Quotes About Critics

People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.

I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.

If you write for the critics, only the critics will read you.

The British and American literary worlds operate in an odd kind of symbiosis: our critics think our contemporary novelists are not the stuff of greatness whereas certain contemporary Americans indubitably are. Their critics often advance the exact opposite: British fiction is cool, American naff.

As for critics, one mediocre writer is more valuable than ten good critics. They are like haughty, barren spinsters lodged in a maternity ward.

Meryl [Stripe]spoke out about the low percentage of female critics on Rotten Tomatoes. Why are there 760 male critics and just 168 women? You are immediately [biased] on what kind of films you are being told to go see. What are you told are good films? Male films.

When you invent something, there will always be people to criticise. God's creation is full of critics, but has God given up His creation because of the critics?

Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.

Romanticism has never been properly judged. Who was there to judge it? The critics!

We need to have great wealth and we need to have the critics of great wealth.

Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.

If you're a young person, like I used to be and you're at home and you're being called weird or different, I'm here to tell you your critics do not count. Their words will fade. You won't.

A work of art is an act of love. Critics are crab lice.

People who refuse to step out and be used by God become the critics of those who do. Risk takers, the ones who thrill the heart of God, become the targets of those who never fail because they seldom try.

Whatever you do, you need courage. Whatever course you decide upon, there is always someone to tell you that you are wrong. There are always difficulties arising that tempt you to believe your critics are right. To map out a course of action and follow it to an end requires some of the same courage that a soldier needs. Peace has its victories, but it takes brave men and women to win them.

Every time you start a project, you're hopeful that the critics receive it warmly.

Those of us and so many other stalwart critics and opponents and questioners and dissidents in conservative media were attacked for doing what those people in the mainstream media should have been doing. Do your job! Subject these political candidates to the same amount of scrutiny that you are now trying to compensate for with the incoming Trump administration!

I've never had an easy relationship with critics. I hold a lot of homicide in my heart. If this was another time, I'd be packing a piece.

Do the thing itself. Don’t pay much mind to critics or what anyone says about it. Just do it, in any form possible, and watch others doing it. Take it in viscerally, get it by osmosis. Don’t ever read your own reviews, certainly not the good ones.

I've had so many critics over the past couple of months. I've had so many people who said I'm too old for this, I am burnt out. But, you know what, I am so hungry to make a career for myself. I was able to turn all this negativity into something positive.

There are conversations going on about the Church constantly. Those conversations will continue whether or not we choose to participate in them. But we cannot stand on the sidelines while others, including our critics, attempt to define what our Church teaches... We are living in a world saturated with all kinds of voices. Perhaps now, more than ever, we have a major responsibility as Latter-day Saints to define ourselves, instead of letting others define us.

Trump is what Obama critics think Obama is: Someone who's focused on symbolism rather than substance.

Getting the economy back on its feet is properly viewed as an investment in future prosperity. When businesses and consumers confront attractive investment opportunities, often the only way to seize them is by borrowing. The same is true for government. Contrary to the pronouncements of critics of economic stimulus, these investments will not impoverish our grandchildren. Continuing to allow the economy to languish in recession is the surest way to impoverish them.

The critics don't interest me because they're concerned with what's past and done, while I'm concerned with what comes next.

Computer and video games represent one of the most important new media developments of this generation. Unlike many other forms of entertainment they offer players the opportunity to explore, be creative, learn through interaction and express themselves to others. It is vitally important that we protect and nurture this new art form so that it can reach its full potential. Like most new forms of artistic expression that have come before (music, novels, movies), the primary critics of video games are the people that do not play them.

I've got the public. I don't care about the critics. I did at one time. I don't any more. I did when I needed compliments. But if you get a lot of compliments, you don't need a critic to tell you, 'This should be done another way.'

Critics who attack my wife bug me. It makes me want to pay 'em a visit so I could give 'em a good punch in the nose.

Being a role model is the most powerful form of educating. Youngsters need good models more than they need critics. It's one of a parent's greatest responsibilities and opportunities.

And so with Hemingway's writing, he famously wrote to one of his publishers - he said, you don't need a high school education to enjoy my writing. And it's going to titillate the masses. I mean, anybody can relate to it, but the style is so revolutionary that it will titillate highbrow critics, which it did.

My biggest critics have never read me.

Senator Albert Gore Sr. was one of the first outspoken critics of the Vietnam War.

When I first started, especially because I got the Critics' Choice before I'd released an album, there was a lot of scrutiny on what my character was, what my background was, what colour my hair was. I fought quite hard for the music to overtake the personality aspect.

I often think people don't know what to think of me, and in fact this is precisely the objective of many of my creations. Even back in the days with Lady Starlight, my original partner, we aimed to bemuse. This feeling of bemusement - it's neither good nor bad. It just is. Whether critics realize it or not, they've been in a very long argument since my public birth.

We have gotten some terrible reviews at times but if we depended on the judgment of the studios or critics, we never would have made more than one movie.

I thought it would fit a niche. I didn't anticipate, nor do I think anybody did, that it would become this global phenomenon, the way that it has. The critics have been so kind and favorable, it has really garnered such wonderful praise, and the numbers have been through the roof. It's actually been quite surreal. I'm still pinching myself because it's amazing. For me, we went to Atlanta and we spent our summer shooting this little zombie show, and it was ours. It was our sweet little zombie show [The Walking Dead], and the world has embraced us.

A few. . . critics are the only people I ever heard use the phrase 'imminent threat.' I didn't, the president didn't.

Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.

See Spot run!' is a perfect sentence in some ways. But I doubt the critics would say it was.

What with the reviews of critics, the sarcasms of one's friends, the reproaches of one's own taste, there's precious little peace after publishing a book.

Movies, far more than the traditional arts, are tied to big money. Without a few independent critics, there's nothing between the public and the advertisers.

In contemporary society secular humanism has been singled out by critics and proponents alike as a position sharply distinguishable from any religious formulation. Religious fundamentalists in the United States have waged a campaign against secular humanism, claiming that it is a rival "religion" and seeking to root it out from American public life. Secular humanism is avowedly non-religious. It is a eupraxsophy (good practical wisdom), which draws its basic principles and ethical values from science, ethics, and philosophy.

To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.

The word 'art' is very slippery. It really has no importance in relation to one's work. I work for the pleasure, for the pleasure of the work, and everything else is a matter for the critics.

The thing about having an audience right there laughing is that critics can write what they want, but the proof is right there in front of you.

So when my critics say that Sassy is only for alienated teenagers, I feel like responding, 'Well, isn't an unalienated teenager the biggest oxymoron?'

Critics have never been able to discover a unifying theme in my films. For thatmatter, neither have I.

One of the best things that ever happened to me was Rocky Horror being a total flop in New York as a play. I mean, it was a disaster, and it was the night of the long knives as far as the critics were concerned.

We read critics for the perceptions, for what they tell us that we didn't fully grasp when we saw the work. The judgments we can usually make for ourselves.