Quotes About Doing

It used to be trained professionals doing animation and they were great. Now they have celebrities and famous actors doing the voices, but that does not always work. But I think this film turned out really well, partly because the three of us (me, Ray and Denis) are comedians who are used to doing solo acts and doing certain types of voices. The three of us are New York guys, we all came up the same way in the profession and we are all edgy and enjoy doing family movies. It was a good combination I think.

Heaven does nothing: its non-doing is its serenity. Earth does nothing: its non-doing is its rest. From the union of these two non-doings All actions proceed. All things are made. How vast, how invisible This coming-to-be! All things come from nowhere! How vast, how invisible No way to explain it! All beings in their perfection Are born of non-doing. Hence it is said: Heaven and earth do nothing Yet there is nothing they do not do. Where is the man who can attain To this non-doing?

A parable: A man was examining the construction of a cathedral. He asked a stone mason what he was doing chipping the stones, and the mason replied, "I am making stones." He asked a stone carver what he was doing. "I am carving a gargoyle." And so it went, each person said in detail what they were doing. Finally he came to an old woman who was sweeping the ground. She said. "I am helping build a cathedral." ...Most of the time each person is immersed in the details of one special part of the whole and does not think of how what they are doing relates to the larger picture.

The trickle-down experiment that began in the Reagan years failed America's middle class. Sure, the rich are doing great. Giant corporations are doing great. Lobbyists are doing great. But we need an economy where everyone else who works hard gets a shot at doing great!

Meditation is not doing something. But you cannot take a jump immediately into non-doing. So I suggest that you make your doing total. Move into it so deeply, and so totally that suddenly the doing drops, and you alone are left, just existing.

I'd say that that is a challenge, but it also is, again, it's helpful. It's helpful to have the discipline of, okay, I'm doing, I'm doing something that's quite precise over here, working the puppet, and I'm doing something that's very imprecise and creative and unleashed over here, which is the comedy side. And it's kind of nice to allow your brain to be doing those two things at once.

Whatever we learn to do, we learn by actually doing it; men come to be builders, for instance, by building, and harp players by playing the harp. In the same way, by doing just acts we come to be just; by doing self-controlled acts, we come to be self-controlled ; and by doing brave acts, we become brave.

I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting.

It's not so much about form versus functionality. Rather, it's about doing both and doing them a lot and doing them well-and that's how we should be talking about architecture.

Disney's clearly in the business of doing giant tent pole movies based on properties that they own. And that's what they should be doing because they're great at doing that.

I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.

One of the strongest signs of being in the zone is a sense of freedom and of authenticity. When we are doing something that we love and are naturally good at, we are much more likely to feel centered in our true sense of self - to be who we feel we truly are. When we are in our Element, we feel we are doing what we are meant to be doing and being who we're meant to be.

Somebody can do a ten year stint in jail and when they come home, they can be a rapper. Or, they can go from doing the 9-5 thing and become a rapper because everyone else is doing it. I think that the test of time will tell. If you look around you'll find out who really wants to do it and who is doing it for the come up. I think that's the greatest separation. At some point along the line, it became gangsta to not be talented!

I get bored very easily, so I love doing different things, changing, doing a job for a month and then doing another one for six months and then moving into a different group of people. I love being able to stop. That's one of the greatest benefits we have in our profession.

The work I'm doing today gets me one step closer to the work I should be doing tomorrow. And that the way I learn this is by trying, failing, networking and experimenting. I'll stop doing that when I'm dead.

I've been a freelancer my whole life. It's sort of been my ethos that wherever something takes me, it takes me, so, that was really the start of me trying my hand at whatever it was at the time. I've gone from doing sculpture to videos to being a set builder and working for a general contractor to jewelry maker to now, a rapper... I just love to create. I've had a stint doing pretty much everything! It sort of doesn't matter what it is, as long as I'm doing it. I love to see something from conception to final product. I love trying new things and seeing them through.

Occasionally, I have time to go to the theater, and I think for a minute, 'Man, I'd really love to be doing a play right now.' Because I loved doing plays when I was doing them. Then I think, 'I want to do it right now, but will I want to do that Sunday matinee in six weeks?'

You have to take the good with the bad. Some players only talk to the press when they are doing good. When you're doing bad you shouldn't shy away from them and when doing good, don't run up to them.

Acting is not just doing! It is who you are being and what you are experiencing that causes you to do - to need to act. Then doing turns arounds and changes your being. But doing without being is lifeless.

What you are doing I cannot do, what I'm doing you cannot do, but together we are doing something beautiful for God, and this is the greatness of God's love for us-To give us the opportunity to become holy through the works of love that we do because holiness is not the luxury of the few.

It makes me so angry when people say, "We never hear from people who are happy doing sex work." Well, that's because they're working. The activism privileges people who hated doing sex work, are no longer doing it, and have a job at a social service organization, for example, that trains them on how to speak to the media. We are hearing from those people quite a bit.

If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.

I mean people -- people don't get -- they don't get smarter about things that get as basic as greed and you can't stand to see your neighbor getting rich. You know you're smarter than he is, and he's doing these things, you know, and he's getting rich, and your spouse is getting unhappy with you because you aren't doing -- pretty soon you start doing it. And so you get what I call the natural progression, the three Is. The innovators, the imitators, and the idiots.

I still perform live primarily. I just keep traveling and doing live shows. The main difference in film, you know in your mind that you are doing it for posterity, you are doing for the eventual audience and it will be around forever.

The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.

What is important is that I have been able to demonstrate to other women and also to Aboriginal people generally that Aboriginal people are capable of doing these things and women are capable of doing these things and Aboriginal women are capable of doing these things.

Whether they love me or don't love me, they think I know what I'm doing and that people aren't gonna be taking advantage of the country. So if I had my choice, I'd love to keep doing what I'm doing. The country is in serious, serious trouble, like it's never been before. And that's why I'm saying: Would I rather stay in Trump Tower? Would I rather stay and lead the life I'm leading - and you know something about my life. It's very good.

Here is the beginning of understanding: most parents are doing their best, and most children are doing their best, and they're doing pretty well, all things considered.

When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.

I want to keep growing as a writer. I find myself doing unexpected projects and sort of challenging my idea of where I am in my career, or what I'm supposed to be doing. In fact, I'm not supposed to be doing anything. Just finding projects that are challenging to me. I want to be a writer who keeps growing and figuring out new things and hopefully people will follow me along as I publish these things.

BJP is doing "gathbandhan". Congress is doing "brashtbandhan" and the criminals are doing "lathbandhan". Our politics is about coalitions. Every coalition where the BJP is part of as leaders, has been successful.

As an actor, if you step to the side and you look at [Thornton's performance] technically, and you try to imagine doing what he was doing, most people would panic. Most people would be on the set, and they would be panicking, going, "I'm not doing anything!" All the ham instincts in you would be screaming, "You've got to indicate something here." And it's beautiful, in a way. And so I appreciate, even as an audience member, the courage that it takes to be... frankly, to be subtle.

The violence you witness is Denzel doing it and we're taking some visual effects and doing some things and you see something happen it's happening in front of you as opposed to cutting away and doing a bunch of tricks. It's in front of you. So it's hard not to make it a hard "R" if you see a guy get punched and teeth wind up in someone's knuckles.

I think that Billie (Jean King) and Zina (Garrison), they have a whole lot of experience. Even if I don't quite agree with something or have a different way of doing it this week, whatever they said, I did it right away and I found out that it was correct. I think that's helped a lot...I'm having fun. I had a lot of fun out there. Sometimes I was ready to smile -- but I knew I'd lose focus -- because I was doing things that I'd done in practice and we talked about. I was ready to laugh and give someone a high-five, but it wasn't time for that.

Anything worth doing well is worth doing slowly.

Yeah, but if you're not doing what everyone else is doing then you're going to be misunderstood. People are going to wonder why you're trying to be different; it's just a natural instinct.

I remember like that scene with Pharrell where they're at the music video shoot, we have this on camera actually, Pharrell's confused because we weren't doing the script. We were doing all this improv and then Diddy says to him... Pharrell's like I don't understand what's going on and Diddy goes, "We do a lot of improv". (laughter) I remember being we just made him into a comedy nerd. We somehow turned Sean Combs into a comedy nerd, so.

I just like short hair on women, I think it's cool. And I have wanted to cut my hair for very many years, but being on contract with a television show for six years prevents you from doing that, and then being on contract with a cosmetic endorsement campaign prevents you from doing that again. So for eight years, I've had to have long, flowing locks. And I was just so sick and tired of long, flowing locks, so I chopped them.

In a word, neither death, nor exile, nor pain, nor anything of this kind is the real cause of our doing or not doing any action, but our inward opinions and principles.

Work and play can be the same. When you are following your energy and doing what you want to do all the time, the distinction between work and play dissolves. Work is no longer what you have to do, and play what you want to do. When you are doing what you love, you may work harder and produce more than ever before, because you are having fun.

I would say the three stages of making a film are the initial 'are we gonna do this,' 'how much will I be paid,' is there a lot of nights, who's it going to be with? The second stage of doing a film is how much fun your going to have doing it. The third stage is was the film a hit?

I don't really know. I think the first test is when you're very little and you fart, and you laugh at it and so do your friends and family. I knew before I was funny I was very annoying so I have that covered. I think it was because I was not very good in school I used humor as a defense mechanism. When I started doing plays and stuff at school I decided that I was going to keep doing it until someone tells me to stop and get a real job.

[Doing music] is time consuming, will drain you, and stress you out at times. But in the end if you love doing it, and you're putting out music you're proud of, it will never feel like work. It'll just feel like love.

Money frees you from doing things you dislike. Since I dislike doing nearly everything, money is handy.

On an animated movie, I'm learning as I go. There are so many details in animation. Doing the voices was the easy-part. Doing live-action, you have to be on the set, every day.

I just noticed I've been writing lots of female-led things. Two of them haven't been announced yet, but the big Greg Capullo book I'm doing is a female-led story, and I'm doing another series with John Romita which is a female-led story as well.

In France cooking is a serious art form and a national sport. I think the French enjoy the complication of the art form and the cooking for cooking's sake. You can talk with a concierge or police officer about food in France as a general rule. It is not the general rule here. Classical cuisine, which I hope we are going back to, means certain ways of doing things and certain ways of not doing things. If you know classical French cooking you can do anything. If you don't know the basics, you turn out slop.

When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.