Quotes About Fashion

I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.

Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.

I think because I've gotten permission from my style icons like Tim Gunn and André Leon Talley, who say to me, "You don't need to dress like anyone else, because you're your own fashion icon. You represent comfortable. And you do fashion your way, and you should be at Fashion Week." They gave me permission to enjoy it! And it's great!

Fashion is the most intense expression of the phenomenon of neomania, which has grown ever since the birth of capitalism. Neomania assumes that purchasing the new is the same as acquiring value... If the purchase of a new garment coincides with the wearing out of an old one, then obviously there is no fashion. If a garment is worn beyond the moment of its natural replacement, there is pauperization. Fashion flourishes on surplus, when someone buys more than he or she needs.

The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?

I was always into fashion because my mom has always been interested in fashion. She majored in fashion merchandising in college, and it's always been something we have in common.

I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.

Beyond fashion and its demands, there are higher and more pressing laws, principles superior to fashion, and unchangeable, which under no circumstances can be sacrificed to the whim of pleasure or fancy, and before which must bow the fleeting omnipotence of fashion. These principles have been proclaimed by God, by the Church, by the Saints, by reason, by Christian morality.

Are you in fashion? You look like you're in fashion." "No," [Magnus] said. "I am fashion.

Fashion is something you attach to yourself, put on, and through that interaction the meaning of it is born. Without the wearing of it, it has no meaning, unlike a piece of art. It is fashion because people want to buy it now, because they want to wear it now, today. Fashion is only the right now.

I love to experiment with fashion. A lot of my inspiration comes from my mom. She is fearless with fashion! I love colors and anything daring.

When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.

I never wanted to be a fashion designer, although there is a book somewhere of fashion design I did for a collection when I was seven years old. I always wanted to be an actor.

My grandmother told me that to be in fashion, one must be young and passionate about the work. At this moment, every aspect of my life is permeated by fashion - everything has a reference to my job.

What the fashion system says and what the fashion customer says are really two different things.

I always had an interest in fashion because my mom is a celebrity fashion stylist. I grew up being on set or in showrooms.

Fashion for me is the perfect combination of all the things I love. There's an element of history to it. I love understanding why people wear what they wear, why during certain periods in history women looked the way they looked. There was always a strong reason behind it, whether it was because of what was available to them or because of what was happening in the world politically or sociologically. Fashion is like an amazing blend of commerce, travel, and creativity - of studying what people were about during a particular time.

I have so many fashion mistakes, but that's part of being in fashion. I think the people that you see make the most mistakes are usually the best dressers.

So fashion was, in a way, an accident. But this world opens you up to a lot of different avenues that interested me. I loved the idea of working in different countries. And I loved the idea of construction and working with imagery. But, yes, I fell into fashion a bit by mistake.

I'm big into fashion, so after swimming, when I hang up the Speedo, I definitely want to get into fashion and start designing my own clothing line.

My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself. It also probably nourished my passion and my will to make fashion, because I've always felt that, because of having a big family to take care of, she sacrificed a bit of her femininity.

I've always loved fashion so much and I didn't have access to the kind of fashion I really wanted, so I would do vintage shopping.

I've been realizing lately how horribly vain I am. I do believe that if I'm successful, it's because of my talent and intelligence, but there's pretty privilege in the world - that's a reality. When I was a kid, in middle school, I started going to thrift stores and dressing myself. It was about announcing to the world who I was. That's what fashion was for me, as a kid. You might have an idea of who you think I am, but I'm going to tell you through my fashion choices who I am.

I think fashion is the only thing I'm fully suited to do because I am super impatient, which I think is a good thing for fashion. I could never work on something for two years. I would do 20 things and finish none of them. I always admire people who have that ability to sustain something for that long a period.

Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.

I like to think of myself as being fashion-conscious without being a slave to fashion.

I think fashion is just part of my life and if it hadn't been fashion then it would have been something else.

There are social and environmental impacts. You might be working with a factory that underpays its staff or mistreats its workers, or mishandles the dyes. I think that conscious fashion, fashion for our soul, needs to keep pushing that needle towards being better and more mindful.

The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.

I don't do fashion, I'm fashion

Tailoring was considered to be a world that was very traditional, and basically going out of fashion. Fashion designers did not have a real link with tailoring or tradition, so I fused the two worlds together.

Sometimes I feel fashion is not open-minded enough. We need to push the old crowd to believe in what I believe, in the new generation. I remember when I started, my campaigns and and how I connected my love for music with fashion were a tiny bit controversial because they were like, 'How can you bring hip-hop or music into a luxury world?' or 'How you can be so connected to digital and use social media in luxury world?' Now it's changed, obviously, for the best, but I still think that we could push a bit more.

If I never explore my limits, my bodymind will gradually tighten and become unconscious. If I regularly explore my limits in a caring and adventuresome fashion, I will expand and grow in a vital fashion. But if I try to push myself past where I am honestly able to go, I will no longer be practicing yoga but instead will be practicing greed, and I will probably be met by pain and disease. Stated simply, it is the difference between ignoring your self, making love to yourself, and raping yourself.

I don't look at fashion the way other people do.

Stevie Nicks has always been my fashion icon, so I wanted to blend her infamous witchy style with the 90s valley girl theme that I was so entranced by as a young girl.

The birds laugh loud and long together When Fashion's followers speed away At the first cool breath of autumn weather. Why, this is the time, cry the birds, to stay! When the deep calm sea and the deep sky over Both look their passion through sun-kissed space, As a blue-eyed maid and her blue-eyed lover Might each gaze into the other's face.

I felt a huge drive to make clothes that everybody could have because I felt ostracized by that world of beauty and fashion. I never thought I would have a part in it. Never in a million years.

I come to Fashion Week events in New York City twice a year.

The prejudice of unfounded belief often degenerates into the prejudice of custom, and becomes at last rank hypocrisy. When men, from custom or fashion or any worldly motive, profess or pretend to believe what they do not believe, nor can give any reason for believing, they unship the helm of their morality, and being no longer honest to their own minds they feel no moral difficulty in being unjust to others.

The pure modernist is merely a snob; he cannot bear to be a month behind the fashion.

When I was having my hair and make-up done backstage at a fashion show, I would sneak in a copy of Dostoevsky and read it inside a copy of Elle or Vogue. But it would be pretentious of me to say I was more intelligent than the other supermodels.

I’ve spent more than two decades speaking to women through magazines. What’s so exciting about Yahoo is that I can inspire and connect with hundreds of millions more women, and bring them the magic of the fashion world in ways they haven’t yet experienced.

I think music influences fashion and has done so for generations.

Maybe careers aren’t something you can really plan for. They just sort of happen, like brown eyes or flat feet. I took one of those career aptitude tests last year, and it showed that I should be a flight attendant or a seamstress. Not a fashion designer or anything, mind you, but a sweatshop worker. Apparently stewardesses and sweatshop workers and I enjoy a lot of the same interests and activities.

Fashion, at modern time, was actually a way for women to go out in the world. There was one painting of a woman sitting at a café, drinking a beer by herself and kind of pretending to read but really watching people, that sort of thing. It fascinated me.

Conformity is the only real fashion crime

The principle of the design - the harmony, rhythm and balance are all the same with interior and fashion design.

I spend five times more money at a chemist shop than I would at a fashion boutique. Clothes shopping is optional for me; shopping at a chemist store is a must.