Quotes About Horror

With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.

I don't know. I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.

I don't really like horror shows, horror movies, or any of that. I'm really a lightweight, in terms of that.

I have a really hard time watching gory stuff and horror movies. I have said no to some horror movie things. I wouldn't rule it out; I could probably be convinced to do one. But sometimes, I just get ill.

In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.

We've had mass shootings in the United States in the part of violent antiabortion protesters, in the part of violent pro-ISIS militants. The trick and the trap and the horror is not faith, Scott. I don't think the trap and the horror is fanaticism.

My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes.

As a filmmaker, I love the medium. I have a great affection for it and I've been lucky enough to do all different kinds of films. The greatest part of the success I've had comes from horror. I love the idea of mixing humor and horror and to me, it's all a giggle.

I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.

Screaming. Did I mention the screaming? Screaming is usually associated with horror films and roller coasters. This is why I usually look like I've just watched a horror film on a rollercoaster. Kids love to scream. Frightened, happy, bored. They scream. I've actually learned to love the sound of a vacuum cleaner. It's just so peaceful.

Horror is always the same. It changes with the culture and changes with technology. The stories are always the same. There are just two basic stories in horror, two simple ones -- evil is outside and evil is in here [points to his heart].

Buddy Hackett [was] talking - this is Hackett, not me - about the Virgin Mary, a limerick sort of thing, and all these children and families ... the look of absolute horror. He's going on and on and on, and finally he stops. It's just total horror, and the camera's still rolling. You can hear it, sort of a grinding noise. And the director says, "Anything else, Bud?"

The same sensations that you get in heavy metal are in horror movies. Heavy metal sounds evil and horror movies are evil, ha ha!

Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.

I can't talk about Hollywood. It was a horror to me when I was there and it's a horror to look back on. I can't imagine how I did it. When I got away from it I couldn't even refer to the place by name. ''Out there,'' I called it.

Although I've said a million times that I'm not a horror writer, I do like horror.

As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.

I don't believe terror and horror are just vicarious pleasures. I think it routes itself in your mind. It can affect your mind. Look at what's going on in the America today. The violence is just awful and I think a lot of has to do with what they are showing on the movies and television.

It's a convention, but in horror movies the female characters usually tend to believe easier in a supernatural event.

That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.

Think about scary movies: There's a fine line between horror and humor.

Men born in hot countries love the night because it refreshes them and have a horror of light because it burns them.

The depressed person was in terrible and unceasing pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror.

I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.

Bombardment, barrage, curtain-fire, mines, gas, tanks, machine-guns, hand-grenades - words, words, but they hold the horror of the world.

I’m in a band. I don’t go to church every Sunday. I love punk rock music. Sometimes I use swear words a lot. I respect and admire gay men and women. I’m obsessed with horror films. I know what shame feels like. And guess what old man? Jesus is still my Savior.

...and horror of horrors, he realized that he was experiencing some sort of a crush. He needed to kill something.

One of the problems, hanging out with me, is that I can turn any topic into a toxic horror story. I've lost two girlfriends and a job by reading an ingredients label out loud, with annotations, at the wrong time.

I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.

... everything written is at least in part fantasy. Except maybe the national budget. That's horror.

In the usual (though certainly not in every) public decision on economic policy, the choice is between courses that are almost equally good or equally bad. It is the narrowest decisions that are most ardently debated. If the world is lucky enough to enjoy peace, it may even one day make the discovery, to the horror of doctrinaire free-enterprisers and doctrinaire planners alike, that what is called capitalism and what is called socialism are both capable of working quite well.

I think it goes without saying that a lot of big horror fans are just nerds and geeks.

I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.

It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.

It is interesting to note that the best periods of Italian Horror films came out of the Sixties, when Italy was enjoying a carnival period of phenomenal optimism, and the shadowy side surfaced with all of its attendant dark, beautiful, baroque, catholic symbolism.

There's always a tone that you have to hit right in horror. With the blood, you want to make sure that it makes sense all along.

There is a sweet little horror story that is only two sentences long: The last man on Earth sat alone in a room. There was a knock at the door... Two sentences and an ellipsis of three dots.

It's not scary to make a horror film because you get to pull back the curtain and see that none of it's real. When you're watching one, the terror bombards you.

Alien is one of my favourite films. I'm a classic horror fan. It's a tough one for me, because I get scared quite easily.

My mother had a look on her face that I'll never forget. It was one of complete despair and horror, for losing Bing, for being so foolish as to think she could use faith to change fate.

It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.

So even as we see the horror of death, may we be reminded that in the end, love wins. Mercy triumphs. Life is more powerful than death. And even those who have committed great violence can have the image of God come to life again within them as they hear the whisper of love. May the whisper of love grow louder than the thunder of violence. May we love loudly.

I was carrying two cargoes. Yes, one of them was horror, but the other one was hope.

I have never seen an adequate description anywhere of the amazement, the uncomprehending horror of the bulk of the American people which preceded the firing of that gun at Sumter. Politicians or far-sighted leaders on both sides knew what was coming. And it is they who have written histories of the war. But to the easy-going millions, busied with their farms or shops, the onrushing disaster was as inexplicable as an earthquake. Their protest arose from sea to sea like the clamor of a gigantic hive of frightened bees.

Weakness ever sympathizes with vice, because vice is a weakness which assumes the mask of strength. Madness holds reason in horror, and on all subjects it delights in the exaggerations of falsehood. The cause of all bewitchments, the poison of all philtres, the power of all sorcerers are there.

You cannot be born and you cannot die. You will exist in a universe that goes on forever. That is the ultimate horror from the Zen point of view. You could be unhappy forever.

It is only by softening and disguising dead flesh by culinary preparation that it is rendered susceptible of mastication or digestion, and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.