Quotes About Horror

Horror fans need horror, okay? They don't need little worms squirming around going down your throat. To them, that's not horror.

When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.

I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else.

The thing is, horror is a big part of 'Sherlock Holmes.' Doyle also wrote a lot of great horror stories, so there's a lot more horror in 'Holmes' that people possibly think of. There's a lot of curses and mysticism and real scares.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

I think readers appreciate those of us who stay in the trenches and fight the good fight even when times get tough. I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror. As far as I'm concerned, those wussboys should sever all ties with the horror community if that's the way they feel and get out of the way so real horror writers can do their work.

I've always wanted to do a horror movie, and I grew up watching a lot of horror. I now, recently in life, don't have the stomach for it because I spend so much time in it.

Horror, for me, has to involve some sort of fantasy. Horror is something that is in your dreams or your nightmares.

I have quite a close relationship with violence and horror. They are enjoyable and terrible. I try and offset the horror with a sense of satisfaction or humor. You can't write a book that is entirely dark without having little spots that hopefully make you laugh out loud.

Weirdly, I'm not a horror fan, but those kind of horror leanings are something that are very easy for me to get into.

The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.

I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.

I watched horror movies way too young and one of my favorite horror movies was The Shining. Jack Nicholson's character in that just bore a hole in my brain, his weird, maniacal controlled stuff. Obviously Mara in Village of the Damned wasn't an alcoholic and didn't have emotional, crazy outbursts. She was very non-emotional. But it was that sort of evil that I was tapping into.

I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.

So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them.

Horror is a reaction; it's not a genre. Somebody's life would have to be in danger for it [story] to be a horror story.

I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.

I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.

I love horror movies. I mean, who doesn't like a good horror movie every once in a while? It's fun to get scared.

What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.

I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.

I'm a horror movie fan to begin with, so to come back to the genre, I feel like horror has been very good to me.

I also love horror movies; I like me a big Peter Berg action movie. I'm a movie lover in general.

I love horror movies, but it's not the only thing I want to do.

Who has that absolute trust, to fling yourself into mortality, to let it do with you as it will, with all the permutations and possibilities of as it will, be it horror or ecstasy or boredom?

I've wanted to work with [Kairo aka Pulse director] Kiyoshi Kurosawa, but he has not been making horror movies recently.

I'm mad, true. But only about one thing. Horror movies. I love spooks. They are a friendly fearsome lot. Very nice people, actually, if you get to know them. Not like these industry chaps out here

Men born in hot countries love the night because it refreshes them and have a horror of light because it burns them.

As an adult, I really don't watch much horror, to be honest. I mean, I like a good thrill. Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump. But what I don't like is the gore. I don't like gratuitous violence and killing and all that kind of stuff. So it's kind of an interesting paradox.

If you ask around, it's pretty easy to find someone who has a bank account overdraft horror story to tell.

I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.

A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.

It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest.

The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.

Nuclear weapons will not be gotten rid of until the United States confronts the magnitude of the horror, the tragedy, and the long-term suffering of the victims

I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.

I was lucky enough to have a plethora of types of roles before and during the horror movie part of my career.

I think of horror films as art, as films of confrontation.

"The horror of that moment," the King went on, "I shall never, never forget!" "You will, though," the Queen said, "if you don't make a memorandum of it."

Oh dear, is that a skunk?" Leonora asked. "No," Alessandro gasped in horror. "No the smelly cat!" "I've told you, Alessandro darling, they aren't cats." "They look like cats. Like the big fluffy cat she's been stepped on and flattened to a big fluffy pancake cat," Alessandro argued.

Fear has disappeared. No more fear. In Asia, it is different. They've discovered again the fear and the psychology of the characters. Without psychology, the horror film doesn't exist.

I have been blessed to have been working since I was 11. I think horror is an underrated genre. When done really well like in 'The Ruins', it pays homage to some of the stuff I really love in the '70s and incurs some of that energy the fanbase really wants to see.

There's always a tone that you have to hit right in horror. With the blood, you want to make sure that it makes sense all along.

It is not that fathers are better or worse, not that they are more loved or criticized, but rather that they are viewed with far less intensity. There is no Philip Roth or Woody Allen or Nancy Friday who writes about fathers with a runaway excess of humor, horror ... feeling. Most of us let our fathers off the hook.

I'm a goner, a kid who stays up half the night trying to figure out the horror of the world and trying to survive it.

In most cases we attach ourselves to in order to take revenge on life, to punish it, to signify we can do without it, that we have found something better, and we also attach ourselves to God in horror of men.

People who have been made to suffer by certain things cannot be reminded of them without a horror which paralyses every other pleasure, even that to be found in reading a story.

All that is left is to us is our being horrified at the loss of our sense of horror.