Quotes About Fantasy

Bitterness is the outcome of a wrong mental movement - the attempt to force external events to conform to internal fantasy. The cure is to see fantasy as fantasy, which will reveal it as neither necessary nor rewarding.

My fantasy football team got mixed up in another fantasy and now they're stuck on a pirate ship with a chick in a Catwoman suit.

I love fantasy. I grew up reading fantasy. But, I wanted to put a somewhat different spin on it. The whole trope of absolute good versus absolute evil, which was wonderful in the hands of J.R. Tolkien, became cliche and rote in the hands of the many Tolkien imitators that followed.

True balm [of fantasy] takes away the painful irritation of life and simply heals, allowing one to begin anew. And that is what fantasy can do for us.

A precondition for being a science fiction writer other than an interest in the future is that, an interest - at least an understanding of science, not necessarily a science degree but you must have a feeling for the science and its possibilities and its impossibilities, otherwise you're writing fantasy. Now, fantasy is also fine, but there is a distinction, although no one's ever been able to say just where the dividing lines come.

There is a part of me that has to depend on fantasy, because if you can't be somewhat of a fantasy person, then you can't write

In fantasy stories we learn to understand the differences of others, we learn compassion for those things we cannot fathom, we learn the importance of keeping our sense of wonder. The strange worlds that exist in the pages of fantastic literature teach us a tolerance of other people and places and engender an openness toward new experience. Fantasy puts the world into perspective in a way that 'realistic' literature rarely does. It is not so much an escape from the here-and-now as an expansion of each reader's horizons.

Prodigy only feeds on prodigy, fantasy on fantasy.

Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed?

I suppose each of us has his own fantasy of how he wants to die. I would like to go out in a blaze of glory, myself, or maybe simply disappear someday, far out in the heart of the wilderness I love, all by myself, alone with the Universe and whatever God may happen to be looking on. Disappear - and never return. That's my fantasy.

If there’s a zeppelin, it’s alternate history. If there’s a rocketship, it’s science fiction. If there are swords and/or horses, it’s fantasy. A book with swords and horses in it can be turned into science fiction by adding a rocketship to the mix. If a book has a rocketship in it, the only thing that can turn it back into fantasy is the Holy Grail.

The thinking person has the strange characteristic to like to create a fantasy in the place of the unsolved problem, a fantasy that stays with the person even when the problem has been solved and truth made its appearance.

I was also a science fiction and fantasy fan, growing up, in games and books and movies. I love Tolkien and I love Dungeons & Dragons, so the opportunity to have a fantasy-based RTS, or real time strategy game, at that time, seemed cool. I started playing it, and the early games were simple, but fun and they had these great heroes.

I had this fantasy of becoming a neurosurgeon. You know, the normal Jewish boy fantasy, but I wanted to be a neurosurgeon for some reason. So I started in this unpleasant way. I was an assistant to the coroner, opening up corpses, taking the innards out, opening skulls, taking the brains out.

You'll never be fully engaged in where you are or where you're going by settling for normal. Here's a fact: No one who was normal ever made history. Drop that fantasy like a hot rock!

Venice is not only a city of fantasy and freedom. It is also a city of joy and pleasure.

We women have lived too much with closure: "If he notices me, if I marry him, if I get into college, if I get this work accepted, if I get this job" -- there always seems to loom the possibility of something being over, settled, sweeping clear the way for contentment. This is the delusion of a passive life. When the hope for closure is abandoned, when there is an end to fantasy, adventure for women will begin.

I think the barrier for a lot of people to actual, real, lasting love is the fantasy. The problem is that we think in "happily ever after" love, but real love grows over time, and priorities change.

I have a hyper-active imagination, my mind tends to jump around a little, and I have some trouble between fantasy and reality.

Paradoxically, in fantasy for young people I was able to express my own deepest feelings and attitudes more than I had ever done in writing for adults.

I aim to tell the truth about any subject, not a romance or fantasy, not avoid the truth.

Fantasy-based ideologies invariably have neat happy endings where all the bad people and all the bad behavior goes away when the volume is turned up and enough force is applied.

Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.

In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.

I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'

I am in communication with almost everybody I've done a story about. I have a fantasy that if I ever strike it rich, I'll have a big party and fly all of these people there, and they'll be roaming around the party - Billy Mitchell, Master Legend, Santa Tim, Rio DiAngelo, Mr. Romance circa 2007, and so on.

How can we not create a fantasy in our minds when the reality is so hard?

More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.

Most modern fantasy just rearranges the furniture in Tolkien's attic.

There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.

The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.

Everyones greatest fantasy is to walk away from the life (they think)you lead

I don't really like politics that much. And I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end you still like sports. I almost love the fantasy world of sports more than the real world.

Many white-collar workers are lucky enough to have creative-class jobs that are satisfying, which is great as long as you're still able to carve out true, work-free leisure at some point. But there's been a kind of sneaky reframing of work as play as the Silicon Valley model has been imported into other fields. Now you see adult offices that look like nursery schools, and staff paintball parties, work cultures that encourage the "We're a family here!" fantasy while preventing workers from going home at a reasonable hour to be with their actual families.

New things always have to experience difficulties and setbacks as they grow. It is sheer fantasy to imagine that the cause of socialism is all plain sailing and easy success, without difficulties and setbacks or the exertion of tremendous efforts.

I have a fantasy where Ted Turner is elected President but refuses because he doesn't want to give up power.

When you see something from afar, you develop a fantasy. But when you see it up close, 9 times out of 10, you wish you hadn't.

Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.

All cartoon characters and fables must be exaggeration, caricatures. It is the very nature of fantasy and fable.

Perhaps fate isn't blind after all. Perhaps it's capable of fantasy, even compassion.

He was the fantasy of every girl in the country. He was so far out of realm, her world, that she should have stopped thinking about him the second the door had closed. Should stop thinking about him immediately. Should never think about him again, except maybe as a client - and her prince. And yet, the memory of his fingers against her skin refused to fade.

Most of my books have been written in the form of fantasy.

All the fantasy writers I know have a way of dwelling on their own fears and phobias. A writer spends his life being his own psychiatrist.

I feel any time you enter a dream world it's like you're working out things, it's all inside your mind and you're working it out, be it Dorothy in The Wizard of Oz, or the kids in Narnia, they go through this weird journey that's not real, and they're going through this journey psychologically. It's that journey of discovery, of getting onself together, that fantasy and fairy tales are so good at. And while some people still look upon them as completely unrealistic, for me they're more real than most things that are perceived as real.

I don't write fantasy; I write historical novels about an imaginary place.

Sense can support herself handsomely in most countries on some eighteen pence a day; but for fantasy, planets and solar systems, will not suffice.

Oh, I’m nerdy about science fiction and fantasy and graphic novels and reading, and I’m nerdy about board games. My favorite board game is a board game I’m working on right now. It’s a game of Napoleonic era naval warfare, and it’s going to be fun.

Maybe it's a sick fantasy of mine, but I am really looking forward to a debate between a general and a deserter. Plus, I really want to hear President Bush have to say, "Yes, General, No, General."