Quotes About History

The colonists usually say that it was they who brought us into history: today we show that this is not so. They made us leave history, our history, to follow them, right at the back, to follow the progress of their history.

I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.

Racial history is therefore natural history and the mysticism of the soul at one and the same time; but the history of the religion of the blood, conversely, is the great world story of the rise and downfall of peoples, their heroes and thinkers, their inventors and artists.

The 'black armband' view of our history reflects a belief that most Australian history since 1788 has been little more than a disgraceful story of imperialism, exploitation, racism, sexism and other forms of discrimination. I take a very different view. I believe that the balance sheet of our history is one of heroic achievement and that we have achieved much more as a nation of which we can be proud of than which we should be ashamed.

No one can compare to Ronaldinho. I remember his plays, his dribbles. I remember him winning every title at the Camp Nou. He made history at Barca, he made history with Brazil and he's still making history.

Whole great chunks of written history are of little value to the psychohistorian, while other vast areas which have been much neglected by historians - childhood history, content analysis of historical imagery, and so on - suddenly expand from the periphery to the center of the psychohistorian's conceptual world, simply because his or her own new questions require material nowhere to be found in history books.

I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written

The Bible is not a book like any other. It makes a claim that God spoke and speaks through its message. It argues that as his creatures, we are accountable to him for what he has revealed. The trustworthiness of Scripture points to its authority as well. Scripture is far more than a history book, as good and trustworthy as that history is. It is a book that calls us to examine our lives and relationship to God. Beyond the fascinating history, it contains vital and life-transforming truths about God and us.

I've lived history. I've made history, and I know I'll have my place in history. That's not egoism.

They don't really focus on that history here in America. I remember growing up as a kid, history class was very washed-over. They didn't really get into the gritty bits of slavery. It's a very, very small section in the history books. It's not something they really touch on directly with American curriculums.

The scientific observer of the realm of nature is in a sense naturally and inevitably disinterested. At least, nothing in the natural scene can arouse his bias. Furthermore, he stands completely outside of the natural so that his mind, whatever his limitations, approximates pure mind. The observer of the realm of history cannot be disinterested in the same way, for two reasons: first, he must look at history from some locus in history; secondly, he is to a certain degree engaged in its ideological conflicts.

The history of humanity is not the history of its wars, but the history of its households.

For many people during many centuries, mankind's history before the coming of Christianity was the history of the Jews and what they recounted of the history of others. Both were written down in the books called the Old Testament, [the Torah] the sacred writings of the Jewish people ... They were the first to arrive at an abstract notion of God and to forbid his representation by images. No other people has produced a greater historical impact from such comparatively insignificant origins and resources.

At this point in history when all things which concern man and the structure and elements of history itself are suddenly revealed to us in a new light, it behooves us in our scientific thinking to become masters of the situation, for it is not inconceivable that sooner than we suspect, as has often been the case before in history, this vision may disappear, the opportunity may be lost, and the world will once again present a static, uniform, and inflexible countenance.

The history of lead is a history of neglect. It's a history of decisions on our part not to address the broad implications of what we did to ourselves during the industrial revolution and in the first part of the century when our cities expanded broadly, when we built our housing and we began to depend upon lead as a mainstay of our new industrial culture. We put this stuff in even though we knew it was dangerous, we knew it was going to hurt kids.

If somebody tells you 'History will never forgive you,' just laugh at him! Because when the history comes, you won't be here! The threat of history never forgives you is a useless threat!

What does the artist do? He draws connections. He ties the invisible threads between things. He dives into history, be it the history of mankind, the geological history of the Earth or the beginning and end of the manifest cosmos.

I'm convinced the true history of our time isn't what we read in newspapers or books...True history is almost invisible. It flows like an underground spring. It takes place in the shadows, and in silence, George. And only a chosen few know what that history is.

One has to learn from history. Quite frankly, it is almost impossible to have a sense of vision without a sense of history. If history is learned, then it doesn't have to repeat itself over generations.

What are your choices? Whom are your choices for? Not just for yourself. Chose now whom you will serve, and that choice is going to affect the next generation, and the next generation, and the next. Choice never affects just one person alone. It goes on and on and the effect goes out into geography and history. You are part of history and your choices become part of history.

History that repeats itself turns to farce. Farce that repeats itself turns to history.

So many Muslims have this belief that everything between the two covers of the Koran is just God's unaltered word. They like to quote the textual work that shows the Bible has a history and did not fall straight out of the sky, but until now the Koran has been out of this discussion. The only way to break through this wall is to prove that the Koran has a history too. The Sana'a fragments will help us do that.

The history of the welfare state is the history of public enterprise pushing out private organization. The impact was largely unintentional, but natural and inevitable. Higher taxes left individuals with less money to give; government's assumption of responsibility for providing welfare shriveled the perceived duty of individuals to respond to their neighbors' needs; and the availability of public programs gave recipients an alternative to private assistance, one which did not challenge recipients to reform their destructive behavior.

One dictionary that I consulted remarks that "natural history" now commonly means the study of animals and plants "in a popular and superficial way," meaning popular and superficial to be equally damning adjectives. This is related to the current tendency in the biological sciences to label every subdivision of science with a name derived from the Greek. "Ecology" is erudite and profound; while "natural history" is popular and superficial. Though, as far as I can see, both labels apply to just about the same package of goods.

We feel more emotion... before an amateur photograph linked to our own life history than before the work of a Great Photographer, because his domain partakes of art, and the intent of the souvenir-object remains at the lower level of personal history.

You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.

I actually think history doesn't repeat itself. There are recurrent themes, but they're repeated with variations. Each time there's an immigration crisis, a threat from outside which is met with inhospitable wall building, it's different. And I think it's helpful to notice the big patterns in history, but it's also important to pay attention to the details, which makes each situation distinct from another.

When I was young I believed that "nonfiction" meant "true." But you read a history written in, say, 1920 and a history of the same events written in 1995 and they're very different. There may not be one Truth - there may be several truths - but saying that is not to say that reality doesn't exist.

Writing of history is our only heuristic principle. The Germans have a word for it, einfühlen. It is the ability to experience the past in the present and to recreate it. In my books, I have tried to recreate it in the most natural way possible: History must be integrated into the story without the weight of premonition.

We are all engaged in the task of peeling off the false selves, the programmed selves, the selves created by our families, our culture, our religions. It is an enormous task because the history of women has been as incompletely told as the history of blacks.

It's interesting to think about the history of Israel in relation to the history of the U.S.. There were Native Americans living here that U.S. settlers totally displaced, and that narrative is not connected with the Isreal-Palestinian struggle at all.

I am what I am: an individual, unique and different, with a lineal history of ancestral promptings and urgings, a history of dreams, desires, and of special experiences, all of which I am the sum total.

The present illegitimacy ratio is not only unprecedented in the past two centuries; it is unprecedented, so far as we know, in American history going back to colonial times, and in English history from Tudor times.

Very strange bridges are used to make the passage from one state of things to another; we may lose sight of them in our surveys of general history, but their discovery is the glory of historical research. History is not the study of origins; rather it is the analysis of all the mediations by which the past was turned into our present.

President Obama is the most successful food stamp president in American history. I would like to be the most successful paycheck president in American history.

The story of dance in the Western world is as much an alternative vision of the events of history as is the folk history told for generations by primal people.

The history of the United States is a history of settler colonialism.

Every man should write a brief history of his life: his parentage, his birth, his religion, when he was baptized and by whom, when ordained, what to, and by whom-give a brief sketch of all his missions and of all his official acts and the dealings of God with him. Then if he were to die and the historians wished to publish his history, they would have something to go by.

Now, I believe that war is never inevitable until it starts, but there has been a great proclivity in human history, and including in recent history, for war.

Fashion for me is the perfect combination of all the things I love. There's an element of history to it. I love understanding why people wear what they wear, why during certain periods in history women looked the way they looked. There was always a strong reason behind it, whether it was because of what was available to them or because of what was happening in the world politically or sociologically. Fashion is like an amazing blend of commerce, travel, and creativity - of studying what people were about during a particular time.

The history of India for many centuries had been happier, less fierce, and more dreamlike than any other history. In these favorable conditions, they built a character - meditative and peaceful and a nation of philosophers such as could nowhere have existed except in India.

That boom town [Abu Dhabi] proved to be the reef against which my family crashed, the story of many who seek the promised land, and my poetry is a versification of that personal history. History is all I have.

To say that there is a case for heroes is not to say that there is a case for hero worship. The surrender of decision, the unquestioning submission to leadership, the prostration of the average man before the Great Man -- these are the diseases of heroism, and they are fatal to human dignity. History amply shows that it is possible to have heroes without turning them into gods. And history shows, too, that when a society, in flight from hero worship, decides to do without great men at all, it gets into troubles of its own.

When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.

The spirit of a people, its cultural level, its social structure, the deeds its policy may prepare—all this and more is written in its fiscal history, stripped of all phrases. He who knows how to listen to its message here discerns the thunder of world history more clearly than anywhere else.

The Élysée Palace is a place laden with history. It is a place where power has left its mark - over the course of centuries, ever since the revolution. You just sort of become part of it and continue the history. But, of course, there is a sense of gravitas.

The history of man that you don't know is what your unconscious is made out of. Just as the history of yourself that you don't know is what your personal unconscious is made out of.

What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.