Quotes About Everybody

Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all.... Everybody really, really likes everybody else.

I think that lyrically, 'Safe' is a very positive song: it's very strong; it's about keeping somebody safe and protecting people. I think everybody anywhere in the world can relate to it. I think everybody wants to feel safe; everybody wants to feel protected.

As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.

I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.

Everybody can relate to feeling hopeless, at some point in their life, and everybody can relate to fighting for something that's worth fighting for, and everybody can relate to a person in their life that makes them go, "I don't know why you're here right now," but then, at the end of the day, realizing you'd do anything for them.

Indiscriminate tolerance and indiscriminate condemnation are not two opposites: they are two variants of the same evasion. To declare that “everybody is white” or “everybody is black” or “everybody is neither white nor black, but gray,” is not a moral judgment, but an escape from the responsibility of moral judgment.

For me, and this may not be everybody, but because I do love country music so much, there's such a feeling of home in Nashville, especially because it's such a small town. You bring up one song, everybody knows who wrote it, everybody knows their mother and what their cell number is, and all of the stories.

Is everybody in?... Is everybody in?... Is everybody in? The ceremony is about to begin...

Is everybody in?... Is everybody in?... Is everybody in? The ceremony is about to begin... The program for this evening is not new. You've seen this entertainment through and through. You've seen your birth, your life and death. You might recall all the rest. Did you have a good world when you died? Enough to base a movie on?

I really wanted to make something that was exciting for everybody, that everybody could enjoy, that was upbeat and positive and that everybody can dance to.

I took a lot of bad things after Athens. I just learnt to deal with it. The problem was beforehand I had this feeling where I was trying to please everybody - I wanted everybody to like me.

Not everybody gets to record with an orchestra, and not everybody that gets to record with an orchestra gets to write all their own stuff.

I was raised by my grandmother. She had a very difficult time, raised all her kids, my father and everybody. Listening to those stories and finding her so strong, poised. Anybody who came close to her was made to feel blessed. And at the same time, it didn't matter how strong a person was, in front of her, their head would go down. She carried through her life raising everybody. That is my model.

Everybody needs some inspiration, Everybody needs some motivation, mix it up with some imagination, and use your natural gifts.

Everybody could write, deejay, rap. Everybody could do it all.

Differences of power are always manifested in asymmetrical access. The President of the United States has access to almost everybody for almost anything he might want of them, and almost nobody has access to him. The super-rich have access to almost everybody; almost nobody has access to them. ... The creation and manipulation of power is constituted of the manipulation and control of access.

There are all these levels of pretension in LA. Every time you walk into a café or a bar or a restaurant in LA everybody turns around to see if you're famous. Everybody can seem like a celebrity. You can meet somebody who looks like Joe Schmoe and he turns out to be the head of HBO or something. Or you meet a person who just won an Oscar and he looks like he just won an Oscar. And it's a sprawling city, there's so many different parts to it.

Movies principally require the best of everybody, all at the same time, being the best they can be. Not just like five people being the best they've ever been, and 10 people not being the best they could be. It's like if everybody is either doing their greatest work, or the whole house of cards falls apart.

In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it.

When everybody does better, EVERYBODY does better.

Politics comes and goes, but your principles don't. And everybody wants to be loved -- not everybody. ... You never heard anybody say, 'I want to be despised, I'm running for office.'

When you've finished the film and everybody's already made back all their money, everybody just leaves you alone and I'm very happy. That's what it has to be like.

Everybody can be great, because everybody can serve. [...] You only need a heart full of grace.

The best thing I ever did in my life was to ask, 'Do I like everybody?' And the answer was, 'No.' So why should everybody like me? If people are against me, so what? I'm against them too.

But everybody is afraid of death; that too is contagious. Your parents are afraid of death, your neighbors are afraid of death. Small children start getting infected by this constant fear all around. Everybody is afraid of death. People don't even want to talk about death.

I still feel like everybody else, that I'm just growing and learning. Basically, I feel pleased to have discovered this thing that's inside me, that's connected to the same thing that's inside everybody and everything.

Democracy represents the disbelief in all great men and in all elite societies: everybody is everybody's equal.

Everybody seems to wonder what it's like down here. I gotta get away from this day-to-day running around. Everybody knows this is nowhere.

[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?

I'm a champion for western civilization and, yes, our English language is a big part of it. It's a carrier of freedom. Wherever the English language has gone globally, freedom went with it. Science technology has always lifted up the standard of living on average of everybody on the planet. I want more of that, not less. There are civilizations that produce very little, if any. This western civilization is a superior civilization, and we want to share it with everybody.

I guess I learned a couple of good lessons from my dad. One was when you're creating something, what you want when you're working with a team of other artists, is everybody to work with some creative freedom, so that you really get the best out of everybody.

Who has not remarked the readiness with which the closest of friends and honestest of men suspect and accuse each other of cheating when they fall out on money matters? Everybody does it. Everybody is right, I suppose, and the world is a rogue.

True celebration should come from your life, in your life. And true celebration cannot be according to the calendar, that on the first of November you will celebrate. Strange, the whole year you are miserable and on the first of November suddenly you come out of misery, dancing. Either, the misery is false, or the first of November is false; both cannot be true. And once the first of November has gone, you are back in your dark hole, everybody in his misery, everybody in his anxiety.

Depending on the story that you're telling, you can be relatable to everybody or nobody. I try and tell everybody's story.

It's all about knowing that everybody that you see, everybody that you sit across from is a different aspect of yourself. So once you can accept yourself on every level, that's when everything opens up, that's when the party really begins.

Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.

How could anyone love Him? What did you just tell me yourself about the world? Don't you see, everybody hates God now. It's not that God is dead in the twentieth century. It's that everybody hates Him! At least I think so.

Indeed, everybody wants to be a wow, But not everybody knows exactly how.

I would like to save lives. Now you know, the gun lobby will say, "You can't stop everybody." And I would agree with that: You can't stop everybody. Isn't it worth stopping as many as possible, saving as many lives as we can? And I think comprehensive background checks and trying to keep guns outta the wrong hands would help us do that.

The reason I have entered into bodybuilding and weightlifting is to inspire everybody to pray and meditate so they can bring to the fore their own inner strength. If everybody brings to the fore his own inner strength, the world will eventually be inundated with peace.

Everybody's in love when they're eighteen. And everybody gets dumped.

When you have a food safety system that's voluntary and not mandatory, you're in a situation in which everybody wants everybody else to go first. So as a normal course of doing business, food companies cut corners and don't want to take the kind of trouble and the kind of testing and the kind of careful procedures that are required to produce the safe food because they don't have to.

Everest has a special place in all of our imaginations. For centuries, Everest was a little bit like the moon. It was the place where everyone wanted to go. Empires wanted to be able to say that they were the first to put a climber on top of Everest. So when a tragedy happens up on that mountain, I think it has a global resonance. Everybody's heard of Everest. Everybody knows what Everest is and what it means, and the significance.

I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.

I changed the pressure from negative to positive. So, instead of thinking everybody wanted to see me fail, I decided everybody wanted to see me win, since I wanted to see myself win.

This was years ago, I think during the early [Ronald] Reagan years. I came up with a plan that everybody just pay $8.95 in taxes. Cheating would be allowed. But the incentive to cheat wouldn't be nearly as great if you only had to pay the $8.95. There were a few people who would have to pay hundreds of millions of dollars under this plan. I think it was Mark Goodson and Bill Todman, the guys who do the quiz shows. But almost everybody else would be off really cheap.

I assume the same problem exists in Australia as in America of back-biting and jealousy and parochialism among disciplines - there are the scientists, and there are the humanities people, and there are chemists and the physicists and everybody snipes at everybody else and inter-disciplinary communication is rare. But it's very precious and necessary.

I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.