Quotes About Fantasy

All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.

All real fantasy is serious. Only faked fantasy is not serious. That is why it is so wrong to impose faked fantasy on children.

Don't get me wrong, hard and soft fantasy stories can both be good. But you need to know which camp you're in. I'm into realism. I'm a hard fantasy guy.

It's the fantasy of first love. If you've been married for 400 years, as I have, it's nice to experience first love again and you can vicariously through a book. And it is such a fantasy. It takes you away from doing the dishes and the laundry. I think of this as a contemporary romance rather than erotic fiction.

There is a part of me that has to depend on fantasy, because if you can't be somewhat of a fantasy person, then you can't write

Tonight, I've finally learned to tell fantasy from reality. And, knowing the difference, I choose fantasy.

When I write a book, I put everything I have into it; so the more I have, the more the books become. Some people get freaked out by them: mostly the people who believe, mistakenly, that fantasy is about escaping reality. To them I say: If you have a problem with reality, you should be spending more time dealing with your life, and less time reading popcorn fantasy.

When I first saw Ellie, I knew it was her-- she was my fantasy. I didn't want it to be true, but every time I met her it was obvious, and the funny thing was that she was better than the fantasy, like I got more stuff than I'd imagined.

I suppose each of us has his own fantasy of how he wants to die. I would like to go out in a blaze of glory, myself, or maybe simply disappear someday, far out in the heart of the wilderness I love, all by myself, alone with the Universe and whatever God may happen to be looking on. Disappear - and never return. That's my fantasy.

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.

A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.

When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.

The most important part of a RPG is the player feeling like they are taking the role of a character in a fully realised fantasy world. They can explore, visit various towns and places, talk to people, customise their character, collect various items, and defeat monsters. The story is not the focus of the experience and is only there to make the atmosphere of the fantasy world more interesting and engaging during the course of the game.

Dealing with the impossible, fantasy can show us what may be really possible. If there is grief, there is the possibility of consolation; if hurt, the possibility of healing; and above all, the curative power of hope. If fantasy speaks to us as we are, it also speaks to us as we might be

It was not the story of design or clothes, it was the fantasy of women that made me want to work in fashion.

Fantasy is toxic: the private cruelty and the world war both have their start in the heated brain.

To call everything that appears illogical, fantasy, fairy tale, or chimera would be practically to admit not understanding nature.

Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.

I will start out this evening with an assertion: fantasy is a place where it rains.

Which is the supplement? Fantasy or daily routine?

No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.

I think the barrier for a lot of people to actual, real, lasting love is the fantasy. The problem is that we think in "happily ever after" love, but real love grows over time, and priorities change.

I'm not reading any kind of fantasy [for young adults] or Hunger Games or anything like that. It's more just like geeks with crushes. It's very sweet, and I'm enjoying how honest they are, and I'm enjoying the humanity in them.

There is an island fantasy A "Someday I'll," we'll never see When recession stops, inflation ceases Our mortgage is paid, our pay increases That Someday I'll where problems end Where every piece of mail is from a friend Where the children are sweet and already grown . . . . Most unhappy people . . . put happiness on "law away" And struggle through a blue today . . . . Life's most important revelation Is that the journey means more than the destination . . .

Here you leave today and enter the world of yesterday, tomorrow, and fantasy.

When I write my books, actually I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.

My writerly aspirations are pretty simple: to provide as many readers as possible with the same sort of wonderful immersion that I myself get from fantasy novels - and to make enough money to help feed my kids while doing so.

I spent many years in grad school in English, so I've read a lot in a variety of genres. But adventure fantasy is my bread and butter as a reader, and probably always will be. So it's only natural that I came to that genre as a writer.

... everything written is at least in part fantasy. Except maybe the national budget. That's horror.

Initially it was a fascination for Tolkienesque Fantasy, and role-playing games, with time I realized that it was the mythological elements that fascinated me the most, so I moved more and more in that direction.

Nightmares are a strange thing. Your worst fear is sometimes something you enjoy thinking about, for some strange reason. I don't know why that is, but it's some kind of fantasy that people play out. "What would I do to protect my children? I'd do anything." And then, you watch it play out. I'm petrified of such a thing.

Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.

Romance is finding your fantasy in people who don't have it.

Learning is to discover that something is possible. We are using most of our energies for self-destructiv e games, self-preventing games. We prevent ourselves from growing the very moment something unpleasant, something painful comes up. At that moment we become phobic, we run away, we desensitize ourselves. Neurotic suffering is suffering in imagination, suffering in fantasy.

Fantasy mirrors desire. Imagination reshapes it.

The creative writer does the same as the child at play; he creates a world of fantasy which he takes very seriously.

...You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell.

A lot of the ancient Norse myths and legends are the basis of a lot of the sci-fi, fantasy films out there. Telling these stories in a contemporary medium, it's all good.

I was someone who really loved fantasy novels and science fiction novels.

I hope to read a Harry Potter novel soon, to see what it's all about. I admit to being annoyed that many good light fantasy writers have had trouble getting published, in England and elsewhere, when it is obvious the readers were waiting for us all along.

In retrospect, all these exercises in self-gratification seem pure fantasy, what Pascal called, licking the earth.

In any case, do you really think kids even want something that is relevant to their daily lives? You think something practical like compound interest is going to get them excited? People enjoy fantasy, and that is just what mathematics can provide - a relief from daily life, an anodyne to the practical workaday world.

To go into Ukraine and to take over, to invade Crimea, is a huge step. And [Russian President Vladimir Putin] would only have done it with a president who has shown from the very beginning that [President Obama] is living in a fantasy world...They imagine the world as a new interconnected world where climate change is the biggest threat and they are shocked that the Russians actually are interested in territory.

I should have known you'd side with them. It's some sort of of male bonding thing to think women aren't capable of running their own lives." He nuzzled the top of her head with his chin. "It's ego and sheer desperation. We have to keep you thinking we're the superior species." "News flash, Jack - no women on the face of earth believes that anymore." He trailed kisses down her cheek. "But men don't know women know that. We still live in our fantasy world, so don't muck it up for us.

When I turned to writing fantasy, and writing for young people, it was joyous. It was like discovering an underground lake of ideas that went on forever.

Playing with Queen was the biggest moment of my career. It was like living a childhood fantasy.

The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.

The warrior of light knows the importance of intuition. In the midst of battle, he does not have time to think of the enemy's blows, and so he uses his instinct and obeys his angel. in times of peace, he deciphers the signs that God sends him. People say, "He's mad." Or, "He lives in a fantasy world." Or even, "How can he possibly believe in such illogical things?" But the warrior knows that intuition is God's alphabet and he continues listening to the wind and talking to the stars.