Quotes About Cultural

The blues are important primarily because they contain the cultural expression and the cultural response to blacks in America and to the situation that they find themselves in. And contained in the blues is a philosophical system at work. And as part of the oral tradition, this is a way of passing along information.

Ours is a post-Christian world in which Christianity, not only in the number of Christians but in cultural emphasis and cultural result, is no longer the consensus or ethos of our society.

The break from the supposedly culturally-narrow religious bases of knowledge in favor of supposedly trans-cultural scientific bases of knowledge served as the self-justification of a particularly pernicious form of cultural imperialism.

I think a lot of Indians want Indian artists to be cultural cheerleaders rather than cultural investigators.

Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.

Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon.

When new businesses open that are trying to attract people with cultural capital or cultural ambitions, they are often more expensive than traditional neighborhood stores and cafés, they offer different products, and they have a different atmosphere. Longtime residents may feel uncomfortable there. Structurally, as a group of gentrifiers gets bigger, there is less room for longtime residents. When it becomes a pattern and you can see the effects, we call that displacement.

Cultural differences should not separate us from each other, but rather cultural diversity brings a collective strength that can benefit all of humanity." Also: "Intercultural dialogue is the best guarantee of a more peaceful, just and sustainable world.

Because I'm sort of an honorary Canadian, I don't think the others grasped the cultural significance of who the Tragically Hip were before the tour. Talking to Sheryl Crow and her people and the guys in Wilco, everyone was ecstatic to be on the tour, it was a lot of fun. But it even took me a while to grasp the idea that this is not just a band, this is a cultural artifact, what the Hip means in Canada. There is nobody else like them.

It's hard to make a cultural phenomenon every time.

The biggest secret weapon we had in regards to really being true to this part of the world, and making sure this part of the world could see themselves in this film [Moana] in a way that felt positive and accurate, was Opetaia, my co-writer, Opetaia Foa'i, who has a great band called Te Vaka and is an amazing musical and cultural ambassador.

True Sufism is resistance: spiritual, intellectual, social, cultural, political and economic resistance. It cannot be, for sure, supporting dictators.

Jesus literally sliced through years of rabbinical law and cultural norms with the extreme love of God that sees the treasure in every human heart.

The men who are messing up their lives, their families, and their world in their quest to feel man enough are not exercising truemasculinity, but a grotesque exaggeration of what they think a man is. When we see men overdoing their masculinity, we can assume that they haven't been raised by men, that they have taken cultural stereotypes literally, and that they are scared they aren't being manly enough.

The sexual revolution produced cultural convulsions that were unparalleled in the 20th century.

If the cultural elite has its way, the U.S. will be much more like Europe

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers.

Bookishness, highest literacy, every technique of cultural propaganda and training not only can accompany bestiality and oppression and despotism but at certain points foster it.

Islam doesn't try to destroy cultures; it cleans them up. You can keep your language but get rid of your racist speech. You can keep your style of cooking, but get rid of alcohol. You can keep your cultural dresses, but keep your modesty on the highest level.

These days, the media is defining what cultural capital is, and it's easily learned. If you have money, anything can be bought. We see this in China and Russia with what I call the "Bling Dynasty and New Oligarchy" in Generation Wealth. As people got rich and everybody started buying Louis Vuitton bags, it became clear that to distinguish yourself you had to have more than an expensive bag. People began to want the things that money is not supposed to be able to buy - history, tradition, education, and culture.

I make films as a business, not as a cultural endeavor.

Science has only two things to contribute to religion: an analysis of the evolutionary, cultural, and psychological basis for believing things that aren't true, and a scientific disproof of some of faith's claims (e.g., Adam and Eve, the Great Flood). Religion has nothing to contribute to science, and science is best off staying as far away from faith as possible. The "constructive dialogue" between science and faith is, in reality, a destructive monologue, with science making all the good points, tearing down religion in the process.

We're born into a certain family, nation, class. But if we have no connection whatsoever with the worlds beyond the one we take for granted, then we too run the risk of drying up inside. Our imagination might shrink; our hearts might dwindle, and our humanness might wither if we stay for too long inside our cultural cocoons. Our friends, neighbors, colleagues, family - if all the people in our inner circle resemble us, it means we are surrounded with our mirror image.

I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. Its an inclusive approach that brings in many disciplines and sees place as a dynamic thing.

Cultural differences - they are definitely vast in some ways. But I think that Europeans in general have a more global view of the world because they are in such proximity to other countries that it enables them to travel and see other parts of the world.

All research in the cultural sciences in an age of specialization, once it is oriented towards a given subject matter through particular settings of problems and has established its methodological principles, will consider the analysis of the data as an end in itself.

Seeds have the power to preserve species, to enhance cultural as well as genetic diversity, to counter economic monopoly and to check the advance of conformity on all its many fronts.

After two decades of reconstruction work, I want to work on projects that lay at the intersection of cultural diplomacy and national identity - ones that empower local communities to define progress, not have it sanctioned by others.

When I began writing science fiction in the middle 60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.

Rather than protecting music as a sublimely meaningless activity that has managed to escape social signification, I insist on treating it as a medium that participates in social formation by influencing the ways we perceive our feelings, our bodies, our desires, our very subjectivities - even if it does so surreptitiously, without most of us knowning how. It is too important a cultural force to be shrouded by mystified notions of Romantic transcendence.

With enough money and international coordination, we can push incoming asteroids out of Earth's path. We might even be able to bring back extinct animals in the lab. The problem really isn't scientific - it's cultural. We aren't yet able to coordinate ourselves as a global civilization to do something simple like bring food to a famine-stricken region. We can actually use current satellite technologies to predict where famine will strike next, but we can't get food there - usually for political reasons.

Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.

I founded the King Hussein Foundation after my husband's death in 1999, to build on his humanitarian vision and legacy in the country and abroad, through programs promoting education and leadership, economic empowerment, tolerance, cross-cultural dialogue, and media that enhances mutual understanding and respect among different cultures across conflict lines.

The worst thing that can happen to anybody in this cultural environment is to fail.

This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion

I believe the minorities need to have a strategy of survival because needless aggression when you cannot change the situation does not help. Wisdom is more important than saving some cultural symbol.

Part of the broader task of Christian scholarship is to help create and sustain a cultural milieu in which the gospel can be heard as an intellectually viable option for thinking men and women.

With Tatars, the situation is a little bit more complex. They are geographically very isolated so they need the rest of Russia. When they pump oil, they need pipelines to deliver it so they need those connections. We in Siberia don't need those connections. The only thing which actually sticks us together is the cultural similarities and the relatives that are on both sides of the Ural mountains.

If people knew how badly animals were treated in today's factory farms, if people knew how completely confined and immobilized these creatures are for their entire lives, if people knew how severe and unrelenting is the cruelty these animals are forced to endure, there would be change. If people knew. But too many of us choose to look the other way, to keep the veil in place, to remain unconscious and caught in the cultural trance. That way we are more comfortable. That way is convenient. That way we don' t have to risk too much. This is how we keep ourselves asleep.

If, hypothetically, Western Catholicism were to review the issue of celibacy, I think it would do so for cultural reasons, not so much as a universal option.

Intellectual and cultural freedom is the most important single precondition for the breakdown of the kinds of tyrannical and totalitarian systems that periodically threaten us.

Surely people can now see that it is no accident that he, Obama, sat at the feet of the Rev. Jeremiah Wright for 20 years, that he is mother was a leftist activist and cultural Marxist, that his main early mentor was radical Frank Marshall Davis, that he was a member of the far-left New Party in Chicago, that his main vocation in life has been street organizing and agitation and that he didn't think the revolutionarily, transformative Warren court was liberal enough.

[Sarah] Palin is solidifying her status as a bona fide American cultural heroine.

I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.

The Achilles Heel of the Americas was the lack of cultural confidence typical of new settlers.

Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.

If we come from good families where we have been supported well, there is a disillusionment we have to undergo in terms of the culture's values. We have to get beyond our cultural mythology to find out who we are.

If it is true that if you believe in something, you manifest it, there are many Jesus Christs in the universe, because there are many different cultural interpretations of Jesus.