Quotes About Critical

For Fanon, becoming actional is connected to his idea of a new humanism, which is explicitly critical of European humanism so intimately connected with colonialism. So, it is not simply about finding new concepts from anywhere, but being both critical and self-critical and also being very open to what is happening on the ground.

I am critical of myself like everyone else. You go to a movie theater and you are forty feet high. I had bad skin as a teenager and I am a shy person, but I think I am in the perfect business to fight my insecurities. You have to learn to love yourself and say 'I am pretty cool' instead of being so critical. You can easily fall into the trap of doing that.

As the director, you're meant to be critical and you are, so there are loads of things. But the thing is, the way I look at it is, to try to get some measure of success, it's dangerous to look at financial or critical success, or positive response as a measure.

Sometimes I read reviews, and without exception I will read critical essays that are sent to me. The critical essays are interesting on their own terms.

Anarchists should get together who agree, and develop their gifts at a critical point, in a critical place, and form genuine affinity groups in areas where they can have certain results, notable results - not move into areas of great resistance where they're almost certain to be crushed, defeated, demoralized.

When you look around at the six people that you spend the most time with, that's who you are. I think that in making those decisions in who you are going to be married to, who your friends are going to be, those are really huge, critical, life decisions. Who gets to talk to you everyday, is almost like the food that you eat. It is a very huge critical situation to choose who the people are that you are spending your life with, spending your time with and who you are choosing to give your love and everything to.

The most fundamental attack on freedom is the attack on critical thinking skills. Comments display our universal failure to teach and value critical thinking, leaving the possibility open that both everything and nothing could be true.

One of the greatest challenges facing civilization in the twenty-first century is for human beings to learn to speak about their deepest personal concerns-about ethics, spiritual experience, and the inevitability of human suffering-in ways that are not flagrantly irrational. We desperately need a public discourse that encourages critical thinking and intellectual honesty. Nothing stands in the way of this project more that the respect we accord religious faith.

For me, casting is critical. It's nice that social media and the passionate fans really corroborated choices and embraced kids to be characters.

Disorder can play a critical role in giving birth to new, higher forms of order.

Politicians would only move beyond gestures once there was a critical mass of informed citizens.

The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.

Success in TV-showmaking is just a matter of being authentic and doing the best you can, and you hope that people watch it and like it. For us [showmakers], we know where our bread is buttered, and we live by the written word of the critic. That's how shows build a critical mass on cable.

Before I was ten I became critical of the anthropomorphic God as interpreted in the churches. I did not warm to One thus revealed as the semblance of a bullying and mean old man who must have all his own way, be praised all the time and for attributes which were deplorable in us.

It is time for Democrats who distrust President Bush to acknowledge that he will be commander in chief for three more critical years, and that in matters of war we undermine presidential credibility at our nation's peril.

We are in a very critical and sensitive time in this nation. We need our president to sit down with folks who have a personal experience, a deep connection to the horror and the pain of this country`s provocative racial history. If the president wants to have a better understanding and appreciation for what he should do next, he needs to hear something from folks who have gone through this painful history. Without that personal connection to the painful past, it will be hard for him to regain that moral authority from my perspective.

As an actor you do look for a certain amount of critical acclaim and recognition from your peers and the industry at large. When that recognition comes to you, it's a special moment that you cherish and you always feel successful despite what the box office says.

I take criticism so seriously as to believe that, even in the midst of a battle in which one is unmistakably on one side against another, there should be criticism, because there must be critical consciousness if there are to be issues, problems, values, even lives to be fought for... Criticism must think of itself as life-enhancing and constitutively opposed to every form of tyranny, domination, and abuse; its social goals are noncoercive knowledge produced in the interests of human freedom.

The government has no business knowing how much money we make and how we made it. It's none of their business. And that's why I believe that manufacturing is critical. If we can't feed ourselves, fuel ourselves and fight for ourselves, we can't be free.

We need to be critical of the police and power structure, we need to stand back and solve these problems, and films need to point to that. There are too many stories that end happily and say very little about life.

The copy of an ad is merely a punning gag to distract the critical faculties while the image of the product goes to work on the hypnotized viewer. Those who have spent their lives protesting about 'false and misleading ad copy' are godsends to advertisers, as teetotalers are to brewers, and moral censors are to books and films. The protesters are the best acclaimers and accelerators. Since the advent of pictures, the job of the ad copy is as incidental and latent as the 'meaning' of a poem is to a poem, or the words of a song are to a song.

It is only through the opposition of ideas that we can learn to be self-critical, to work towards intellectual humility.

When you're making a critical decision, you have to understand how it's going to be interpreted from all points of view. Not just your point of view, not just the person you're talking to, but the people that aren't in the room. Everybody else.

Simply disabling specific critical thinking skills is all that is necessary for the god virus [to take control of a person].

The empowerment journey that is critical to your healing - and to your life - comes from progressing through the deep waters of your dark passions and continuing onward to discover not what has been taken from you, but what you have yet to give and who you have yet to become.

I really like when critics reveal their subjectivity and their humanity. I prefer it when people say nice things, but if they say not-nice things or things that are critical, I'm open to it and I accept it. I mean, I have to live with it. But I do think there's a dishonesty in not acknowledging that you're a person with an opinion. I think it's almost like a power grab.

Companies will often use the legal system to scare people away from attacking them. But we all should be free to make critical statements about anybody, unless those statements are malicious.

There is a tremendous amount of confusion and denial that exists about mass incarceration today, and that is the biggest barrier to movement building. As long as we remain in denial about this system, movement building will be impossible. Exposing youth in classrooms to the truth about this system and developing their critical capacities will, I believe, open the door to meaningful engagement and collective, inspired action.

For a generation that gets most of its information off a computer screen (be it Facebook, Instagram, YouTube, Twitter or what have you), an athlete has to be very careful about the public/private aspect of that. Be careful not to be overly critical, be careful with use of language, and understand the whole world is watching.

We know that pumping oil out of the ground does not create many jobs. It does not foster an entrepreneurial spirit, nor does it sharpen critical faculties.

A critical issue for women is the possibility to be a mother and the ability to participate fully in the workforce.

American power in the world relies on these ideals of openness and critical debate.

It's fantastic that Microsoft in the cloud space is one of very few companies that's got the critical mass, the particular emphasis on helping business customers get up to that cloud with all the unique requirements they have. It's very exciting.

Casting is always critical but in this case, 'The Way Back', I was looking internationally to a degree for an interesting mix of gentlemen, Irish, Polish, Russian and American. Not many people had the qualifications, people who would play the game, particular to this industry. So I had to research amongst the cast. They had to be very very prepared as we had to start shooting as soon as we could, there wasn't any time to talk, and there would only be three or four takes.

The idea that writing about characters of another race requires a passage through a critical gauntlet, which involves apology and self-examination of an almost punitive nature, as though the act of writing race was somehow morally suspect, is a dangerous one. This approach appears culturally sensitive, but often it reveals a failure of nerve. I believe the demand that we ought to reveals a species of fascism within the left - an embrace of political correctness with its required silences, which has left people afraid to offend or take a stand.

What really gets me is this - it's very ironic that those who are most critical of extra tax are those who are most vociferous in demanding extra expenditure. What gets me even more is that having demanded that extra expenditure they are not prepared to face the consequences of their own action and stand by the necessity to get the tax to pay for it. I wish some of them had a bit more guts and courage than they have.

When we find ourselves devoid of passion and purpose, the first thing we need to do is stop. But that's not easy. The rest of the world is zooming by at full speed. Left alone with ourselves, without a project to occupy us, we can become nervous and self-critical about what we should be doing and feeling. This can be so uncomfortable that we look for any distraction rather than allowing ourselves the space to be as we are.

Hands-on experience at the critical time, not systematic knowledge, is what counts in the making of a naturalist. Better to be an untutored savage for a while, not to know the names or anatomical detail. Better to spend stretches of time just searching and dreaming.

I ask that you offer to the political arena, and to the critical problems of our society which are decided therein, the benefit of the talents which society has helped to develop in you. I ask you to decide, as Goethe put it, whether you will be an anvilor a hammer. The question is whether you are to be a hammerwhether you are to give to the world in which you were reared and educated the broadest possible benefits of that education.

Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great season this year." No food critic would get a bad meal and say, "Oh, it was so lovely." It always strikes me as odd when people say, "Why do you write negatively about any art?" I think that everybody has mixed feelings about everything - even Goya. I mean, I look at Rembrandt sometimes and I hear a voice in my head go, "It's pretty brown."

There are 86,400 seconds in a day. Those seconds are critical.

The truth of the matter is that the people who succeed in the arts most often are the people who get up again after getting knocked down. Persistence is critical.

Economists who have studied the relationship between education and economic growth confirm what common sense suggests: The number of college degrees is not nearly as important as how well students develop cognitive skills, such as critical thinking and problem-solving ability.

Iraq may not be the war on terror itself, but it is critical to the outcome of the war on terror, and therefore any advance in Iraq is an advance forward in that.

I think we have to talk about educating the people for critical consciousness about what anarchy is.

The Western music tradition is mostly addressed to a public that has a critical mind, and judges the quality of the writing, of the interpretation. And I think it is a great tradition! It pushes the musicians to always go further, and to never stop pushing the limits and explore what can be done with sounds. And great pieces of art were born from that tradition.

Plants can help you they have a very strong vibrational force. If you've made friends with several of them, they will come and aid you when you've reached that critical moment and you're at a crossroads of knowledge.

For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.