Quotes About Critics

The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.

Never surrender to cynicism, even if you suspect it would get the critics on your side.Never surrender to cynicism, even if you suspect it would get the critics on your side.

I have been attacked by media critics and just critics of my own for years. And that, unfortunately, is part of the job in 2016 America. I was used to that. And I've developed a thick skin.

When you invent something, there will always be people to criticise. God's creation is full of critics, but has God given up His creation because of the critics?

I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.

Eisenhower had run the Army; he knew all the ways decision making can go off the rails, and insisted on collective debate precisely to prevent senior officials from freelancing, or putting their departmental interests first. For all the formal machinery, Eisenhower was very literally the commander in chief, making the key decisions himself and monitoring closely how they were carried out. Even years after D-Day, when critics needled him for not being on the front lines with the invading forces, he retorted, “I planned it and took responsibility for it. Did you want me to unload a truck?

Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do?

For some reason most critics have a hard time fixing their minds directly under their noses, and before they see the object that is there they use a telescope upon the horizon to see where it came from.

Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.

It's not curators, it's not critics, it's not the public, it's not collectors who find great artists - it's other artists.

It is hubris, claim the critics of 'absolutism', to suppose that we could ever even approximate to a true description of how the world anyway is. It is bad faith or 'bullshit', respond 'absolutists', to suppose - as the rhetoric of postmodernism implies - that we could seriously live and act with the thought that truth and value are simply our own projections. An attractive feature of 'ineffabilism', as I see it, is that it evades these accusations.

Those who live off of the donations of capitalism are often its greatest critics.

The most exciting periods of literature have always been those when the critics were great.

The cultural wars of the sixties are over. I've reconciled with those who were my critics and opponents years ago. I was at odds with some those who were Black nationalists. Yet when feminists attempted to end my career and leave me as literary road kill, it was the Black nationalists who came to my rescue.

I was trained in the '50s as a New Critic. I remember what literature was like before the New Critics, when people stood up and talked about Shelley's soul and such things

Music critics are part of the world, and I am part of the world.

I really like when critics reveal their subjectivity and their humanity. I prefer it when people say nice things, but if they say not-nice things or things that are critical, I'm open to it and I accept it. I mean, I have to live with it. But I do think there's a dishonesty in not acknowledging that you're a person with an opinion. I think it's almost like a power grab.

The stones that critics hurl with harsh intent, a man may use to build his monument.

I've got the public. I don't care about the critics. I did at one time. I don't any more. I did when I needed compliments. But if you get a lot of compliments, you don't need a critic to tell you, 'This should be done another way.'

Critics don't really affect the fact that we live in this paradise and what the meaning of that [is]. And what luck to have this!

Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f@*$%load of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.

You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.

It is a melancholy experience for a professional mathematician to find himself writing about mathematics. The function of a mathematician is to do something, to prove new theorems, to add to mathematics, and not to talk about what he or other mathematicians have done. Statesmen despise publicists, painters despise art-critics, and physiologists, physicists, or mathematicians have usually similar feelings: there is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds.

"How could you think of such awful things?" liberal critics always ask. "How else could I possibly amuse myself?" I always wonder.

I think it is important to do what you believe in and ignore the critics.

I am doing what I want to do - painting pictures people want and understand. I have no burning ambition to create the kind of 'art' which the confused critics praise for its 'plastic significance,' 'fluid lines,' and 'inner awareness,' or 'must be understood on three levels.

When I first started, especially because I got the Critics' Choice before I'd released an album, there was a lot of scrutiny on what my character was, what my background was, what colour my hair was. I fought quite hard for the music to overtake the personality aspect.

My job is to notice echoes and notice resonances. Scientists are not supposed to do the same thing that cultural critics do.

I often think people don't know what to think of me, and in fact this is precisely the objective of many of my creations. Even back in the days with Lady Starlight, my original partner, we aimed to bemuse. This feeling of bemusement - it's neither good nor bad. It just is. Whether critics realize it or not, they've been in a very long argument since my public birth.

Dear, damned, distracting town, farewell! Thy fools no more I'll tease: This year in peace, ye critics, dwell, Ye harlots, sleep at ease!

Honey, I am the chief of my train. If critics want to hop on board, fantastic. There's plenty of room. The KP train is fun.

When I did the album Electric Circus, not only was it not commercially received. But even the critics and hip-hop community was like "What is this?" At that moment, I could've been written off. But I had to believe because I really love what I do. I'm passionate about it. If 12 million recognize it, that's beautiful. If 12,000 do, that's beautiful. But I'm always going to put my heart and soul in it and I'm going to shoot for the stars and go for the highest levels of recognition and creativity. I definitely doubted myself at the time. But it always come back to believing what I do.

For me, the existentialists are important critics of 'absolutist' claims, and Heidegger and Merleau-Ponty are, at least in their later writings, also exponents of a doctrine of mystery: Being or the 'well-spring' of everything is, for Heidegger, ineffable, just as what Merleau-Ponty called 'Flesh' is for him.

What with the reviews of critics, the sarcasms of one's friends, the reproaches of one's own taste, there's precious little peace after publishing a book.

I don't know, I don't pay attention to critics anyway. They either like me or they don't, you know what I mean? I am too long in the tooth to worry about that.

I do not put myself in a box and say, for instance, I'm writing post-colonial literature. I don't know what I'm writing. That's the business of professors and critics. My job is to tell a story, and that's it.

Most Americans aren't the sort of citizens the Founding Fathers expected; they are contented serfs. Far from being active critics of government, they assume that its might makes it right.

The media wants overnight successes (so they have someone to tear down). Ignore them. Ignore the early adopter critics that never have enough to play with. Ignore your investors that want proven tactics and predictable instant results. Listen instead to your real customers, to your vision and make something for the long haul. Because that's how long it's going to take, guys.

The galleries are full of critics. They play no ball, they fight no fights. They make no mistakes because they attempt nothing. Down in the arena are the doers. They make mistakes because they try many things. The man who makes no mistakes lacks boldness and the spirit of adventure. He is the one who never tries anything. His is the brake on the wheel of progress. And yet it cannot be truly said he makes no mistakes, because his biggest mistake is the very fact that he tries nothing, does nothing, except criticize those who do things.

Not as men of science , not as critics , not as philosophers , but as little children , shall we enter into the kingdom of heaven .

Publishers, theatrical managers, and critics ask not for the quality inherent in creative art, but will it meet with a good sale, will it suit the palate of the people? Alas, this palate is like a dumping ground; it relishes anything that needs no mental mastication. As a result, the mediocre, the ordinary, the commonplace represents the chief literary output.

I think that the good thing about working smaller and being a smaller company that doesn't have to make as much to make money back is that you don't have to worry about, well, critics like this and they'll tell people to buy it, but millions of people might say, 'Oh, well I'm not interested in that subject matter' and we're sunk.

the Press has no band of critics who go the round of the churches and chapels, and are on the watch for a slip or defect in the preacher, to make a 'feature' in their article: the clergy are, practically, the most irresponsible of all talkers.

Critics have never been able to discover a unifying theme in my films. For thatmatter, neither have I.

To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.

Having said that, people here [in Mecklenburg-Western Pomerania] watch the TV. And they hear critics of her policies talk about how more than a million people coming here last year from various war-torn countries and also seeking economic help are going to, like, destroy the fabric of the society.

If I don't practise for one day, I know it; if I don't practise for two days, the critics knows it; if I don't practise for three days, the audience knows it.

Every time I make a picture the critics' estimate of American public taste goes down ten percent.