Quotes About Fantasy

All entertainment is an element of fantasy because you are seeing something that is not quite real. There is no such thing as reality TV. Reality TV would be to leave a camera on in front of someone's house. Just leave it on. Then whenever the person comes or goes walking the dog or getting groceries, that's what it would be like. Any time you make an edit, you've lost reality TV. You're either compressing time or extending. That's a term that's been overused and overexposed. I think it's fantasy movies that take the fantasy of movies even further.

The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.

I wish more fantasy, especially the dominant fantasy that draws heavily on British and Christian lore, would wrestle with its own ethnospecific nature and what that means when the story is set somewhere where more than one belief system is in operation. If all you do is pay lip service to it, you can get the kind of thing where the writer has thrown one Hindu god into a Christianist fantasy (rendering said god by default a demon or otherwise inferior to the dominant religious system of the story, which is such an insult), and the hero is able to vanquish it by chanting a spell in church Latin.

Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.

I don't play fantasy baseball anymore now because it's too much work, and I feel like I have to hold myself up to such a high standard. I'm pretty serious about my fantasy football, though.

I was in the fantasy. I was selling myself on the fantasy as I was doing it. It never occurred to me. I did take notes, but just because I am a writer. I've been a writer since I was five. You don't have any sort of outlandish, shocking, extraordinary, horrifying experience without writing it down, because I know and knew that you forget things. No matter how outrageous and amazing and extraordinary and seemingly unforgettable an experience is, it's kind of like a dream. It will erode inevitably, for me.

A fantasy can be equivalent to a paradise and if the fantasy passes, better yet, because eternal paradise would be very boring.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.

When you shoot a film, when it was film, there used to be rushes and normally a director would look at them the next day. All directors look at the rushes, except for Fellini. I asked him why he didn't and said, "Because it interrupts my fantasy." What he was trying to say was that he had a three-dimensional, vibrant, living, volatile fantasy going on in his head, and when he looked at rushes, they were two-dimensional and they killed it.

I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.

The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.

Nobody wants to see the truth. Everybody wants to have the fantasy. When I look back at the books I was reading in my childhood were selling some sort of fantasy as well. Most stories are not going to tell the deep suffering of every day. No book prepared me for the suffering I would experience in life because the word "suffering" does not even describe what the suffering is. No story is going to tell you that, and no words can tell you that.

Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene.

Socially and politically, we seem to be living in dire times, worse times than in the past. But there were far worse horrors in our past. The writer's role is to be a truth sayer. I sincerely believe that each society, each country lives by a particular fantasy vision, a fantasy vision of itself. The truth of how they live is hardly ever faced.

I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.

Once it's established that we are a team, I can demand of you and expect you to demand of me. Life without pain is an addiction and the fantasy of perpetual happiness is like the "delusion of fusion."

I love The West Wing for many reasons. The show has been a fantasy. But we have offered a parallel universe to reality.

I associate heavy metal with fantasy because of the tremendous power that the music delivers.

I have a fantasy that might be fun. Why don't we try it?

If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?

Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

Truthfullness to life-both fantasy life and factual life-is the basis of all great art.

I have a certain avoidance of reality that makes fantasy an ideal choice for me.

The three most disastrous inventions of our time have been the birth control pill, the camera and nuclear weaponry. The first offers sex in terms of sterility, the second reality in terms of fantasy, and the third security in terms of destruction.

Childhood is usually identified with fantasy, adventure, and dreaming. But mine didn't offer a lot of hope. I could read my future in my palm. Everything foretold: "You have no future!" A person must be very strong to keep going without hope.

SHADOW PROWLER is a fresh, exuberant take on territory that will be familiar to all fans of classic high fantasy. Alexey Pehov introduces a cast of charming, quirky, unsavory, even loathesome characters in a fast-paced, entertaining adventure.

Fantasy-based ideologies invariably have neat happy endings where all the bad people and all the bad behavior goes away when the volume is turned up and enough force is applied.

In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.

I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'

The neurotic's strongest fantasy is that he has no fantasies. The real is very real to him, the unreal even more so.

Young people are having a hard time with what's reality and what's fantasy these days...We created discussion. It wasn't to create controversy for sale's sake, but rather it was my obligation to use the medium for discussion. Nobody's discussing the grown-up topics; they are faking and fronting.

If readers like The Thorn and the Blossom, which I would call literary fantasy, I think they would like books such as Elizabeth Hand's Mortal Love, Catherynne Valente's The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, and Kelly Link's Stranger Things Happen.

As a child, my whole life was books. They were my fantasy. That's where I could go. That was a lot of times [what] saved me.

This mindless tolerance, which places observable scientific facts, subject to proof, on the same level as unprovable supernatural fantasy, has played a major role in the resurgence of both anti-intellectualism and anti-rationalism.

The world needs fantasy, not reality. We have enough reality today

It's better to have the faith to embrace reality with all its pain than to cling to the false comfort of a painless fantasy.

It was the first time I realized that absolute reality could be so much more fun than fantasy.

My stuff gets published in some countries as fiction and in some countries as fantasy. It's just where they think it will do best in the bookshops.

It was a standard fantasy when you fell in love to imagine you could go back in time and find your beloved growing up, appear there, save him or her, get together as adolescents, by magic, and go on together, fighting for one another, into old age, never wavering.

Because in fantasy perhaps more than in any other genre, the character is rewarded for making the right choices and punished for making the bad. Ask Boromir.

The world of the arts is by no means always comfortable, but neither is it likely ever to be boring. It is full of surprises, humor, traps for the unwary, and challenges to smugness. It is a world of moods as well as of revelation, of beliefs and fears, of unpleasant truth as well as of delicious fantasy. Perhaps it is arrogant to say that anyone who does not venture into this world is only half-interested in life. I say it, nonetheless.

I shoot fantasy. If you want reality, ride the bus

To me, what I define as defiance, in some ways, is knowing the "reality" and having the ability to possess a realist mindstate yet still working towards the fantasy and still being childish. While still having the understanding and capacity that would generally inspire pessimism: some sort of more realist perspective that I think most people classify as adult. Anything like that and anything that's sort of fun.

There's a difference between what I would like to have been and what I would have been. I always fantasized about being a reforming judge or prison governor (I think that the UK penal system is a disgrace) - but it's fantasy.

The idea that things used to be better is fantasy. It's putting a halo on something that no one can disprove.

I absolutely adore working in the realms of fantasy.

Privacy is a bourgeois fantasy.

Even as she’d come to know the real Ralston—the Ralston who was not cut from heroic cloth—Callie had failed to see the truth. And, instead of seeing her own heartbreak coming, she had fallen in love, not with her fantasy, but with this new, flawed Ralston.