Quotes About Fashion

I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

I hate fashion. Or the word fashion, which sounds colorful, extravagant, expensive and gorgeous. “I never wanted to walk the main street of fashion. I have been walking the sidewalks of fashion from the beginning, so I’m a bit dark.

I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.

I was always into fashion because my mom has always been interested in fashion. She majored in fashion merchandising in college, and it's always been something we have in common.

I am excited by this collaboration: this is the first time H&M involves a Fashion Director in a special project. This is the sign of an important evolution in fashion, and I am both thrilled and humbled to be the one chosen to lead it. I wanted to create precious accessories that are impossible to find. As a stylist I know accessorization is essential: it is the personal touch to any outfit. With these pieces everybody can have fun, turning an ordinary day into a fantastic fashion day

I love theater, a performance and designing a visual spectacle. It is like creating a composition with clothes, which have to fit the psychology as well as the body of characters. The performance is frozen in time, the clothes have to stay reliable and help to define the story. Fashion can be much more abstract. It needs no story because the woman is the story. She supplies the text and content. Fashion for retail is the opposite of frozen, it has to change and morph constantly to stay relevant - to be the "fashion.".

Fashion has been collected and exhibited for many years. People were picking up clothing of famous individuals, like Marie Antoinette's shoe or Napoleon's hat. That part of the resistance to having fashion in museums had to do with it being associated with femininity, and with the female body. Yet, as early as the 18th century, some people were recognizing that just as you collected art, you, might think about collecting fashion for museums, because it would provide insight into the way people thought about their lives and, and the way they envisioned themselves.

There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.

Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.

I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.

My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.

I'd love to have a fashion range; I've been dressed by the amazing Vivienne Westwood, and fashion is something I'm a huge fan of.

You can't just come from Kansas, go into fashion and be all naive. The fashion world is very different to where I'm from.

I love and admire everyone who is different. I love that. The 'jet set' is banal. 'Good taste' is banal. Eccentricity is chic. Good taste paralyzes. But punk or street fashion or a tattoo-covered body, that is interesting to me, and that I love. I didn't go to fashion school. I learned from watching couture shows on TV and reading magazines. That made me dream.

Just because you work in the fashion industry, it doesn't mean you live your life in fashion.

Every age and every nation has certain characteristic vices, which prevail almost universally, which scarcely any person scruples to avow, and which even rigid moralists but faintly censure. Succeeding generations change the fashion of their morals with the fashion of their hats and their coaches; take some other kind of wickedness under their patronage, and wonder at the depravity of their ancestors.

I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.

My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself. It also probably nourished my passion and my will to make fashion, because I've always felt that, because of having a big family to take care of, she sacrificed a bit of her femininity.

I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.

Fashion is not about buying a second skin. Fashion is about having a fantasy.

If you're too big to fit into fashion, then you just have to do your own fashion.

I think that life has brought a lot to fashion, and fashion brings plenty to life. I took my children on photo shoots, at the same time, I borrowed my father's sweater for a photo shoot and, then, I am inspired by a Russian princess because of my Russian roots. Everything is all mixed in together.

Music and fashion go hand in hand. I think music inspires all types of arts; it inspires life, emotion, mood, and all of those things are reflected in my fashion and my style. One doesn’t go without the other.

It’s difficult to create fashion, you can’t just learn it, you have to have fashion in your DNA.

I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.

In fashion, women have more sensitivity, more sense of the body, so they know how things fit and feel. Yet there are not many women who study fashion. It's ridiculous.

I think fashion is fashion: Sometimes you dress people that you don't know, and sometimes you dress people that you actually know.

My collection of historical fashion consists of about 10,000 pieces - dresses and accessories, from 18th century to today. The main focus was initially Russian fashion, but now I have extended it to the whole European continent.

I wish fashion would have changed a bit more; obviously, there is change, but it's not enough - for example, I don't think there's enough diversity in fashion on the catwalk, in magazines. I really would love to push that more.

I'm not avoiding your question on my relationship to the fashion world or my work being shown in a fashion setting. My work's most often seen in the streets on billboards. I don't know if it being seen in a shop is any much different.

I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.

Fashion and style is just that. Fashion and style. It's not brain surgery.

My son has followed fashion since he was a punk. He and I agree that fashion is about sex.

I have always felt my role as a designer is to do the very best I can for a woman to make her look her best. Fashion is only fashion once a woman puts it on.

Fashion is transient, trends come and go. I believe in style, not fashion.

I worked in fashion forecasting and I think that helps in being an editor because I love to know what's next, and I like to predict. I like to predict the trends going into the shows and normally I've organized all of our stories before we go. Fashion is my second language.

For the consumer, fashion is fashion. You can buy something beautiful for $20 and you can buy something ugly for $1,000. It comes down to style. As far as the industry as a whole, it is hard to say. I don't like to separate the worlds.

The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.

You're taught that you need to please magazines, to please the fashion elite, and that if you do everything the right way, everyone is going to love you. But I decided not to follow some of the rules. My girls from the runway were not just models - they were soldiers. They helped me bring my ideas to life. I was talking about sexiness, about diversity, about different shapes of bodies. I was following my instincts and learning that it would not please the fashion elite. And I think this is the real luxury, to be free to express yourself. Freedom is luxury to me.

I think fashion is just part of my life and if it hadn't of been fashion then it would have been something else.

Look at Kate Moss, she's such an amazing representation of that peak '90s fashion of a slinky shimmery dress and choker. Fashion was playful in the '90s, and that's why I love music festivals as well. They have that playful essence.

I am no fashion diva - I grew up on the beaches in South Africa and am a nature girl that spends a lot of time outdoors. Fashion speaks to me through an occasion.

London College of Fashion, University of the Arts London, offers the range of subjects that help young designers to arrange the underpinnings that are necessary to get from zero to 10. The hardest part is the beginning, understanding your passion and making the decision that whatever it takes, that's what you're going to do. London College of Fashion shows them what they must do and helps them to find their goal.

It is a grand old name, that of gentleman, and has been recognized as a rank and power in all stages of society. To possess this character is a dignity of itself, commanding the instinctive homage of every generous mind, and those who will not bow to titular rank will yet do homage to the gentleman. His qualities depend not upon fashion or manners, but upon moral worth; not on personal possessions, but on personal qualities.

And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis.

What you wear represents you to the world, especially now, when communication between people is so fast. Fashion is a universal language that everyone understands.

The job is not to succeed but fail more interesting than the last time—- in a more subtle fashion or in a more intriguing way.

After all these years of creating my collections, I still doubt my decision even until the last minute before the fashion show, I keep questioning myself and wondering if I did the right thing.