Quotes About Fantasy

Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.

All real fantasy is serious. Only faked fantasy is not serious. That is why it is so wrong to impose faked fantasy on children.

The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.

When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.

Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.

Acting is not about anything romantic, not even fantasy, although you do create fantasy.

When I first saw Ellie, I knew it was her-- she was my fantasy. I didn't want it to be true, but every time I met her it was obvious, and the funny thing was that she was better than the fantasy, like I got more stuff than I'd imagined.

When you just get fantasy stories that are about fairies or goblins, I just don't care. I'm never going to meet a goblin, it doesn't mean anything to me. So my definition of fantasy is very broad, it's anything to do with memory, or dreams, or ways of interpreting or making sense of the world.

I'm a fantasy guy. So I brought the fantasy element to the Riddick, David Twohy brought the sci-fi, and it came together.You see that in every aspect of the film.

If nothing is more important to you than that you feel good, you can form a fantasy about someone who is in your life and they will begin to modify to meet your fantasy, because Law of Attraction is a very powerful thing.

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.

An element of fantasy is needed when falling in love and I was unable to find the fantasy element with any of the male gender

... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.

Reality and fantasy, we need both of those to survive. If we don't have fantasy, dreams and all of those things, what's the point of carrying on? And you need to watch out for reality because buses come.

See fantasy is what people want, but reality is what they need. And I just retired from the fantasy part.

... fantasy is not practice for what is real—fantasy is the opiate of women.

The most important part of a RPG is the player feeling like they are taking the role of a character in a fully realised fantasy world. They can explore, visit various towns and places, talk to people, customise their character, collect various items, and defeat monsters. The story is not the focus of the experience and is only there to make the atmosphere of the fantasy world more interesting and engaging during the course of the game.

As chairman of the Senate subcommittee responsible for NASA appropriations, I say not a penny for this nutty fantasy.

MARVEL IS A CORNUCOPIA OF FANTASY, A WILD IDEA , A SWASHBUCKLING ATTITUDE , AN ESCAPE FROM THE HUMDRUM AND PROSAIC. IT'S A SERENDIPITOUS FEAST FOR THE MIND, THE EYE , AND THE IMAGINATION, A LITERATE CELEBRATION OF UNBRIDLED CREATIVITY, COUPLED WITH A TOUCH OF REBELLION AND AN INSOLENT DESIRE TO SPIT IN THE EYE OF THE DRAGON.

Fantasy allows for less rigorous worldbuilding and more vigorous exploration of moral questions. Sci-fi is opp.

I'm not reading any kind of fantasy [for young adults] or Hunger Games or anything like that. It's more just like geeks with crushes. It's very sweet, and I'm enjoying how honest they are, and I'm enjoying the humanity in them.

I do like fantasy films.

Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.

This is going to take a while. I'm a fantasy author. We have trouble with the concept of brevity.

... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.

Paradoxically, in fantasy for young people I was able to express my own deepest feelings and attitudes more than I had ever done in writing for adults.

My fantasy life made me survivor. One day I knew that me, this skinny, ugly girl who was only invited to slumber parties when they were forced to - someday I knew I would be someone. That was my driving goal. It wasn't to be famous. I didn't want furs and signing autographs, I didn't care about any of that. I wanted to be someone other than myself.

I have a certain avoidance of reality that makes fantasy an ideal choice for me.

I have a recurring fantasy that one more article has been added to the Bill of Rights: the right to free access to imagination.

Part of the particular interest and beauty of science fiction and fantasy: writer and reader collaborate in world-making.

I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.

Don't use metaphors in fantasy; your readers will take them literally. Or they may take them figuratively - but if so, they'll also take your magics and transformations figuratively. Either way, you're in trouble.

A great city is the place to escape the true drama of provincial life, and find solace in fantasy.

Physical attraction that strong is addictive. And knowing that kind of magic isn’t just a fantasy makes me want to find it again. But what about being with someone who makes me a better person? What about sharing my life with someone who adores me as much as I adore him, whom I can always count on, who helps me find my way when I’m lost?

A lot of the ancient Norse myths and legends are the basis of a lot of the sci-fi, fantasy films out there. Telling these stories in a contemporary medium, it's all good.

It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.

The culture of celebrity has become insane. It's all based on fantasy, and I find it creepy and disturbing.

This is my ultimate fantasy: watching QVC with a credit card while making love and eating at the same time.

If readers like The Thorn and the Blossom, which I would call literary fantasy, I think they would like books such as Elizabeth Hand's Mortal Love, Catherynne Valente's The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, and Kelly Link's Stranger Things Happen.

When I turned to writing fantasy, and writing for young people, it was joyous. It was like discovering an underground lake of ideas that went on forever.

The gift of fantasy has meant more to me than my talent for absorbing positive knowledge.

As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.

Many white-collar workers are lucky enough to have creative-class jobs that are satisfying, which is great as long as you're still able to carve out true, work-free leisure at some point. But there's been a kind of sneaky reframing of work as play as the Silicon Valley model has been imported into other fields. Now you see adult offices that look like nursery schools, and staff paintball parties, work cultures that encourage the "We're a family here!" fantasy while preventing workers from going home at a reasonable hour to be with their actual families.

New things always have to experience difficulties and setbacks as they grow. It is sheer fantasy to imagine that the cause of socialism is all plain sailing and easy success, without difficulties and setbacks or the exertion of tremendous efforts.

What is a fantasy map but a space beyond which There Be Dragons?

I feel like a sailor, or better, like an explorer of the immense universe of art. The artist is a discoverer in search of the keys that open the door to emotions and feelings . Art is the place where rationality, fantasy, truth and fiction mix up in a detonating mixture.

I had some fears as a kid, but I was also relatively fearless. Maybe that's a result of living half the time in reality and the other half in fantasy.

A human life is defined by its relationship with others: by its duty to its species. In the face of this duty, life, liberty, and the pursuit of happiness are meaningless. What you call individual rights are merely the cultural fantasy of a failed civilization.