Quotes About Culture

The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.

I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.

There's no such thing as a good or bad culture, it's either a strong or weak culture. And a good culture for somebody else may not be a good culture for you.

The real controversy comes with anthropologists - not all, but some - who see themselves as studying culture, and they then see culture from the perspective of humans, which is what they study. From their perspective, or, from some of their perspectives, it's sort of heresy to even talk about culture in any other animal. Others would say, "Yeah, you can talk about it, but our definitions of culture are so utterly different from yours and include things like values, and so on, which you've never shown to exist in any of these other creatures."

I'm not against other cultures, but I believe what the Germans call a "leitkultur", a dominant culture that we should have, even in our constitution state, what our dominant culture is and that our laws should apply to that culture and to no other one.

I believe only in French culture and consider everything in Europe that calls itself 'culture' a misunderstanding, not to speak of German culture.

The Civic Culture (and The Civic Culture Revisited) remains the best study of comparative political culture in our time.

Historians differ on when the consumer culture came to dominate American culture. Some say it was in the twenties, when advertising became a major industry and the middle class bought radios to hear the ads and cars to get to the stores. ... But there is no question that the consumer culture had begun to crowd out all other cultural possibilities by the years following World War II.

As we look at the chapters of Daniel, we recognize that the words of Daniel 1:21 ring true today: "Thus Daniel continued...." Daniel continued through a culture unlike his own; one that lost its way. Today, you and I are living in a culture that's losing its way. It's good to know that just as in Daniel's day, God is looking for men and women of integrity to help confront in love a culture that's losing its way and to point it back to him.

Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.

Social Science … led us to the fallacy that, since all men have their being in culture and as a result of culture, they owe a debt to that culture which even a lifetime of altruism could not repay.

Humans are particularly interesting; our culture is incredible, there's no doubt about that. In many respects, no other species matches ours. But in quite a few respects, they do, and that can help us, perhaps, to better understand our own culture. We look at the ways humans are similar to other animals, and at the ways they differ, rather than just saying, "We have culture and you don't."

A weird theory I have is we come from a suppressed culture. Ireland is one of the most invaded countries ever. I think the British started it very early, it could be like 800 that decided to come and show us out; and the Danes in the north. We've had a tough time and pretty much a similar culture would be the Jewish culture; they had a pretty hard time. They were being kicked around for a long, long time.

The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.

I don't think in biology it's very controversial at all. Whether certain behavior is culture or is not culture is argued. I think virtually all biologists would agree that some animal behavior is culture. Bird song is a good example.

I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.

Are we, finally, speaking of nature or culture when we speak of a rose (nature), that has been bred (culture) so that its blossoms (nature) make men imagine (culture) the sex of women (nature)? It may be this sort of confusion that we need more of.

Through panel moderations and talks around culture, politics and identity I gradually gained opportunities to write in my own voice and not that of the brand. I'm interested in a lot of the languages that drive our culture. I'm interested in user experience as language or how societal malaise takes root. So through essays and short stories I began exploring some of these things.

There is a resentment and rejection of liberal culture. That culture is not available to many people in America. And the liberal coastal elite, who may never have been to rural America, just think everyone there is racist and homophobic and judge them to be terrible people. They think there is nothing wrong to be making jokes about 'meth heads', who are actually a group of people with poverty-related drug issues. They don't see their own hypocrisy. I think this is a huge issue and one that cannot be ignored.

Play is older than culture, for culture, however inadequately defined, always presupposes human society, and animals have not waited for man to teach them their playing.

I do not think that a museum needs to engage with pop culture in order to make itself interesting to museumgoers. Museums are already interesting and engaging with pop culture for its own sake is just a quick way to seem and become dated.

Copyright protects corporate monopoly rights over culture and provides much of the profits to media conglomeratesm encouraging the wholesale privatization of our common culture.

There is no such thing as beauty. If your culture says, 'This is a beautiful girl,' that's within the framework of your culture. If you're brought up in an island where people have pointed heads, that would be 'beautiful' in your terms. All these mythological structures is what gets us into trouble; the artificiality of our values that get us into trouble.

Culture's worth huge, huge risks. Without culture we're all totalitarian beasts.

[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.

American culture is kind of a universal culture, I guess. It's things Greeks grew up with, common references you can use. It's very interesting.

Television is the first truly democratic culture - the first culture available to everybody and entirely governed by what the people want. The most terrifying thing is what people do want.

People can relate to horses. Horses, I think, are basically in our genetic history. Horses were part of our culture, part of our collective society, for hundreds of years, and so, the horse is one of the most familiar animals to people of any race or culture or country.

But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.

It's no doubt that there's a connection (between the blues and hip-hop). Hip-hop is definitely a child of the blues. And I think you gotta know the roots to really grow. It's like knowing your parents, it's like knowing your culture, so you could be proud of that culture and take it to the world.

In so far as the culture industry arouses a feeling of well-being that the world is precisely in that order suggested by the culture industry, the substitute gratification which it prepares for human beings cheats them out of the same happiness which it deceitfully projects.

Anyone should be able to express themselves in any context. Obviously, there are arguments against appropriation, but it's one thing when someone is doing something for satire or making fun of a culture, but if they respects the tenets of the culture and they want to be a part of that, what could be more beautiful than that?

Things can change if the military can do a paradigm shift and gets out of the shame and coverup cycle and be a leader in our culture. In the 50s, 60s and 70s there were huge race problems in the military even more severe than the culture at large. The military saw it was detrimental and it changed and became a model to society at large.

I am trying to get folks outside the hip-hop culture to understand why, despite the negatives, young people find hope and refuge in hip-hop. I'm hoping that young people immersed in the culture will work harder to capitalize on the possibilities for great social change that hip-hop represents as a national unified cultural youth movement.

Often culture gets stuck in static, traditional narratives. Contemporary ideas give culture elasticity, flexibility, which is always a breath of fresh air. But these ideas shouldn't only be for people who can afford to go to a museum or a symposium in the "better part of town."

Culture is not race and race is not culture.

Maybe that is why there are not a whole lot of problems between the church and worldly culture today, because we are not confronting the culture around us.

London is the most multicultural, mixed race place on Earth. And I love that. I grew up in a neighborhood in London where English wasn't necessarily the first language - maybe because of that, I love to travel. Every penny I've ever saved has been spent on airline tickets to different corners of the world. I think that's partly from growing up in London. I've taken that bit with me - this ability to fit in with any culture and be fascinated and respectful with any culture all started from growing up in London.

There is the philosophy embedded in the culture we are living. It is quite clear for example that Arabs have a different culture than Malaysians.

Ninety nine percent of the time it's not urgent and to create a culture where you are constantly plugged in and expected to be always-on is to create a culture of burnout.

In Scotland over many years we have cultivated through our justice system what I hope can be described as a 'culture of compassion.' On the other hand, there still exists in many parts of the U.S., if not nationally, an attitude towards the concept of justice which can only be described as a 'culture of vengeance.'

Pop culture has none of the vibrancy that you find in the folk culture, where people speak directly to their own experience in the human condition.

My thinking is that if we're going to take from a culture, let's take from a culture that has exemplified success for thousands of years.

The behavior of people and the culture of an organization are very different in winning streaks and losing streaks. But what both have in common is their momentum - once winners' or losers' habits and culture take hold, they tend to perpetuate themselves.

Culture has always been more important than politics. Sometimes culture is a mirror that reflects what is; sometimes it's a search-light pointing the way to what will be.

Feudal Europe is over, but it found its way into film culture. It found its way into postmodern painting culture, and we're all here talking about it today. It still lives. I don't believe in ghosts, but these are contemporary ghosts.

The evolution of cultures appears to follow the pattern of the evolution of species. The many different forms of culture which arise correspond to the "mutations" of genetic theory. Some forms prove to be effective under prevailing circumstances and others not, and the perpetuation of the culture is determined accordingly.

The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].