Quotes About Guess

I guess what I like in my movies is where you see a character change by maybe two degrees as opposed to the traditional movie change of ninety degrees. I guess that always feels false to me in movies because that doesn't truly happen. Around me, at least in the life I live, I guess I don't see people change ninety or a hundred degrees. I see them change in very small increments. I think it's just a monitor I might have on myself as a writer to not make any false scenes.

Live strong is exactly I guess what it says. It's one thing to live, but it's another thing to live strong, to attack the day and attack your life with a whole new attitude. This was a gift for me. I guess before the illness I just lived. Now, after the illness, I live strong.

I guess bittersweet is probably my favorite tone, as a lover of Woody Allen and Federico Fellini and the French New Wave. You know, old Hollywood, sad movies. I guess it's my picture of suburban life, a lot of it being very, very lonely. I wanted to have that infused into the feeling of it.

It's my guess that something like 5% of GDP goes to money management and itsattendant friction. I define it broadly - annuities, incentive pay, all trading, etc. Nobody else has used figures that high, but that's my guess. Worst of all, the people doing this are among the best and the brightest. Hundreds and thousands of engineers, etc. are going into hedge funds and investment banking. That is not an intelligent allocation of the brainpower of the civilization.

I guess I've always lived upside down when I want things I can't have. My wife actually thinks I have a syndrome called Reality Distortion Field. It's kind of like drugs, only you can't come back from it. Reality Distortion is almost a permanent condition. Things come in and they go out: Presto, chango! To a certain extent, I did that with myself. As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.

I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'

It's an end of the world I guess. I guess you'd currently call it disaster movie. But really they weren't disaster movies. They were more end of the world movies. This is more an end of the world movie.

"I guess I'm okay with that. But it's not going to be easy for you. They don't have a lot of fishing or mudding around here." "I figured." "And not a lot of beach volleyball, either. Especially in January." "I guess I'll have to make some sacrifices." "Maybe if you're lucky, we can find you some other ways to occupy your time."

I guess I'll have to change my plan I should have realized there'd be another man Why did I buy those blue pyjamas Before the big affair began? I guess I'll have to change my plan.

I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

In a fragment of a second you can understand: Things you know, things you don’t know, things you don’t know that you don’t know, conscious, unconscious, things which in a fragrant of a second you can react to: we can all imagine why this capacity was given to us as human beings - I guess to survive. Architecture to me has the same kind of capacity. It takes longer to capture, but the essence to me is the same. I call this atmosphere. When you experience a building and it gets to you. It sticks in your memory and your feelings. I guess thats what I am trying to do.

Okay, I thought. Here you are. You are here. And you move forward because that's the way it works; that's the only place u can go. You keep going until it stops hurting, or until you find new things to hurt you worse, I guess. And that is the human condition, all of us lurching along in our own private miseries, because that's the way it is. Because, I guess, God didn't give us any choice. You grow up, I remembered Abigail telling me. You learn.

I guess working in the legitimate industry, the best thing you can take away from it is acceptance of the incompetence that often surrounds you. No, that sounds horrible. The most important thing, I guess, is the fact that working in the legitimate industry, what I see all too often is people trying to interpret the wishes of the audience, which with today's technology, is all too easy to measure empirically.

I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.

I listen to a lot of Chicago blues, I suppose. It reminds me of growing up, I guess. But I'm also obsessed by close-harmony groups. Actually, I'm fascinated particularly by brother duos, how they blend together. The Everly Brothers, the Stanley Brothers, The McQuarrys. There's something inherently magical about harmony.

The fact is that I am always thinking of something to build. A new book, radio show, plans for a trip somewhere. I am not a very happy person but I feel pretty even when I am working, so I guess that is how I am wired.

Sometimes you're not sure about a player. Sometimes you doubt. Sometimes you have to guess. Sometimes you just know.

It was like she was MADE of cake, light and pretty and decorated on the outside-with her sweet laugh and pink streak to her hair-but it was anyone's guess what was on the inside.

I've not met one person, even if they are not creative, who isn't dysfunctional. I guess artists are just a bit more aware of their dysfunction because it serves a purpose.

[Producers] took me to Chicago at 18 to star in a show that ran for almost a year. And that's when my parents said, "Okay, I guess you can quit Fordham." Of course, when that show closed, as you can imagine, I came to New York and starved for years, but it's never an easy road.

I still harbor lingering doubts about most people. I guess I always will.

Do you want to guess what's in here?" I asked Dash. "I think I've got it figured out already. There's a new supply of red notebooks in there, and you want us to fill them in with clues about the works of, say, Nicholas Sparks." "Who?" I asked. Please, no more broody poets. I couldn't keep up. "You don't know who Nicholas Sparks is?" Dash asked. I shook my head. "Please don't ever find out," he said.

I just take the Bible for what it is, I guess, and recognize that I am not a scientist, not trained to be a scientist. I'm not a deep thinker on all of this. I wish I was. I wish I was more knowledgeable, but I'm not a scientist.

I guess the reality is, everybody today has so many gadgets.

It's always nice to know people are watching and having their own ideas about things and it's nice when your audience starts trying to guess what's going to happen, it means they're really interested.

If you were to second guess your decision to book some time to visit an Indian community, that would be a reservation reservation reservation.

I guess it's a little bit sentimental, but at the time I was really very focused in on really my performance. Afterward, it was really just a breath of fresh air, just like, 'Oh, yes, I'm back now. I'm doing good.'

And as a result, I guess I'm just kind of a rubberneck. I'm kind of a - someone who likes to see things and likes to see these events and talk to the people who make them happen. But I don't think journalists are as important as the people they cover.

I guess I'm a very keen observer, and I'd like to think I have a good imagination.

Every single guy that I've caddied, even guys that I've caddied for just here and there over the years has won tournaments. There's no one I've caddied for that hasn't won tournaments. So I guess when I caddie for someone, it's kind of a reassurance thing that Steve knows what it takes to get it done.

I'm of two minds about doing any interviews these days. It seems a lot of the world is out to play gotcha with me. I guess they always go after people these days. It's sport.

I've also never written about home in this way before. I guess a lot of it is subconscious and I am intuitively making these decisions when I'm writing. I wanted to communicate in the book that on one hand, being at home - both in our homes and in DeLisle - gives us a sense of belonging and family and safety, but at the same time, being in those places makes us less safe.

I guess you're not gonna be happy til' it's for real. Four year old kids, doing drive-bys on Big Wheels.

Every day we'd trudge up the hill - it was a three-quarter-mile walk up this steep hill to the Leach Pottery, and we would take our lunch with us and generally, I guess, make a nuisance of ourselves.

When I was a teenager, I remember I wanted to put so much makeup on - it was just a natural thing over there. Why they do it, I guess, is because historically, there were twice as many women as there were men after the World War II.

One of my fondest memories from childhood is of looking at a globe with my father. "What's the biggest country?" he'd ask me and my sister. We'd spin the globe around and guess. . . . The globe brought me a sense of wonder and adventure. I wanted to go to those other places and see how people did things differently. And, many years later, when I did visit other countries, I took my father's interest and fascination with me. When we plant the seeds of fascination and respect for other people, we are teaching tolerance and peace.

My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me.

Directors always used to be like the police to me - the enemy, the people to tell me what to do when I didn't want to do it. But I've lived with one for a while now and I guess I can put myself more in their position. You shouldn't be too sympathetic to them.

I guess I do have a childlike sense of fun, and although I still have my dark days, I'm generally an optimistic person. The way things have gone in my life, sure, I could have been a bitter person. But I just find bitter people really un-fun, you know? And who wants to be that person?

I guess as I get older, I'm kind of getting drawn to the things that I really love the most, which is trying to figure out ways of blending politics with humor, and making it interesting. So I don't know if anybody's interested in this stuff, but I like it, so I get involved with it.

I guess that in this process of trying to incorporate or to be faithful to the films I admire so much, thats how I start to find my own voice. The admiration I have for filmmakers, this gratitude, perhaps thats my only way to become specific.

I guess if you're lucky enough not to have to pay your rent, then you or I take much more seriously the kind of work that I do, what it takes for me to leave two teenagers of my own and six stepchildren and a husband and four grandchildren.

I want to do some things before I have children, because when I have children it's not going to happen. I've done bungee jumping, I've done the running with the bulls, I guess sky diving is the last thing on my list.

Catfish is not playing guitar no more, he's doing like a home-front thing. He had been in the business around ten years before I got in it, so I guess he's had enough of it.

I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.

I guess I'm just lucky with my genes.

I guess I just look at talent as a very subjective thing. I mean, if you never tried playing an oboe, how do you know you're not the most talented oboe player ever? The point is that if you don't love it, then it doesn't matter.

Generally speaking, I am not interested in the future and don't believe in it. First, I guess it is true that I don't trust the future, but, more to the point, I don't even trust the "myself" of tomorrow, nor, for that matter, of the day after. Basically, all I know, and all I am capable of understanding, is the "me" that is here, now, the "me" that has dragged his past with him to this point.