Quotes About Historical

The reason we've been growing at 1.8 percent for the last eight, ten years, which is way below the historical average, is in large part because of our tax code. It is important to us to get the biggest, broadest tax reduction, tax cuts, tax reform that we can possibly get because it's the only way we get back to 3 percent growth. That's what's driving all of this, how do you get the American economy back on that historical growth rate of 3 percent and out of these doldrums of 1.8, 1.9 that we had of the previous Barack Obama administration?

I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.

Historical! Must it be historical to catch your attention? Even though historicity, like notoriety, denotes nothing more than thatsomething has occurred.

It is clear, from these considerations, that the three methods of classifying mankind-that according to physical characters, according to language, and according to culture-all reflect the historical development of races from different standpoints; and that the results of the three classifications are not comparable, because the historical facts do not affect the three classes of phenomena equally. A consideration of all these classes of facts is needed when we endeavour to reconstruct the early history of the races of mankind.

This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion.

If you write a book set in the past about something that happened east of the Mississippi, it's a 'historical novel.' If you write about something that took place west of the Mississippi, it's a 'Western'- and somehow regarded as a lesser work. I write historical novels about the frontier.

Communism is Utopia, that is nowhere. It is the avatar of all our religious eschatologies: the coming of the Messiah, the second coming of Christ, nirvana. It is not a historical prospect, but a current mythology. Socialism, by contrast, is a realizable historical system which may one day be instituted in the world.

By the way, Howard Zinn's History of America is front and center at the gift shop of the New York Historical Society. The New York Historical Society is deluged with school kids on a daily basis.

The truth is that capitalism has not only multiplied population figures, but at the same time, improved the people's standard of living in an unprecedented way. Neither economic thinking nor historical experience suggests that any other social system could be as beneficial to the masses as capitalism. The results speak for themselves. The market economy needs no apologists and propagandists. It can apply to itself the words of Sir Christopher Wren's epitaph in St. Paul's: Si monumentum requires, circumspice.

Jews, Germans, and Allies is an important historical document, especially in light of those revisionists who would impose a universal amnesia about the suffering and losses incurred during the Holocaust. The grim statistics that Ms. Grossmann presents in her carefully researched and well-organized book carry evidence of the terrible truth. But the testimony of the survivors she quotes contains the final, ineradicable facts of history.

I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.

Christianity is a very historical religion - it makes specific claims that are open to testing.

In no country has the historical blackout been more intense and effective than in Great Britain. Here it has been ingeniously christened The Iron Curtain of Discreet Silence. Virtually nothing has been written to reveal the truth about British responsibility for the Second World War and its disastrous results.

Reeducation needs careful tending, like an English lawn. Even one moment of negligence, and the weeds crop up again ~ those indestructible weeds of historical truth.

Ancient history, besides the still unequalled excellence of the writers, is the best instrument for cultivating the historical sense.

The highest historical probability can be adduced in support of the proposition that, if it were possible to annihilate the Bible, and with it all its influences, we should destroy with it the whole spiritual system of the moral world.

In some places you can find an extreme blackness used as a descriptive. I also take into account historical realities that some of this range in color is the legacy of white supremacy.

The recently ended twentieth century was characterized by a level of human rights violations unparalleled in all of human history. In his book Death by Government, Rudolph Rummel estimates some 170 million government-caused deaths in the twentieth century. The historical evidence appears to indicate that, rather than protecting life, liberty, and the pursuit of happiness of their citizens, governments must be considered the greatest threat to human security.

We should remember that the Declaration of Independence is not merely a historical document. It is an explicit recognition that our rights derive not from the King of England, not from the judiciary, not from government at all, but from God. The keystone of our system of popular sovereignty is the recognition, as the Declaration acknowledges, that 'all men are created equal' and 'endowed by their Creator with certain unalienable Rights.' Religion and God are no alien to our system of government, they're integral to it.

It is wiser, I believe, to arrive at theory by way of evidence rather than the other way around.... It is more rewarding, in any case, to assemble the facts first and, in the process of arranging them in narrative form, to discover a theory or a historical generalization emerging of its own accord.

Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.

If we could view Muhammad as we do any other important historical figure we would surely consider him to be one of the greatest geniuses the world has known.

To be a writer was always my greatest aim. I remember writing a play about Guy Fawkes when I was 10. I suppose it's significant, at least to me, that my first work should be about a historical figure.

It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.

Monotheistic religions in the West have tended to conflate having a general orientation in life, having a specific theory of the world, having a sense of the positive meaningfulness of one's existence, and having a fixed set of rules for behavior, but these elements are in principle separable. ... The "metaphysical need," ... both Marx and Nietzsche held, is a historical phenomenon that arises under determinate circumstances, and could be expected to disappear under other circumstances that we could relatively easily envisage.

The butchering may continue as it will, it shall remain the historical guilt of the Western powers that they did not promptly provide the sharpest preventative measures against the continued attack-politics Germany undertook. Possibilities existed for this, but no measures were seized upon.

Who does not know that the first law of historical writing is the truth.

American soldiers [are] going into the homes of Iraqis in the dead of night, terrorizing kids and children, you know, women, breaking sort of the customs of the ñ of ñ the historical customs, religious customs.

All historical experience demonstrates the following: Our earth cannot be changed unless in the not too distant future an alteration in the consciousness of individuals is achieved.

The novel since its origins has been the privatization of history... the history of private life ... and in that sense every novel is an historical novel.

We British play an important role in Europe, even if we have a traditional and historical ambivalence towards the continent.

I don’t want to disappoint too many people, but the number of interesting political, historical conversations we had, you could stick in your ear, it wasn't that many. We talked about friends, family and of course girls.

Since history has no properly scientific value, its only purpose is educative. And if historians neglect to educate the public, if they fail to interest it intelligently in the past, then all their historical learning is valueless except in so far as it educates themselves.

Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.

The assassination at Sarajevo was certainly the crucial precedent of the European war that its conspirators had sought, but was not the historical cause ... The assassination acted as a lever, prying the various powers into predictable paths.

Saddam Hussein's mind would have been a unique resource for historical, political and psychological research: a resource that is now forever unavailable to scholars... In a small way his execution represents a wanton and vandalistic destruction of important research data.

I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.

What worries some people about consumption (and I confess at the outset to be one of these ambivalent creatures, fat but troubled in paradise) is that the affluent, technologically advanced West seems more and more focused not on consuming to live but living to consume. The problem with consumption, and the consumer capitalism that has pushed it to feverish historical extremes, is that it has become so all-consuming.

As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.

Instead of giving it [war] a rest I continued pursuing more research, talking to more people on the subject as if I was to please this aftermath of the book by knowledge that was more historical and psychological than literary and aesthetical.

I sometimes joke that I am the first writer of historical fiction who can look out his window and point to the objects in his novels. I have a view of the entrance to the Bosporus, the old city, Hagia Sophia, the Blue Mosque.

While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.)

My friend Ronald Gottesman says...that the cause of all our trouble is the belief in an essential, pure identity: religious, ethnic, historical, ideological.

What religion a man shall have is a historical accident, quite as much as what language he shall speak.

A good legible label is usually worth, for information, a ton of significant attitude and expression in a historical picture.

There's the historical part of The Beach Boys' music; it's pretty incredible, pretty vast and pretty varied too.

I have always made an effort to render every detail of my reality with the greatest accuracy; but I have never paid attention to whether my presentation of historical facts was an exact one.

Another important historical factor is the fact that this already very simple religion was further simplified and purified by the early philosophers of ancient China. Our first great philosopher was a founder of naturalism; and our second great philosopher was an agnostic.