Quotes About History

I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.

What experience and history teach is this - that nations and governments have never learned anything from history, or acted on any lessons they might have drawn from it. Variant: What experience and history teach is this - that people and governments never have learned anything from history, or acted on principles deduced from it.

The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error. But science is one of the very few human activities-perhaps the only one-in which errors are systematically criticized and fairly often, in time, corrected. This is why we can say that, in science, we often learn from our mistakes, and why we can speak clearly and sensibly about making progress there. In most other fields of human endeavour there is change, but rarely progress ... And in most fields we do not even know how to evaluate change.

If Jesus Christ was who He claimed to be, and He did die on a cross at a point of time in history, then, for all history past and all history future it is relevant because that is the very focal point for forgiveness and redemption.

The gravest error a thinking person can make is to believe that one particular version of history is absolute fact. History is recorded by a series of observers, none of whom is impartial. The facts are distorted by sheer passage of time and thousands of years of humanity's dark ages, deliberate misrepresentations by religious sects, and the inevitable corruption that comes from an accumulation of careless mistakes. The wise person, then, views history as a set of lessons to be learned, choices and ramifications to be considered and discussed, and mistakes that should never again be made.

Racial history is therefore natural history and the mysticism of the soul at one and the same time; but the history of the religion of the blood, conversely, is the great world story of the rise and downfall of peoples, their heroes and thinkers, their inventors and artists.

If you really want to be part of something and you have that much passion towards it, you'll know enough to research it and find the history of it; and history is so important, history is everything.

After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.

I'm not the creative one. I know that. If Rory Storm hadn't come along... and then The Beatles... I would have continued running around in teddyboy gangs. Today, well... I'd probably be a laborer. I'm glad I'm not, of course. It'll be nice to be part of history... some sort of history anyway. What I'd like to be is in school history books and be read by kids.

The history of humanity is not the history of its wars, but the history of its households.

Very few college professors want high school graduates in their history class who are simply "gung ho" and "rah-rah" with regard to everything the United States has ever done, have never thought critically in their life, don't know the meaning of the word "historiography" and have never heard of it. They think that history is something you're supposed to memorize and that's about it. That's not what high school, or what college history teachers want.

The history of philosophy is not, like the history of the sciences, to be studied with the intellect alone. That which is receptive in us and that which impinges upon us from history is the reality of man's being, unfolding itself in thought.

Prophecy and history predict and record a great and universal apostasy which was to be followed by a restoration as predicted by John in Revelation. The fact of the great apostasy is attested by both sacred and secular writ, and history bears witness that it became universal. We proclaim this fact of history not as an attack on any church. We do not assume any position of "holier than thou" or "wiser than thou," but we announce this historic fact of the apostasy as a vindication of the claim that there has been in fact a restoration of the gospel.

Biographical history, as taught in our public schools, is still largely a history of boneheads; ridiculous kings and queens, paranoid political leaders, compulsive voyagers, ignorant general the flotsam and jetsam of historical currents. The men who radically altered history, the great scientists and mathematicians, are seldom mentioned, if at all.

I don't want a Black History Month. Black history is American history.

I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German art and Chinese art. This is because of the history, because each country has different history and each country reads and teaches that history differently.

There are two things in Indian history - one is the incredible optimism and potential of the place, and the other is the betrayal of that potential - for example, corruption. Those two strands intertwine through the whole of Indian history, and maybe not just Indian history.

I've always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.

When you’ve had children, your body changes; there’s history to it. I like the evolution of that history; I’m fortunate to be with somebody who likes the evolution of that history. I think it’s important to not eradicate it. I look at someone’s face and I see the work before I see the person... You’re certainly not staving off the inevitable. And if you’re doing it out of fear, that fear’s still going to be seen through your eyes. The windows to your soul, they say.

Besides numerous science courses, I had the opportunity to study philosophy, the history of architecture, economics, and Russian history in courses taught by extraordinarily knowledgeable professors.

I think the Democrats are catering to them, but, you know, in the entire history of the United States of America, there has never been a judge who has been refused a vote when there was a majority of Senators willing to vote for his confirmation, never in history.

Houses aren't refuges from history. They are where history ends up.

The notion of 'history from below' hit the history profession in England very hard around the time I came to Oxford in the early 1960s.

History can't be left to fend for itself. For when it comes to history and beliefs and values, we turn our future on the lathe of the past.

History is the fiction we invent to persuade ourselves that events are knowable and that life has order and direction. That's why events are always reinterpreted when values change. We need new versions of history to allow for our current prejudices.

As biological organisms made of matter, we are subject to the laws of physics and biology: as conscious persons who create our own history we are free to decide what that history shall be. Without science, we should have no notion of equality; without art, no notion of liberty.

I have always been interested in mythology and history. The more I read, the more I realized that there have always been people at the edges of history that we know very little about. I wanted to use them in a story and bring them back into the public's consciousness. Similarly with mythology: everyone knows some of the Greek or Roman legends, and maybe some of the Egyptian or Norse stories too, but what about the other great mythologies: the Celtic, Chinese, Native American?

I used to refer to my photos as free radicals - and maybe that has to do with this idea of navigating history. I think of the works as having this dormant illness that can really latch on to different histories. So they can exist in a world pretending to be neatly encapsulated, already framed, and fixed. But actually they are these parasites dependent on the failure of modernist history and on multiplicity.

Of course, in the reality of history, the Machiavellian view which glorifies the principle of violence has been able to dominate.Not the compromising conciliatory politics of humaneness, not the Erasmian, but rather the politics of vested power which firmly exploits every opportunity, politics in the sense of the "Principe," has determined the development of European history ever since.

Caution in handling generally accepted opinions that claim to explain whole trends of history is especially important for the historian of modern times, because the last century has produced an abundance of ideologies that pretend to be keys to history but are actually nothing but desperate efforts to escape responsibility.

If cats could write history, their history would be mostly about cats.

There are times throughout history and it doesn't take long for either an American or a German, to think about times in the history of their country where the law provided the Government to do things which were not right.

The long history of mankind is studded with convergences, perhaps most notably in social systems and the use of artefacts and technology. But for human history, set in the arrow of time, there appears to be one intolerable stumbling-block. This is the catastrophic failure in human values and decency.

At the core of every moral code there is a picture of human nature, a map of the universe, and a version of history. To human nature (of the sort conceived), in a universe (of the kind imagined), after a history (so understood), the rules of the code apply.

High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor, only to be surpassed by his successor. Without this relay race called history there would be no European art and what characterizes it: a longing for originality, a longing for change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, they're all runners in the relay race, they all belong to the same stadium.

When the drama of history is over, Jesus Christ will stand alone on the stage. All the great figures of history ... will realize that they have been but actors in a drama produced by another.

Life and study have persuaded me of the openness of history. There is no inevitability in history. Thinking about what might have happened, what could have happened, is a necessary element in trying to understand what did happen. And if, as I believe, individual acts of decency and courage make a difference, then they need to be recorded and remembered.

Western history has been a history of deed done, actions performed and results achieved.

The use of natural history is to give us aid in supernatural history: the use of the outer creation, to give us language for the beings and changes of the inward creation.

The potential beauty of human life is constantly made ugly by man's ever recurring song of retaliation. The oceans of history are made turbulent by the ever rising tides of revenge. Man has never risen above the injunction of the lex talionis: "Life for life, eye for eye, tooth for tooth, hand for hand, foot for foot." In spite of the fact that the law of revenge solves no social problems, men continue to follow its disastrous leading. History is cluttered with the wreckage of nations and individuals that pursued this self-defeating path.

Each person with his or her history of being accepted or rejected, with his or her past history of inner pain and difficulties in relationships, is different. But in each one there is a yearning for communion and belonging, but at the same time a fear of it. Love is what we most want, yet it is what we fear the most.

Yes, your family history has some sad chapters. But your history doesn't have to be your future. The generational garbage can stop here and now.

I have a fairly unwieldy set of concerns that go into determining what I do in the paintings, such as the history of the decorative, patterns of cultural migration, Islamic art and design, Byzantine architecture, the annals of natural history, as well as contemporary painting. All of these things are filtered through my own sense of cultural urgency. How I proceed with the work has to do with how I respond to this instinctively chosen mass of materials. I'm weighing many things and making many decisions before I even get started on a painting.

I mean, if Beethoven had been killed in a plane crash at twenty-two, the history of music would have been very different. As would the history of aviation, of course.

It's important to interrogate history, it's important to document history, because as a society we need constant reminders of the things that we've done in the past in the hope we can stop repeating these horrible lessons.

What I love about the stories of the Great Migration is that this is not ancient history; this is living history. Most people of color can find someone in their own family who had experienced a migration of some kind, knowing the sense of dislocation, longing and fortitude.

To be modern is not a fashion, it is a state. It is necessary to understand history, and he who understands history knows how to find continuity between that which was, that which is, and that which will be.

Time in its irresistible and ceaseless flow carries along on its flood all created things and drowns them in the depths of obscurity. . . . But the tale of history forms a very strong bulwark against the stream of time, and checks in some measure its irresistible flow, so that, of all things done in it, as many as history has taken over it secures and binds together, and does not allow them to slip away into the abyss of oblivion.