Quotes About Emotions

Positive emotion can be about the past, the present, or the future. The positive emotions about the future include optimism, hope, faith, and trust. Those about the present include joy, ecstasy, calm, zest, ebullience, pleasure, and (most importantly) flow; these emotions are what most people usually mean when they casually-but much too narrowly-talk about "happiness." The positive emotions about the past include satisfaction, contentment, fulfillment, pride, and serenity.

I believe that the best way to create good living conditions for any animal, whether it's a captive animal living in a zoo, a farm animal or a pet, is to base animal welfare programs on the core emotion systems in the brain. My theory is that the environment animals live in should activate their positive emotions as much as possible, and not activate their negative emotions any more than necessary. If we get the animal's emotions rights, we will have fewer problem behaviors... All animals and people have the same core emotion systems in the brain.

Understand that all emotions serve you. Those you once thought of as negative emotions are merely calls to action. For example, if you feel frustrated it means that you believe things could be better, and they're not. This is a call to action telling you there's something you must do to make this better now. This "negative" emotion is actually a gift if you use it effectively.

We must not allow our emotions to hold sway over our minds. Rather, we must seek to let the truth of God rule our minds. Our emotions must become subservient to the truth.

There are four basic emotions - mad, sad, glad and scared. And if you touch those emotions then you can grab your audience, your reader.

The big difference between a warrior and a victim is that the victim represses and the warrior refrains. Victims repress because they are afraid to show the emotions, afraid to say what they want to say. To refrain is not the same thing as repression. To refrain is to hold the emotions and to express them in the right moment, not before, not later. That is why warriors are impeccable.

I think the question of actually relating emotion to music is totally interesting. I believe that it is really important on some level, but it's also important not to impose your own emotions on some music that has its own emotions.

Emotions are our spontaneous response to life. We have these emotions, but if the emotion is a negative emotion, then I have a choice to say, "I am feeling sad tonight because this happened, but I am not going to let my sadness keep me from engaging my wife in conversation. "

As a writer I'm always mindful that not everyone is going to feel the same way I do about something, so my emotions are just my emotions.

If you hold back on the emotions--if you don't allow yourself to go all the way through them--you can never get to being detached, you're too busy being afraid. You're afraid of the pain, you're afraid of the grief. You're afraid of the vulnerability that loving entails. But by throwing yourself into these emotions, by allowing yourself to dive in, all the way, over your heard even, you experience them fully and completely.

In your system of reality you are learning what mental energy is, and how to use it. You do this by constantly transforming your thought and emotions into physical form. You are supposed to get a clear picture of your inner development by perceiving the exterior environment. What seems to be a perception, an objective concrete event independent from you, is instead the materialization of your own inner emotions, energy, and mental environment.

I have seen that grief can be very different for different people. While the range of emotions experienced is similar, the way we deal with those emotions isn't, necessarily.

The paradox is that, by children taking shortcuts through computer games, through fantasies, through movies that load on all the emotional stimulation of encountering life in a stylized way - all of this is the equivalent of mainlining of paleolithic emotions, emotions about combat, about personal success, about overcoming monsters, about making powerful friendships, about winning wars and entering new territory.

Most adults don't sing anymore. We have to break that, and start singing the name of the Almighty One, try to cultivate the emotions. We have to elevate our emotions to the maximum, to the limit, and that then turns into spiritual bliss.

Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.

As a writer, as a storyteller, you have to have your emotions close, and the older I've gotten, the less I've worried about not displaying emotions.

My mother said I was always an intense child, a very sensitive child. So that probably helped the emotions to be very present. I was just a big thinker. I would evaluate and analyze and feel and cry and discuss and be angry. All of those emotions were very surface for me.

My research has shown me that when emotions are expressed-which is to say that the biochemicals that are the substrate of emotion are flowing freely-all systems are united and made whole. When emotions are repressed, denied, not allowed to be whatever they may be, our network pathways get blocked, stopping the flow of the vital feel-good, unifying chemicals that run both our biology and our behavior.

Know and watch your heart. It's pure but emotions come to colour it. So let your mind be like a tightly woven net to catch emotions and feelings that come, and investigate them before you react.

Since I knew I was going to make a film that was purely about emotions, and I knew that I ran the risk of being accused of amnesia relating to the social film, to prevent this I decided it would be good to have characters who were on the margins of society. These are characters for whom love is really the only way to know that they're alive.

Biblical love is not emotions or feelings, but attitudes and actions that seek the best interests of the other person, regardless of how we feel toward him.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

I really get inspired by songs. Like, if I hear a thug "Want to kill ya" song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.

I just got one last thing, I urge all of you, all of you, to enjoy your life, the precious moments you have. To spend each day with some laughter and some thought, to get you're emotions going.

Vulcans are so smart. There's no excess; it's just enough. I learned coming away from the film that less really is much more. Sometimes, as a human, you get so discombobulated with emotions, but this was easier, because it was s o clean to play.

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.

I am the wealthiest man, not just in Europe, but in the whole world. I collect emotions.

Nothing is more perplexing to a man than the mental process of a woman who reasons her emotions.

Things happen, people change,' is what Amanda said. For her that covered it. You wanted an explanation, and ending that would assign blame and dish up justice. You considered violence and you considered reconciliation . But what you are left with is a premonition of the way your life will fade behind you, like a book you have read too quickly, leaving a dwindling trail of images and emotions, until all you can remember is a name.

Trance is a very emotional and uplifting form of dance music. It appeals to many people in this way having such a strong connection with emotions. It makes people happy and ready to party.

Language and emotions are too easily misread. For example, laughing can mean many things: laughing with you or at you. Does that laugh reflect joy, anger, or that s/he's about to fire you? Too many jobs require complex feelings, pattern recognition, common sense, and the human touch.

I'm definitely inspired by music; I feel like I can express a part of myself, a part of my heart and my soul, that I can't express just acting by writing music or singing music. It takes the emotions to another level. I feel really connected to something else, you know.

Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.

If I'm talking to someone and they're feeling a certain way, I will definitely tie into that very quickly. You have to learn to read emotions and feelings when you grow up in a family with four brothers - especially if three of them are a lot bigger than you.

I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.

The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play.

Color was not given to us in order that we should imitate Nature. It was given to us so that we can express our emotions.

You can live with victory over the desires of your flesh. Habits, attitudes, desires, worries, and dissipation must yield as you exercise authority over your mind, emotions, and will.

Most of us have unhealthy thoughts and emotions that have either developed as a result of trauma or hardships in their childhood, or the way they were raised.

My touchstone is just fear and anxiety and I know a lot about those two awful emotions.

Existence was given us for action, rather than indolent and aimless contemplation; our worth is determined by the good deeds we do, rather than by the fine emotions we feel. They greatly mistake who suppose that God cares for no other pursuit than devotion.

Boredom is the most sublime of all human emotions because it expresses the fact that the human spirit, in a certain sense, is greater than the entire universe. Boredom is an expression of a profound despair at not finding anything that can satisfy the soul's boundless needs.

Happiness does not depend upon a full pocketbook, but upon a mind full of rich thoughts and a heart full of rich emotions.

I am an emotional pitcher, but I can control it. When I was in high school, I was a little immature and I let my emotions get the best of me.

For myself music definitely informs my emotions. And I can literally play a song that will get me where I need to be emotionally. I don't have to think about the tragic things that happened in my life or the greatest things that happened in my life.

Just remember, anger is always your enemy. You must keep your emotions in check. The moment you lose control of them, you lose the fight every time. (Takeshi)

An occasional foray into negative emotions makes feeling normal that much sweeter.

At some time in the history of the universe, there were no human minds, and at some time later, there were. Within the blink of a cosmic eye, a universe in which all was chaos and void came to include hunches, beliefs, sentiments, raw sensations, pains, emotions, wishes, ideas, images, inferences, the feel of rubber, Schadenfreude, and the taste of banana ice cream.