disney in there, and that's what I want.

The cultivation of one set of faculties tends to the disuse of others. The loss of one faculty sharpens others; the blind are sensitive in touch. Has not the extreme cultivation of the commercial faculty permitted others as essential to national life, to be blighted by disease?

The administration says the American people want tax cuts. Well, duh. The American people also want drive-through nickel beer night. The American people want to lose weight by eating ice cream. The American people love the Home Shopping Network because it's commercial-free.

People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.

I saw a Velveeta commercial and it was playing, I think 'Burning Love.' He [Michael Jackson] had approved it - that's something we can't control. He can do whatever he wants with the songs he owns to make money, and that got under my skin.

I try to keep away from being big-headed. That's what causes people to lose the acting thing. They start being commercial, and then they stink for the rest of their lives.

...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.

Every commercial covers different ground, different ideas, and it's my profession to direct and to tell stories - for me, it's very organic.

I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films.

For years, computer scientists were treating operating systems design as sort of an open-reserch issue, when the field's direction had been decided by commercial operations. Computer science has become completely cut off from reality.

The real success story of branding in recent decades has been the way in which companies have used their brands to turn the satisfaction of complex and even spiritual needs into commercial transactions.

I'm singing the music publisher's theme song - it ain't a commercial.

Time is money, especially when you are talking to a lawyer or buying a commercial.

You look at all the sporting companies out there. I won't name names, but we know who they are. Good brands and logos and things like that, and they have to start catering to real women. Even in how their sports apparel is designed, and the commercials - you want to look at a commercial and see yourself.

I love smart commercial fiction. Susan Isaacs, for example and the readers who interest me are, in the preponderance, women. I am one of them; I like the books they like.

You have got to have an agent. Its a business. But I think there is a way to be artful and commercial at the same time.

I obviously think that freely available software can not only keep up with the evolution of commercial software, but often exceed what you can do commercially.

Self-censorship happens not only in China, or Iran or ex-Soviet places. It can happen anywhere. If an artist penetrates a certain taboo or a certain power through their work, he or she will face this problem. I'm always saying that commercial censorship is our foremost censorship globally today. Why do we still pretend we are free?

My first acting job was a Breck commercial.

The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.

After the Cardinals traded their No. 6 pick, I didn't know where I was going, ... The first thing I thought about was me and Ray Lewis doing that commercial, and how he made me do his laundry. And now it's actually going to be a reality.

Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist

Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.