Quotes About History

Do not feel trapped by the facts of your history. Your history is not some set of sacred facts. History is an interpretation, and your history is yours to interpret. To know the history and then reinterpret it gives you additional depth.

History is not everything, but it is a starting point. History is a clock that people use to tell there political and cultural time of day. It is also a compass that people use to find themselves on the map of human geography. History tells a people where they have been and what they have been, where they are and what they are. Most important, history tells a people where they still must go, what they still must be. The relationship of history to the people is the same as the relationship of a mother to her child.

Black history isn’t a separate history. This is all of our history, this is American history, and we need to understand that. It has such an impact on kids and their values and how they view black people.

I have to throw in on a personal note that I didn't like history when I was in high school. I didn't study history when I was in college, none at all, and only started to do graduate study when my children were going to graduate school. What first intrigued me was this desire to understand my family and put it in the context of American history. That makes history so appealing and so central to what I am trying to do.

The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error. But science is one of the very few human activities-perhaps the only one-in which errors are systematically criticized and fairly often, in time, corrected. This is why we can say that, in science, we often learn from our mistakes, and why we can speak clearly and sensibly about making progress there. In most other fields of human endeavour there is change, but rarely progress ... And in most fields we do not even know how to evaluate change.

No one can compare to Ronaldinho. I remember his plays, his dribbles. I remember him winning every title at the Camp Nou. He made history at Barca, he made history with Brazil and he's still making history.

Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.

If you really want to be part of something and you have that much passion towards it, you'll know enough to research it and find the history of it; and history is so important, history is everything.

I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written

The lessons of history show - and I'm not talking about any particular history, all history - when you see minor abuses start to build up in the intolerance space and do nothing about them, then they lead to bigger and bigger abuses.

The history of man is the history of crimes, and history can repeat. So information is a defence. Through this we can build, we must build, a defence against repetition.

I don't think that my work is actually effectively dealing with history. I think of my work as subsumed by history or consumed by history.

I think history is only ever invisible when it abets your sense of self, your desires, your ambitions, when it carries your life along in a kind of frictionless way. History is never invisible, finally, though some people seem to work very hard to be willfully blind. That's too harsh, or too self-righteous: none of us sees history fully; none of us is adequately aware of how the arrangements of the present moment foreclose the possibilities of others to fully live their only lives.

If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of acompletely irrational history or to endow history with the form of human reason.

Art gives life to what history killed. Art gives voice to what history denied, silenced, or persecuted. Art brings truth to the lies of history.

I have always lived in a world in which I'm just a spot in history. My life is not the important point. I'm just part of the continuum, and that continuum, to me, is a marvelous thing. The history of life, and the history of the planet, should go on and on and on and on. I cannot conceive of anything in the universe that has more meaning than that.

So many Muslims have this belief that everything between the two covers of the Koran is just God's unaltered word. They like to quote the textual work that shows the Bible has a history and did not fall straight out of the sky, but until now the Koran has been out of this discussion. The only way to break through this wall is to prove that the Koran has a history too. The Sana'a fragments will help us do that.

Besides numerous science courses, I had the opportunity to study philosophy, the history of architecture, economics, and Russian history in courses taught by extraordinarily knowledgeable professors.

I think the Democrats are catering to them, but, you know, in the entire history of the United States of America, there has never been a judge who has been refused a vote when there was a majority of Senators willing to vote for his confirmation, never in history.

That rewriting of literary history is most obvious in the case of The Yage Letters, where I was able to show that the true history inverts the official one.

The notion of 'history from below' hit the history profession in England very hard around the time I came to Oxford in the early 1960s.

Marxism: The theory that all the important things in history are rooted in an economic motive, that history is a science, a science of the search for food.

The only history that matters is the history we know.

The technical history of modern harmony is a history of growth of toleration by the human ear of chords that at first sounded discordant and senseless to the main body of contemporary professional musicians.

All history is the history of unintended consequences.

We are all engaged in the task of peeling off the false selves, the programmed selves, the selves created by our families, our culture, our religions. It is an enormous task because the history of women has been as incompletely told as the history of blacks.

If you don't understand weapons you don't understand fighting. If you don't understand fighting you don't understand war. If you don't understand war you don't understand history. And if you don't understand history you might as well live with your head in a sack.

I'm a history person; I love history. But I am conditioned by the present.

The history of England is emphatically the history of progress.

Born Losers is a beautiful piece of writing. Scott Sandage is history's Dickens; his bleak house, the late nineteenth century world of almost anonymous American men who failed. With wit and sympathy, Sandage illuminates the grey world of credit evaluation, a little studied smothering arm of capitalism. This is history as it should be, a work of art exploring the social cost of our past.

The art of beautiful motion is far and away the oldest. Before man learned how to use any instruments at all, he moved the most perfect instrument of all, his body. He did this with such abandon that the cultural history of prehistoric and ancient man is, for the most part, nothing but the history of the dance.

There's no doubt that when it comes to our treatment of Native Americans as well as other persons of color in this country, we've got some very sad and difficult things to account for. I personally would want to see our tragic history, or the tragic elements of our history, acknowledged. I consistently believe that when it comes to whether it's Native Americans or African-American issues or reparations, the most important thing for the U.S. government to do is not just offer words, but offer deeds.

Of course, in the reality of history, the Machiavellian view which glorifies the principle of violence has been able to dominate.Not the compromising conciliatory politics of humaneness, not the Erasmian, but rather the politics of vested power which firmly exploits every opportunity, politics in the sense of the "Principe," has determined the development of European history ever since.

The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.

History is a novel that has been lived, a novel is history that could have been.

I am an historian, I am not a believer, but I must confess as a historian that this penniless preacher from Nazareth is irrevocably the very center of history. Jesus Christ is easily the most dominant figure in all history.

The history of mankind is a history of war.

Right now I am working on something that's pretty important to me. It has to do with my own history in politics. I'd done All the President's Men, and the history of how that came about is a story unto itself. It began with The Candidate. No one knows about that connection. I was on a train, and I was promoting The Candidate going from Jacksonville, Florida, down to Miami to duplicate what candidates in 1972 did.

The history of all previous societies has been the history of class struggles.

When you have a novel set in a fictional history, you still should get your history right.

If you look at history, even recent history, you see that there is indeed progress. . . . Over time, the cycle is clearly, generally upwards. And it doesn't happen by laws of nature. And it doesn't happen by social laws. . . . It happens as a result of hard work by dedicated people who are willing to look at problems honestly, to look at them without illusions, and to go to work chipping away at them, with no guarantee of success — in fact, with a need for a rather high tolerance for failure along the way, and plenty of disappointments.

The Élysée Palace is a place laden with history. It is a place where power has left its mark - over the course of centuries, ever since the revolution. You just sort of become part of it and continue the history. But, of course, there is a sense of gravitas.

I try not to think about legacy because it is all ­folly. If you study history, even recent history, you'll find many people who were quite significant in their time but are completely forgotten.

English history consists largely of royal people getting their heads chopped off...Needless to say, this brand of history was a hit with our son.

Lest we forget at least an over the shoulder acknowledgment to the very first radical: from all our legends, mythology and history (and who is to know where mythology leaves off and history begins - or which is which), the very first radical known to man who rebelled against the establishment and did it so effectively that he at least won his own kingdom - Lucifer.

You have to understand what market history looks like. What market history tells you is that the very, very best investments are made when things look the worst.

History is past politics, and politics is present history.

I don't even know in American educational history classes how much of D-Day, World War II, all of that is taught versus how much of it is just ignored or looked back on with mockery or insincerity or what have you. But it was one of the most crucially important events in all of human history in terms of the preservation of freedom and liberty and the notion of democracy and things associated with it.