Quotes About Commercial

As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.

This one commercial said, "Forget everything you know about slipcovers." So I did, and it was a load off of my mind. Then the commercial tried to sell slipcovers, but I didn't know what they were!

I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.

Underground is underground, commercial is commercial. There's market for both, and both get money.

Literary men are being employed to praise a big business man personally, as men used to praise a king. They not only find political reasons for the commercial schemes that they have done for some time past they also find moral defences for the commercial schemers... I do resent the whole age of patronage being revived under such absurd patrons; and all poets becoming court poets, under kings that have taken no oath.

It never occurred to me that I’d be typecast, although I was. And I never thought of the role as a commercial product, because I was… well, I was playing this slightly messianic alien. He isn’t violent, he doesn’t get his leg over the girl, he doesn’t steal, and he’s rather wry, and adorable, and mysterious. He’s lived for 900 years or something. He lives the life of the old patriarchs of the Old Testament. That’s not commercial. He’s special.

In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.

People should realize that I shot a Coke commercial back in 1986. So, you know, I've been around a long time. I carry my Screen Actors Guild Card.

Even while starting out I took things very seriously; I wasn't the sort of kid that would do a doll commercial or do a series for Nickelodeon. They asked me to do silly things, and I wasn't a silly kid.

I do remember that I was sitting in the make-up chair before the shoots for a commercial or film or other, and I thought: Sometime soon they are going to make a close-up of me and millions of people can see how many pimples I've got on my cheeks.

I still make more money as I do as an actor than director, however I don't want to be a commercial director.

I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

India, in particular, is looking to develop nuclear power for domestic, commercial use, and we should work with them. This is a good deal for both countries.

JPMorgan was already, for the most part. Our businesses at JPMorgan share the same cash-management systems. The commercial bank, the private bank, the retail bank, they all use the branches. The cash-management system moves the money around the world - for global corporations, and for you, the consumer, too.

What you of the CHOAM directorate seem unable to understand is that you seldom find real loyalties in commerce. ... Men must want to do things of their own innermost drives. People, not commercial organizations or chains of command, are what make great civilizations work. Every civilization depends upon the quality of the individuals it produces. If you over-organize humans, over-legalize them, suppress their urge to greatness - they cannot work and their civilization collapses.

I also think I could probably repeat the commercial success; whether I want to or not is a different matter. I think there is still better work inside me.

The BBC, during its 24 hours on the air, plays a very wide range of stuff. And it's not commercial.

I would hate to have "Holiday in Cambodia" become as tiresome to other people as hearing "Like a Rock" in a Chevrolet commercial.

Some say I'm an overnight success. Well, that was a very long night that lasted about 10 years. But while I do, of course, now feel the pressure having had books that have been very successful, I just know I have to concentrate on writing for myself. I can't worry about genres or markets or what might be commercial or not. That never works.

If you increase the number of rockets you build and you buy, then it's the scale of the economy, the price is going to come down. It may not come down in order of magnitude, but if several commercial ventures start being successful and there becomes a bigger market for these rockets, the price will naturally come down a bit. That's why I think Excalibur Almaz, we're a little bit unique in that we don't look at our so-called competition with disdain, we want them to succeed and it needs to have more than one player. Even if we are successful, we couldn't handle the entire market ourselves.

I liked it because it was such a dangerous script and showed just what human beings are capable of. Here was a movie in which Morgan Freeman and Brad Pitt, who always win in every movie they ever do, simply don't win. I felt that was outrageous for a commercial movie.

I'm a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work - which doesn't take up that much time.

If NASA is to reach beyond the Moon and someday reach Mars, it must be relieved of the burden of launching people and cargo to low earth orbit. To do that, we must invest more in commercial spaceflight.

It has often been found that profuse expenditures, heavy taxation, absurd commercial restrictions, corrupt tribunals, disastrous wars, seditions, persecutions, conflagrations, inundation, have not been able to destroy capital so fast as the exertions of private citizens have been able to create it.

Some of the commercial work I do is helping people to improve their presentations and add some design thinking. There are so many amazing things in science, and such great data, which can often be locked away. It's in the minds of these amazing practitioners, who can't necessarily express what they want in a visual way.

I have a dream, and a plan, to combine the commercial possibilities of Valentine's Day with the substance and meaning of black history month. I call it: Blackentine's Day.

And, we put a lot more value, or at least I personally put a lot more value, on the creative values and creative challenges of something than the commercial necessities.

The tensions are always based on financial resources. Something like film is very problematic because it is viewed as an art form and also as an industry with a pure commercial base.

I rang my friend Jim Wolfensohn, who was then running a private commercial bank in New York. I said, "Come up to Vancouver", and he did. I put my proposition to him. He said, "I think it could work." I said, "Will you help us?" He said, "Yes." So, I set aside senior people in our treasury and they worked with Wolfensohn and the investment sanctions were applied. And that's what brought the regime down. The last South African Finance Minister, Barend du Plessis, went on record as saying that it was the investment sanctions that put the final nail in the coffin of apartheid.

It is not to be disguised, that a war has broken out between the North and the South. - Political and commercial men are industriously striving to restore peace: but the peace, which they would effect, is superficial, false, and temporary.

And thirdly, the FDA occasionally does some genuine public good with whatever energies it has left over after serving the vested political and commercial interest of its first two activities.

I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.

I've been employed by the University of Helsinki, and that has been paying my bills. Obviously a ''real job'' pays better than most universities will pay, but I've been very happy with this arrangement I get to do whatever I want, and I have no commercial pressures whatsoever doing this.

Even before he came to power in 1997, Gordon Brown promised to change the accounts to parliament from simple litanies of cash in and cash out, to a more commercial system that took notice of the public property the departments were using. This system is known as resource accounting.

Whenever you think you're writing what other people want to hear from you, and that it'll be commercial, you're doomed to disaster. Writing has to be as truthful and specific as we can make it. The minute we think that we're reaching more people and pleasing them, we get general. And audiences sense that and turn away, shun us.

The Shuttle is to space flight what Lindbergh was to commercial aviation.

Representative government has broken down. Our politicians represent not the people who vote for them but the commercial interests who finance their election campaigns. We have the best politicians that money can buy.

Then, again, the ability to organize and conduct industrial, commercial, or financial enterprises is rare; the great captains of industry are as rare as great generals.

The reward of commercial civilization is the ability to consume a never-ending array of products.There are limits beyond which commodities cannot be multiplied without preventing their consumers from affirming themselves through the exercise of their personal freedom.When market dependence reaches a certain threshold it deprives people of their power to live creatively and to act autonomously. And precisely because this new impotence is so deeply experienced, it is expressed with difficulty.

In commercial fiction especially, everything in the story usually contributes directly to the plot The shorter the story, the truer this is

Advertising ministers to the spiritual side of trade. It is great power that has been entrusted to your keeping which charges you with the high responsibility of inspiring and ennobling the commercial world. It is all part of the greater work of the regeneration and redemption of mankind.

The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.

When "Search and Destroy" by the Stooges came on as a Nike shoe commercial, I got physically sick. That song meant the world to me, and I didn't feel this was the way it ought to be used.

But there's no way round it-commercial success is a mark of failure for a graffiti artist. We're not supposed to be embraced in that way. When you look at how society rewards so many of the wrong people, it's hard not to view financial reimbursement as a badge of self-serving mediocrity.

That's the power of great insights. Insights, not ideas. There's a difference. Ideas, valuable though they may be, are a dime a dozen in business. Insight is much rarer -- and therefore more precious. In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials.

I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.

I've really only had one (dream) since I got into this business at 13 years old, which was to be in this business forever. Once I did my first television commercial, I caught that itch and that bug. I want to be a part of pieces of art - as far as cinema is concerned - that people will want to see for generations to come. That's my dream.