Quotes About Fiction

...Don't let me ever hear you say, 'I can't read fiction. I only have time for the truth.' Fiction is the truth, fool! Ever hear of 'literature'? That means fiction, too, stupid.

I don't believe that fiction is dead. I know there are some people who believe that it's an outdated art form, and that to express truth today you need to work in different forms, to write books where it's perhaps not clear what's fiction and what's memoir. I have nothing against those books and love many of them very much. But we have enough space for everyone, traditional realists and hybrid writers, and experimental writers all.

The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction.

The brightest minds in our field have been trying to find a definition of science fiction for these past seventy years. The short answer is, science fiction stories are given as possible, not necessarily here and now, but somewhere, sometime.

Im omnivorous in my tastes, fiction and non-fiction, always several books on the go, though Ill read a novel in a day or two.

Those who say truth is stranger than fiction have wasted their time on poorly written fiction.

..and certain that life consisted of a few simple signals and decisions; that death took root at the moment of birth and man’s only recourse thereafter was to water and tend it; that propagation was a fiction; consequently, society was a fiction too; that fathers and teachers, by virtue of being fathers and teachers, were guilty of a grievous sin.

On the plane, I like to read fiction set in the location I'm going to. Fiction is in many ways more useful than a guidebook, because it gives you those little details, a sense of the way a place smells, an emotional sense of the place. So, I'll bring Graham Greene's The Quiet American if I'm going to Vietnam. It's good to feel romantic about a destination before you arrive.

I'm not so fond of the sort of science fiction that isn't really science fiction but is sometimes thought to be - Gothic princesses and white horses and bats and castles and things.

As a result of reading science fiction when I was eight, I grew up with an interest in music, architecture, city planning, transportation, politics, ethics, aesthetics on any level, art...it's just total! It's a complete commitment to the whole human race on all the Earth. That's what science fiction is about.

I could speculate, but it would be just speculation and the kind of thing that you would get in with a science fiction story. And if I was doing a science fiction story then I would come up with what can go wrong with this system.

I meet a number of people as a writer of fiction who say "Oh, I don't read much fiction," as if the history of the United States, just as an example, isn't an exercise in storytelling and myth-making.

As strange as this may sound, I very seldom read fiction. Because my novels require so much research, almost everything I read is non - fiction - histories, biographies, translations of ancient texts.

I think love is a huge factor in fiction and in real life. Is there a risk? Always. In fiction and in life

I'd probably be a super wealthy guy if I had sat around writing songs and getting them placed like everyone else I know. But I write songs about people or after I meet them and they're somewhat biographical - they're fiction but also non-fiction.

There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction...For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.

General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else.

I loved literary science fiction. In fact, as a kid, when I was reading science fiction, I thought 'I can't wait for the future when the special effects are good' to represent what was in these books by Arthur C. Clarke, Alfred Bester, Philip K. Dick, J.G. Ballard, Jack Vance.

And I grew up on a steady diet of science fiction, especially apocalyptic and postapocalyptic fiction.

I like to think of myself as a fiction writer who liked art enough to write about it for a while, and then went on to his fiction.

All fiction relies on the real world in the sense that we all take in the world through our five senses and we accumulate details, consciously or subconsciously. This accumulation of detail can be drawn on when you write fiction.

Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.

The nice thing about 'Futurama' for me personally was that it was a way to honor some of the traditional ideas in literary science fiction, not so much movie or television science fiction - although we have that too, obviously. Our situation, a workplace comedy, led to all sorts of stuff.

There's an expression, "God is in the details," and it applies to nothing more than it does to the writing of fiction. To that and to the art of telling good lies. And what is fiction but the telling of lies?

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.

Time passes, as the novelist says. The single most useful trick of fiction for our repair and refreshment: the defeat of time. A century of family saga and a ride up an escalator can take the same number of pages. Fiction sets any conversion rate, then changes it in a syllable. The narrator’s mother carries her child up the stairs and the reader follows, for days. But World War I passes in a paragraph. I needed 125 pages to get from Labor Day to Christmas vacation. In six more words, here’s spring.

Science fiction properly conceived, like all serious fiction, however funny, is a way of trying to describe what is in fact going on, what people actually do and feel, how people relate to everything else in this vast sack, this belly of the universe, this womb of things to be and tomb of things that were, this unending story.

As I keep saying, fiction is truth. I think fiction is the truest thing there ever was.

I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes.

I try and make non-fiction films that feel like fiction, so I'm always looking for the subtext and that's what really excites me.

I tried to get the word out to people who are information hubs in their communities, because they could propagate the call quickly. One challenge is that breaking science fiction means, well, breaking science fiction. Many communities of colour have a different approach to narratives of science.

My fiction is reviewed by the mainstream press, by science fiction periodicals, romance magazines, small press publications and various other journals, including some usually devoted to archaeological and other science material.

As much as I love historical fiction, my problem with historical fiction is that you always know what's going to happen.

Fiction is my home, I came from fiction, I like to tell stories.

Amy Rapp, my producing partner, and I are drawn to character-driven material. We're developing and producing movies and TV, fiction and non-fiction, studio and independent, broadcast and cable, theatre, and web so our slate is really diverse.

I sometimes feel fiction is the ideal preservation for real memories. Fiction is such a good place to keep things.

There are many facts within fiction. This captivating story provides invaluable insights into the childhood of a girl who has Asperger’s syndrome. Fiction allows the author to explore different perspectives and add poignancy to the experiences of sensory sensitivity and being bullied and teased of someone who has Asperger’s syndrome. The title Delightfully Different describes Asperger’s syndrome but also the qualities of this novel.

Although I do not care for the slogan "art for art's sake", there can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art.

"I thought Indians built fires with fiction." .... "I can do that, but I'd like to eat sometime in the next day or so. Sterno and Bic are much faster."

Fiction stymies me with its possibility. I can't see the bottom and I freeze, cling to the side, or just choke. In nonfiction, particularly that which takes personal narrative for its primary topic, I have a finite space and a finite amount of material. I can't fabricate material, I can only shape and burrow into it.

In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.

You know, then that the public Somebody you are when you 'have a name' is a fiction created with mirrors and that the only somebody worth being is the solitary and unseen you that existed from your first breath

I think the first duty of all art, including fiction of any kind, is to entertain. That is to say, to hold interest. No matter how worthy the message of something, if it's dull, you're just not communicating.

I repeat Sturgeon's Revelation, which was wrung out of me after twenty years of wearying defense of science fiction against attacks of people who used the worst examples of the field for ammunition, and whose conclusion was that ninety percent of it is crud.

The pornography of violence of course far exceeds, in volume and general acceptance, sexual pornography, in this Puritan land of ours. Exploiting the apocalypse, selling the holocaust, is a pornography. For the ultimate selling job on ultimate violence one must read those works of fiction issued by our government as manuals of civil defense, in which you learn that there's nothing to be afraid of if you've stockpiled lots of dried fruit.

Why don't they make more science fiction movies? The answer to any question starting, Why don't they- is almost always, Money.

I don't separate writing songs from poetry and short fiction. In the area where I work in my house, there's a word processor and a guitar.

Read Mann's notes, which contain precise accounts of cholera and its symptoms, and observe how careful he is throughout his fiction in getting medical details straight - then you might begin to wonder whether cholera is the only candidate for the cause of Aschenbach's death. What results from this, I think, is a deeper appreciation of Mann's brilliance in keeping so many possibilities in play. The ambiguity is even more artful than people have realized.