Quotes About Dance

It is sweet to dance to violins When love and life are fair: To dance to flutes, to dance to lutes Is delicate and rare: But it is not sweet with nimble feet To dance upon the air!

The dance is strong magic. The body can fly without wings. It can sing without voice. The dance is strong magic. The dance is life.

You look ridiculous if you dance You look ridiculous if you don't dance So you might as well dance.

I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.

I found that dance was key to keeping depression out of my life. When you dance, things just go away, things don't seem so bad. There's no better way to take care of health than through something as joyous and beautiful as dance.

Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.

Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.

Pina Bausch's motto was "Dance, otherwise we are lost." She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.

Every day I go out and climb, like a dancer who works on his dance. He probably has some goals, some pieces he would like to perform, but his main goal is to work on his dance. This is how he expresses himself. Both he and I are interested in the same thing. It’s the dance that counts.

Dance. Dance for the joy and breath of childhood. Dance for all children, including that child who is still somewhere entombed beneath the responsibility and skepticism of adulthood. Embrace the moment before it escapes from our grasp. For the only promise of childhood, of any childhood, is that it will someday end. And in the end, we must ask ourselves what we have given our children to take its place. And is it enough?

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

When movement becomes ecstatic, then this is dance. When the movement is so total there is no ego, then it is dance.

I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.

To me, dance is an extraordinary thing, more extraordinary than most people usually think. Dance preceded writing, speaking and music. When mute people speak their body language, it is true speaking rather than handicap, this is the first word and the first writing. Thus to me, the body is fundamental.

Of course, Ginger was able to accomplish sex through dance. We told more through our movements instead of the big clinch. We did it all in the dance.

The mindset of this [“Gangnam Style”] dance is dress classy, and dance cheesy,

I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

Dancing is a part of my life where when I don't dance I feel like there's something missing because I'm such a physical person who loves to express myself through dance, but I love to act. I love to sing. I love to entertain so if I'm passionate about a certain project, I wanna do it.

Relationships are like a dance, with visible energy racing back and forth between the partners. Some relationships are the slow, dark dance of death.

Knowledge passes from dance teacher into the student through the process of mane, which is often translated as imitation, but learning to dance is more a process of total identification than of simple copying. We repeat the movements of our teachers until we can duplicate them exactly, until, in a sense, we have absorbed the teacher's mastery into ourselves. Artistic technique must be fully integrated into the cells of our bodies if we are to use it to express what is in our hearts, and this takes many years of practice.

If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it.

I didn’t like to dress up in high school. I wore pajamas all the time. Or I would have my hair in a high bun from dance, and just wear dance clothes.”

There would be no chance at all of getting to know death if it happened only once. But fortunately, life is nothing but a continuing dance of birth and death, a dance of change. Every time I hear the rush of a mountain stream, or the waves crashing on the shore, or my own heartbeat, I hear the sound of impermanence. These changes, these small deaths, are our living links with death. They are death's pulses, death's heartbeat, prompting us to let go of all the things we cling to.

I'd rather dance in a corner than dance in a circle.

The smile is the dance of the face - the dance is the smile of the limbs.

Tim Tebow cannot dance, I know that. Tebow can do a lot of things, but he can not dance.

I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.

I grew up in dance studios. I was forced to be in several numbers in recitals and dance competitions. I took one tap class - literally one class - and then I quit.

Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?

I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.

You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.

Rent-a-tile' means when you go to a dance hall, some people take the middle of the dance floor and do their thing.

John Akers once said that changing IBM's culture was more difficult than getting elephants to dance. Of course it's really difficult, as Lou Gerstner also found out years later. The title of his own book is Who Says Elephants Can't Dance? He and his top executives were change masters at IBM. All organizations, especially the larger ones, will always need change masters. Dissatisfaction with the status quo and efforts to improve it should be encouraged rather than discouraged. Regrettably, that is often not the case.

dance is simply the refinement of human movement - walking, running, and jumping. We are all experts. There should be no art form more accessible than dance, yet no art is more mystifying in the public imagination.

Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing. I like to keep [my dancing] toned down initially. It's a lot of snapping first off, just to get a feeling.

So dance music is now pop music. So now, as a dance producer, what do I have to do? So I'm starting to do alien music, because pop is not pop anymore; we need to go alien to be independent.

Real men don't dance to other people's tune, instead, they play for others to dance.

If you ask an Auin Bushman what realty happens at the puberty ceremonials, he will tell you, "We dance." In the initiation customs of all peoples the dances play an especially important part. The dance is the center of wedding festivities.

The circle, or ring, dance was seen as an earthly counterpart of the heavenly dance of the angels, which was itself a celebration of the resurrection.

Dance brings out the best in me and makes me feel infinite. It helps me relax and express myself, and it clears my head. Plus, dance keeps me fit!

Dance is not an exercise. Dance is an art.

With "Let's Dance," there was actually a chance that I was actually going to be able to keep the money I had made.

I really love action. I really love doing my own stunts. I would love to do more of that. I've done a lot of TV, but my heart is really in film. I really look forward to the film possibilities. I would love to dance in a movie again. I love all those creative aspects, like playing an instrument or dancing. I look forward to all that stuff, in future roles.

Now every girl is expected to have: Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.

I hold the most archaic values on earth ... the fertility of the soul, the magic of the animals, the power-vision in solitude.... the love and ecstasy of the dance, the common work of the tribe.

Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.

There's this Ryan Gosling quote that I steal all the time - I watched an interview with him in Cannes - and he said picking roles is like listening to songs on the radio: There can be a lot of really great songs in a row, but then one comes on that just makes you want to dance.

Dear America, I suppose we should introduce ourselves: We're South Louisiana...You probably already know that we talk funny and listen to strange music and eat things you'd probably hire an exterminator to get out of your yard. We dance even if there's no radio. We drink at funerals. We talk too much and laugh too loud and live too large and, frankly, we're suspicious of others who don't.