Quotes About Fantasy

If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.

Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result isFantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.

When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.

Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.

A fantasy can be equivalent to a paradise and if the fantasy passes, better yet, because eternal paradise would be very boring.

A lot of people feel like urban fantasy is a shortcut that gets you around world-building, because it's set "in the real world." But it doesn't really work that way, as I found out. You have to come up with just as consistent an internal cosmology and magic system as you would if you were writing high fantasy.

When you shoot a film, when it was film, there used to be rushes and normally a director would look at them the next day. All directors look at the rushes, except for Fellini. I asked him why he didn't and said, "Because it interrupts my fantasy." What he was trying to say was that he had a three-dimensional, vibrant, living, volatile fantasy going on in his head, and when he looked at rushes, they were two-dimensional and they killed it.

I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction!

... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.

Fantasy consists in a morbid fascination with unrealities, which secretly transforms itself into a desire to make them real. Imagination is a form of intellectual control, which presents us with the image of unrealities in order that we should understand and feel distanced from them. In imagination we dominate; in fantasy, we are dominated.

We cannot build on peace on blood. We are still so addicted to this lie. We have this fantasy that we honor the dead by adding to their number. What we need to do is remember that these bodies bury us. This ocean of blood that we create through the fantasy that violence brings virtue drowns us, drowns our children, drowns our future, drowns the world. We have to understand that when we pour these endless young bodies into this pit of death, we follow.

If you go too far in fantasy and break the string of logic, and become nonsensical, someone will surely remind you of your dereliction....Pound for pound, fantasy makes a tougher opponent for the creative person.

I had read tons of science fiction. I was fascinated by other worlds, other environments. For me, it was fantasy, but it was not fantasy in the sense of pure escapism.

I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.

I have no time for lies and fantasy, and neither should you. Enjoy or die.

I am sensual and very physical. I'm very erotic. But my sexuality exists on a sort of a fantasy level.

We women have lived too much with closure: "If he notices me, if I marry him, if I get into college, if I get this work accepted, if I get this job" -- there always seems to loom the possibility of something being over, settled, sweeping clear the way for contentment. This is the delusion of a passive life. When the hope for closure is abandoned, when there is an end to fantasy, adventure for women will begin.

People will get tired of overly retouched images soon and they'll want something different. If people have too much reality, they want fantasy. What matters most is what the image communicates. I remember the first roll of film I shot at high school, the contact sheet went from these really worthy images of cracks in the wall and ended up with all of my dancer friends naked in Renaissance poses.

My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.

The illusion of magic is an idealistic fantasy; it exists only in the imagination of the spectator.

I think what a lot of action movies lose these days, especially the ones that deal with fantasy, is you stop caring at some point because you've lost human scale.

People think I write fantasy, but I don't; some things may be exaggerated or distorted in the same way that painters distort and alter things, but they're realistic figures. They're perfectly recognisable.

I’m really not hungry,” she repeated, lifting the coffee cup and inhaling the fragrant steam before sipping. “Just a few bites,” he cajoled, taking his own place beside her. “You need to keep up your strength for tonight.” She gave him a heated, slumberous look, remembering her fantasy. “Why? Are you planning something special?” “I suppose I am,” he said consideringly. “It’s special every time we make love.

Men live in a fantasy world. I know this because I am one, and I actually receive my mail there

Paradoxically, in fantasy for young people I was able to express my own deepest feelings and attitudes more than I had ever done in writing for adults.

Anybody who follows me on Twitter or Facebook knows that I'm super into fantasy sports. I like to make money on my sports knowledge basically.

In nightlife you can do anything you want, because that is the fantasy life, the opposite of your daily life. Everything - except violence - is tolerated. And that is why it is so surrealistic in a way.

I love magic and playing with magic systems. But to me, good fantasy like all fiction comes down to good character and plotting.

When we tell stories about things that are important - love, fear, beauty - we change the way people think about the world. Writers are, or should be, truth-tellers even when the stories themselves are fantasy.

A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."

I want to be a serial entrepreneur: Incubate an idea, get it to a good state, and make that an enabler to get to the next state. It's every researcher's fantasy.

If readers like The Thorn and the Blossom, which I would call literary fantasy, I think they would like books such as Elizabeth Hand's Mortal Love, Catherynne Valente's The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, and Kelly Link's Stranger Things Happen.

Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.)

Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.

Jack Force was more than she had ever dared wish for, and he was better than a dream or a fantasy because he was real. He was far from perfect, moody and distant at times, and burdened with sharp temper and an impulsiveness that was part of his dark nature. But she felt more love for him than she thought possible. He wasn't perfect, but he was perfect for her. (Schuyler Van Alen)

In a stagnant environment the body-mind creates its own adversity – disease and fantasy.

Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of 'Star Wars.'

Perhaps fate isn't blind after all. Perhaps it's capable of fantasy, even compassion.

Contemporary feminism cut itself off from history and bankrupted itself when it spun its puerile, paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex.

I grew up loving fantasy, adventure, and children's book series. At the time, I was in a place in LA where I wasn't working and I kind of thought to myself, "What do I really want to do? Like, what kind of role would be really exciting for me?" And I sort of thought about being in an adventurous, magical, fantastical world and a character that was powerful and sophisticated and perhaps even a dandy, that might have even passed in my head, and then I got an audition for the show ["The Magicians"] shortly after.

I shoot fantasy. If you want reality, ride the bus

Truth will flourish in fantasy, only to wither and die in what you are pleased to call reality.

Fantasy is no good unless the seed it springs from is a truth, a truth about human beings.

Fantasy is one of the soul's brighter porcelains.

Jerel Law has crafted a fantastic story that will leave every reader wanting more. Stop looking for the next great read in fantasy fiction for young readers-you've found it!

The idea that things used to be better is fantasy. It's putting a halo on something that no one can disprove.