Quotes About Guess

Do not tell me that we're not drilling. We're drilling all over this country. I mean, I guess there's some - there are a few spots where we're not drilling. We're not drilling in the national mall. We're not drilling at your house. I guess we could try to have like, you know, 200 oil rigs in the middle of Chesapeake Bay.

I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'

In a fragment of a second you can understand: Things you know, things you don’t know, things you don’t know that you don’t know, conscious, unconscious, things which in a fragrant of a second you can react to: we can all imagine why this capacity was given to us as human beings - I guess to survive. Architecture to me has the same kind of capacity. It takes longer to capture, but the essence to me is the same. I call this atmosphere. When you experience a building and it gets to you. It sticks in your memory and your feelings. I guess thats what I am trying to do.

This guy goes to a psychiatrist and says, Doc, my brother’s crazy. He thinks he’s a chicken. The doctor says, Well, why don’t you turn him in? And the guy says, I would but I need the eggs. Well I guess that’s pretty much how I feel about relationships. You know they’re totally irrational and crazy and absurd but I guess we keep going through it because, uh, most of us need the eggs.

If I were required to guess off-hand, and without collusion with higher minds, what is the bottom cause of the amazing material and intellectual advancement of the last fifty years, I should guess that it was the modern-born and previously non-existent disposition on the part of men to believe that a new idea can have value.

Everything you need for your better future and success has already been written.And guess What? It's all available.All you have to do is go to the library.But guess what?Only three percent of the people in America have a library card.Wow,they must be expensive!No, they're free.Probably in every neighborhood.Three percent!

I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.

I guess I didn't even know the word 'genre' until I did 'True Blood.' That's how naive I was, and I didn't realize that there was a point of view about certain types of TV. And so I guess I found it disappointing that there is a segment of the critical community that looks at genre as something that is separate, less than.

Unfortunately, 19th-century scientists were just as ready to jump to the conclusion that any guess about nature was an obvious fact, as were 17th-century sectarians to jump to the conclusion that any guess about Scripture was the obvious explanation . . . . and this clumsy collision of two very impatient forms of ignorance was known as the quarrel of Science and Religion.

I don't think American family sitcoms are mean. I guess I really love 'Arrested Development.' I guess they are quite mean in that, but that is also a very silly, surreal, absurd show as well, and it has got a heart as well.

I guess maybe the only time I met George Wallace was when - at a boy scout meeting in Montgomery, and he met 10 or 15 of us from different areas. I'm not sure why I was there.

I guess I'll fade off into bolivian

Jace: "I guess we better move the trash. We can start with the Dumpster," looking unenthusiastic. Clary: "You'd rather face a ravening horde of demons, wouldn't you?" Jace: "At least they wouldn't be crawling with maggots. Well, not most of them, anyway. There was this one demon, once, that I tracked down to the sewers under Grand Central--" Clary: "Don't. I'm not really in the mood right now." Jace: "That's got to be the first time a girl's ever said that to me." Clary: "Stick with me and it won't be the last.

I’ve often been told that I’m a bit strange. I hear that pretty regularly, but it is not how I see myself. I feel like I’m extremely normal. I do have a bizarre face that’s a bit out of proportion. I guess that’s why some people see me as strange.

I guess anyone with a beautiful body, man or woman, loves to be looked at, but to admit such a thing is a little rough at times. That's why it's hard to get people to pose.

Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.

Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.

Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.

Do you want to guess what's in here?" I asked Dash. "I think I've got it figured out already. There's a new supply of red notebooks in there, and you want us to fill them in with clues about the works of, say, Nicholas Sparks." "Who?" I asked. Please, no more broody poets. I couldn't keep up. "You don't know who Nicholas Sparks is?" Dash asked. I shook my head. "Please don't ever find out," he said.

It had always made sense to me to build a business based on what people really wanted, rather than guess what we thought they might want.

I think I'm hornier than most dudes. I'm not a selfish lover - but the bottom line is... I guess I am horny. I'm insatiable. I can never get enough.

If you were to second guess your decision to book some time to visit an Indian community, that would be a reservation reservation reservation.

I realize after spending so long working with images, semiotic deconstruction and redeployment becomes second nature. We all speak with images. I guess I look at everything sideways nowadays.

I guess I crave stability.

She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.

I guess what I'm trying to say is that I'm learning to not want to be someone else, to just be who I am, as is, with nothing extra added on.

I tend to be attracted to characters who are up against a wall with very few alternatives. And the film then becomes an examination of how they cope with very few options. And that's, I guess, what interests me in terms of human behavior.

When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.

Dear Willem: I’ve been trying to forget about you and our day in Paris for nine months now, but as you can see, it’s not going all that well. I guess more than anything, I want to know, did you just leave? If you did, it’s okay. I mean it’s not, but if I can know the truth, I can get over it. And if you didn’t leave, I don’t know what to say. Except I’m sorry that I did. I don’t know what your response will be at getting this letter, like a ghost from your past. But no matter what happened, I hope you’re okay.

I'd come here planning to leave as soon as I could. It was a pit stop, not a destination. I had my whole life mapped out." "So what happened?" "I guess that map didn't turn out to be mine after all.

The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.

To look at her, you might not guess that inside she is laughing and crying, at her own stupidities and luckiness, and at the strange enigmatic ways of the world which she will spend lifetime trying to learn and understand.

I didn't have evil intentions, but I guess I did have power.

I used to be more insecure about working, and I guess the older I get, the more rich my life becomes, I don't need to work as much as I used to. I mean, New York is a hard town to be in when you have nothing else to do besides show business. It's brutal, especially as an actor, because you sit around with this low - grade fever of anxiety, waiting for the phone to ring. Or waiting for something.

I guess I started to realize that being an agnostic was such a wimpy position.

One cannot guess how a word functions. One has to look at its use and learn from that. But the difficulty is to remove the prejudice which stands in the way of doing this. It is not a stupid prejudice.

I ma trying to feel more well adjusted than I really am, which is, I guess, the human condition.

I guess I'm growing up in the film world.

I guess I really haven't thought much about winning an Oscar, but if I had the opportunity, I'm sure I would like it.

I guess they needed a maze in Japan, where everything's neat and tidy. In America everybody's already wandering around lost.

I guess music is the one universal art form that most people can be moved by, regardless of where they come from, and for many it might be the closest they get to god, but I think taking a trip out into the country, away from the light pollution, and looking at a clear night sky is what does it best for me.

You know back when there were light shows, there was this thing for people to sync into together. And the more people got synced into it, the more sync started happening. I guess it's just the size of the venue, and traveling around and so forth that it doesn't happen anymore. I don't know why.

Generally speaking, I am not interested in the future and don't believe in it. First, I guess it is true that I don't trust the future, but, more to the point, I don't even trust the "myself" of tomorrow, nor, for that matter, of the day after. Basically, all I know, and all I am capable of understanding, is the "me" that is here, now, the "me" that has dragged his past with him to this point.

The Road To Serfdom was written during WWII, and basically it's an anti-Nazi, anti-communist thing, but also it's an anti-Conservative and anti-Labor-party thing aimed at the British. He was an Austrian, writing in Britain. And I feel like now, I guess, everybody pays lip service to libertarian - and, indeed, many conservative - ideas, and yet they keep moving forward with an increasingly bureaucratic state. It shows itself in all sorts of little ways.

I guess I try and learn all the time from every experience in life, so my thinking is a hybrid of everything. I'd have to attribute some of that to my work in the fashion industry - in some obscure way.

I guess ultimately a lot of comedians just wanna be taken seriously.

I'd wear flip-flops and jeans. I guess that's not cool.

Of lower states, of acts of routine and sense, we can tell somewhat; but the masterpieces of God, the total growths and universalmovements of the soul, he hideth; they are incalculable. I can know that truth is divine and helpful; but how it shall help me I can have no guess, for so to be is the sole inlet of so to know.