Quotes About Horror

Horror grows impatient, rhetorically, with the Stoic fatalism of Ecclesiastes. That we are all going to die, that death mocks and cancels every one of our acts and attainments and every moment of our life histories, this knowledge is to storytelling what rust is to oxidation; the writer of horror holds with those who favor fire. The horror writer is not content to report on death as the universal system of human weather; he or she chases tornadoes. Horror is Stoicism with a taste for spectacle.

Horror movies scare me. I don't really watch them. I'm not a big horror genre fan. I like certain classic horror - like 'Alien', 'Jaws', 'The Exorcist', stuff like that.

I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.

When the Second World War finished, I was 23 and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. Seeing horror depicted on film doesn't affect me much.

People don't like to say Horror so they say Dark Fantasy because that's Horror wearing a collar and tie.

I have been trying to make the reader believe that we actually are, at present, creatures whose character must be, in some respects, a horror to God, as it is, when we really see it, a horror to ourselves. This I believe to be a fact: and I notice that the holier a man is, the more fully he is aware of that fact.

"That was horrible. Horrible. That poor little guy." Pex was unrepentant. "Yeah, well, he asked for it. Calling us... all those things." But buried alive?! That's like in that horror movie. Y'know the one with all the horror." "I think I saw that one. With all the words going up on the screen at the end?" "Yeah, that was it. Tell you the truth, those words kinda ruined it for me."

Certainly, black horror movie fans have, you know, been particularly vocal. I mean, there's the whole Eddie Murphy routine about, you know, black people in a horror movie wouldn't last very long. Right? They just walk in - you hear get out. Too bad we can't stay, baby.

Ghost Team approached me. They said, "Hey, it's mid-October, do you want to go shoot a movie on Long Island for three weeks about stupid people chasing ghosts?" I had never done anything like that before. It's kind of a mock-horror movie. What I didn't realize was the whole thing takes place at night, as a horror movie should, and so I didn't realize that we'd be working until 6 in the morning every night, or morning.

Don't you see, if when we die there's nothing, all your sun and fields and what not are all, ah, horror? It's just an ocean of horror.

All the horror is in just this -- that there is no horror. . . .

The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.

Horror movies are here to stay, you know? It's not a fad. Even the musical has gone in and out of style from time to time. Horror movies have always been around.

Although I've said a million times that I'm not a horror writer, I do like horror.

Horror in your country is something you take a dose of to remind yourself that you are not suffering from it.

That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.

As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.

I love horror movies, but it's not the only thing I want to do.

But it is Bella, not the supernaturals she falls in with, who is the true horror show here, at least as a female role model.

Horror does not interest me, and so I know little of its practicioners, old or current

I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.

As an adult, I really don't watch much horror, to be honest. I mean, I like a good thrill. Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump. But what I don't like is the gore. I don't like gratuitous violence and killing and all that kind of stuff. So it's kind of an interesting paradox.

The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.

When I wake up I look like a madman, like something out of a horror movie! That's why I sleep alone. But the funny thing is that I'm very impeccable and clean before I go to bed. It's just like right before I'm going out.

I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.

I'm stuck struggling in the cold water, and all I can do is grieve, grieve, in the hoar necessitous horror of the morning, bitterly I hate myself, bitterly it's too late yet while I feel better I still feel ephemeral and unreal and unable to straighten my thoughts or even really grieve, in fact I feel too stupid to be really bitter, in short I don't know what I'm doing and I'm being told what to do.

People can get obsessed with romance, they can get obsessed with political paranoia, they can get obsessed with horror. It's isn't the fault of the subject matter that creates the obsession, I don't think.

I love horror movies because they're really fun. They tap into those wonderful primal emotions.

People who sleep around to get roles are frail and scared and most likely without talent. It's their own little horror show that only they can deal with.

Yes, people pull the trigger - but guns are the instrument of death. Gun control is necessary, and delay means more death and horror.

The Devil pulls the strings which make us dance; We find delight in the most loathsome things; Some furtherance of Hell each new day brings, And yet we feel no horror in that rank advance.

One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.

I think in the late '80s and early '90s horror was dead.

I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.

There is a sweet little horror story that is only two sentences long: The last man on Earth sat alone in a room. There was a knock at the door... Two sentences and an ellipsis of three dots.

It is not that fathers are better or worse, not that they are more loved or criticized, but rather that they are viewed with far less intensity. There is no Philip Roth or Woody Allen or Nancy Friday who writes about fathers with a runaway excess of humor, horror ... feeling. Most of us let our fathers off the hook.

I'm a goner, a kid who stays up half the night trying to figure out the horror of the world and trying to survive it.

While vegans and meat-eaters disagree, we can all be united in our fear and hatred for the horror that is factory farming.

Hell is out of fashion - institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. A valid hell is one from which there is a possibility of redemption, even if this is never achieved, the dungeons of an architecture of grace whose spires point to some kind of heaven. The institutional hells of the present century are reached with one-way tickets, marked Nagasaki and Buchenwald, worlds of terminal horror even more final than the grave.

I get scared easily, so I'm not one for just sitting down with a bowl of popcorn and watching horror stories. But, I mean, I'm learning more. Maybe one day I'd like to be able to watch them.

It's not scary to make a horror film because you get to pull back the curtain and see that none of it's real. When you're watching one, the terror bombards you.

I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.

It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.

Dying away from home, away from the soil of your birth - and to do so unseen and unmourned - is a profound horror.

Christian morality (so called) has all the characters of a reaction.... In its horror of sensuality, it made an idol of asceticism, which has been gradually compromised away into one of legality. It holds out the hope of heaven and the threat of hell, as the appointed and appropriate motives to a virtuous life - in this falling far below the best of the ancients, and doing what lies in it to give to human morality an essentially selfish character.... It is essentially a doctrine of passive obedience; it inculcates submission to all authorities found established.

When I try to write love, it only turns into horror. Thinking about it with a clear head, feeling such deep emotions to some other person you don't even know is truly a terrifying thingI wonder if love isn't a manifestation of madness in some way.

In some ways more painful is the fact that their experience appears to be fading from the collective memory of humankind. Having never experienced an atomic bombing, the vast majority around the world can only vaguely imagine such horror, and these days, John Hersey's Hiroshima and Jonathan Schell's The Fate of the Earth are all but forgotten. As predicted by the saying, 'Those who cannot remember the past are condemned to repeat it,' the probability that nuclear weapons will be used and the danger of nuclear war are increasing.

My fear, as a writer, is that I am a curiosity. That I can only bring you this peculiar condition from far away, from outside, and if you look at it then it will mean nothing. So, I have to pretend it's more than that. Horror writing lets me do that.