Quotes About Form

All that is limited by form, semblance, sound, color is called object. Among them all, man alone is more than an object. Though, like objects, he has form and semblance, He is not limited to form. He is more. He can attain to formlessness. When he is beyond form and semblance, beyond "this" and "that," where is the comparison with another object? Where is the conflict? What can stand in his way? He will rest in his eternal place which is no-place. He will be hidden in his own unfathomable secret. His nature sinks to its root in the One. His vitality, his power hide in secret Tao.

The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.

I have known Trent Lott for 20 years, ... I don't believe he's racist. But he must proactively send a message to his colleagues in the Senate and the American people that he is absolutely opposed to any segregation in any form and racism in any form and discrimination in any form.

In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.

The ninety-nine cent price of a fast-food hamburger simply doesn't take account of that meal's true cost--to soil, oil, public health, the public purse, etc., costs which are never charged directly to the consumer but, indirectly and invisibly, to the taxpayer (in the form of subsidies), the health care system (in the form of food-borne illnesses and obesity), and the environment (in the form of pollution), not to mention the welfare of the workers in the feedlot and the slaughterhouse and the welfare of the animals themselves.

In its most primitive form, life is, therefore, no longer bound to the cell, the cell which possesses structure and which can be compared to a complex wheel-work, such as a watch which ceases to exist if it is stamped down in a mortar. No, in its primitive form life is like fire, like a flame borne by the living substance;-like a flame which appears in endless diversity and yet has specificity within it;-which can adopt the form of the organic world, of the lank grass-leaf and of the stem of the tree.

Stopped as attribute of a person, sex inequality takes the form of gender; moving as a relation between people, it takes the form of sexuality. Gender emerges as the congealed form of the sexualization of inequaltiy between men and women.

An illustrational form tells you through the intelligence immediately what the form is about, whereas a non-illustrational form works first upon sensation and then slowly leaks back into the fact.

Optimism is an alienated form of faith, pessimism an alienated form of despair.

What ends up happening is people form images and the image they form is, in some ways, what they want it to be. The idea of trying to correct the image is something I'm not interested in doing.

I really like the idea of music when it has form and then sort of loses its form, or becomes noise, and then comes back again... That's how I think of it: structure turning into noise and coming back around again.

Art should be as inclusive as possible. That's why I like bringing the low form of puppetry and elevating it into a sculpture form, but it's still a puppet also.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

Substance is enduring, form is ephemeral. Failure to distinguish clearly between the two is ruinous. Success follows those adept at preserving the substance of the past by clothing it in the forms of the future. Preserve substance; modify form; know the difference.

What the work of art looks like isn't too important. It has to look like something if it has a physical form. No matter what form it may finally have it must begin with an idea. It is the process of conception and realization with which the artist is concerned.

no form of love is wrong, so long as it is love, and you yourself honour what you are doing. Love has an extraordinary variety of forms! And that is all there is in life, it seems to me. But I grant you, if you deny the variety of love you deny love altogether. If you try to specialize love into one set of accepted feelings, you wound the very soul of love. Love must be multi-form, else it is just tyranny, just death

We modern egalitarians are tempted to the primal sin of pride in the opposite way from the ancients. The old, aristocratic form of pride was the desire to be better than others. The new, democratic form is the desire not to have anyone better than yourself. It is just as spiritually deadly and does not even carry with it the false pleasure of gloating superiority.

The refusal to choose is a form of choice; disbelief is a form of belief.

Photography does not form a separate, barren field of art. It is only a means of execution, uniform, rapid and sure, which serves the artist by reproducing with mathematical precision the form and effect of objects and even that poetry which at once arises from any harmonious combination.

All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.

The question of "unreality"is a very important one. Misled by grammar, the great majority of those logicians who have dealt with this question have dealt with it on mistaken lines. They have regarded grammatical form as a surer guide in analysis than, in fact, it is. And they have not known what differences in grammatical form are important.

Most disquieting reflection of all, was it not bad form to think about good form?

The great cognitive shift is an expansion of consciousness from the perspectival form contained in the lives of particular creatures to an objective, world-encompassing form that exists both individually and intersubjectively. It was originally a biological evolutionary process, and in our species it has become a collective cultural process as well. Each of our lives is a part of the lengthy process of the universe gradually waking up and becoming aware of itself.

Art bids us touch and taste and hear and see the world, and shrinks from what Blake calls mathematic form, from every abstract form, from all that is of the brain only.

Women’s voices, LGBT voices, and the voices of people of color are all needed in any art form if we want to explore the true possibilities of that art form. Diversity is strength.

The most interesting characteristic of the cube is that it is relatively uninteresting. Compared to any other three-dimensional form, the cube lacks any aggressive force, implies no motion, and is least emotive. Therefore, it is the best form to use as a basic unit for any more elaborate function, the grammatical device from which the work may proceed.

For me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.

Anything that is in space has form. Space itself has form. Either you are in space, or space is in you. The soul is beyond all space. Space is in the soul, not the soul in space.

The highest form of wisdom is to get drunk and go to pieces. The highest form of wisdom is to get drunk and go to pieces. Candy is dandy But liquor is quicker.

Some song ideas absolutely require a kind of rigid discipline, and others require absolute chaotic abandon. The form is only valid if you know how to un-form it. I don't mean to sound like an intellectual here!

[Eric]Goldman [a professor at Santa Clara University School of Law] says back in the 1990s, courts began to confront the question of whether software code is a form of speech. Goldman says the answer to that question came in a case called Bernstein v. U.S. Department of Justice. Student Daniel Bernstein who created an encryption software called Snuffle. He wanted to put it on the Internet. The government tried to prevent him, using a law meant to stop the export of firearms and munitions. Goldman says the student argued his code was a form of speech.

The "How to Slowly Kill Yourself and Others" essay was so hard to write because of the memories, the sensory stuff, but also because it didn't follow the form of any essay that I've ever read. And the truth that I was exploring necessitated that obliteration of traditional form, I think.

Architecture is not so much a knowledge of form, but a form of knowledge.

If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.

A wise man once said that all human activity is a form of play. And the highest form of play is the search for Truth, Beauty and Love. What more is needed? Should there be a ‘meaning’ as well, that will be a bonus? If we waste time looking for life’s meaning, we may have no time to live — or to play.

The way I understand composition and form and my ability to enter into material all comes from my disciplines and my commitment as a painter - my energy, my arm, my eyes, my sense of space and form and time. It's a wonderful realm for me. I never leave it.

I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.

Tribalism is a social form which can exist at any level of technology. It's a complete illusion to associate it with low levels of technology. It is probably, in fact, a form of social organization second only to the family in its ability to endure.

Cliche refers to words, commonplace to ideas. Cliche describes the form or the letter, commonplace the substance or spirit. To confuse them is to confuse the thought with the expression of the thought. The cliche is immediately perceivable; the commonplace very often escapes notice if decked out in original dress. There are few examples, in any literature, of new ideas expressed in original form. The most critical mind must often be content with one or the other of these pleasures, only too happy when it is not deprived of both at once, which is not too rarely the case.

One is almost tempted to say that the language itself is a mythology deprived of its vitality, a bloodless mythology so to speak, which has only preserved in a formal and abstract form what mythology contains in living and concrete form.

It would follow that 'significant form' was form behind which we catch a sense of ultimate reality.

One learns to accept the fact that no permanent return is possible to an old form of relationship; and, more deeply still, that there is no holding of a relationship to a single form. This is not tragedy but part of the ever-recurrent miracle of life and growth.

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.

Hateful day when I received life!' I exclaimed in agony. 'Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemlance. Satan had his companions, fellow-devils, to admire and encourage him; but I am solitary and abhorred.' - Frankenstein

No form of government matters nearly as much as the spirit and intelligence brought to the administration of any form of government.

Riches begin in the form of thought.

Are modern children going to revolt against being modern, and if so, what form will reaction of modern parents take?

Faith is indeed the energy of our whole universe directed to the highest form of being. Faith gives stability to our view of the universe. By faith we are convinced that our impressions of things without are not dreams or delusions, but, for us, true representations of our environment. By faith we are convinced that the signs of permanence, order, progress, which we observe in nature are true. By faith we are convinced that fellowship is possible with our fellow man and with God.