Quotes About Image

Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.

What interested me in film was the image-making aspect of it. So, I went to school in cinematography. I was really convinced that image was what I wanted to do, and I think it came from the fact that I lived in a small town my whole life, but my mother was very interested in painting, so she would bring us to Paris for two weeks. So, we're going to the Louvre and to the museums and to see shows. In the evening we were seeing theater. Painting is basically what led me. I think the image was key.

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

We go to sea repeatedly from Melville's time on - and the image of men at sea, like the image of men in the wilderness, seems to me to be almost an archetypal image of human beings on their own, human beings making their own way, guiding themselves by the stars they can see - rather than by faith or prayer or invisible forces.

Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.

[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together.

The image itself is kind of the least important factor to me, though I'm still interested in putting forth an interesting image. I see the image as the screen laid over top of what really interests me, which is that depth of surface and that filmic quality that it has when you pass the piece. The idea that my pieces look like paintings, but are most definitely not, is really interesting to me.

Sometimes I just think of an image. Basically, I see an image in front of me. My eyes are open, but I visualize an image, very truthfully. It happened with all my movies the same way.

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?

Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.

I played with the image, because I think image is temporary. It's a projection. It's illusory.

You have nothing to sell except for the image: The image is everything.

That’s what real love amounts to - letting a person be what he really is....Most people love you for who you pretend to be....To keep their love, you keep pretending - performing. You get to love your pretense...It’s true, we’re locked in an image, an act - and the sad thing is, people get so used to their image - they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it - they feel like you’re trying to steal their most precious possession.

If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.

All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?

As every pool reflects the image of the sun, so every thought and thing restores us an image and creature of the supreme Good. Theuniverse is perforated by a million channels for his activity. All things mount and mount.

An image that is unseen can't sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together.

Woman is the future of man. That means that the world which was once formed in man's image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!

What specialists try to do is get at least three imaging processes that are totally different from each other. Then you can run these through a computer program and make a composite image. In one scenario you suspect a brain tumor, so you image the brain tumor with PET scans, MRIs, and CT scans and create a 3D model. The doctor opens up the skull to excise the cancer, but they can't see anything. Do you cut out what's supposed to be in that spot or not? The current story is yes, you believe the images over what you see with your eyes.

The image of Ireland is projected as a male image in the acting world, similar to the way that the word of Ireland is male dominated.

Most American heroes of the Revolutionary period are by now two men, the actual man and the romantic image. Some are even three men - the actual man, the image, and the debunked remains.

Kind words do not cost much. They never blister the tongue or lips. They make other people good-natured. They also produce their own image on men's souls, and a beautiful image it is.

I wonder if Bettie Page original gay cult had something to do with the ironies inherent in her image, as well as her innate fabulousness as an image.

People have the idea that an image must stand for something else, that the real meaning needs to be described with language. Instead it is the image itself that is the meaning.

The image of Earth from space transformed our view of ourselves. It is maybe the most important image that exists - because we can see ourselves in context in a way that otherwise would be really hard to explain. It should inspire us to wonder about it, to want to know everything we can about it and do everything we can to take care of it.

We operate with nothing but things which do not exist, with lines, planes, bodies, atoms, divisible time, divisible space - how should explanation even be possible when we first make everything into an image, into our own image!

The image of myself which I try to create in my own mind in order that I may love myself is very different from the image which I try to create in the minds of others in order that they may love me.

I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.

The image of the presence, whatever it was, waiting there for him to go -this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short - he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form.

For me, the key image is the boat coming through the fog at the beginning. It's something I imagined and liked and I guess there are other references in other films I make - the similar type of image. But I think it's interesting, it's breaking through the mystery, or maybe it stays in the fog... we don't really know. Where is he at the beginning of the film, who is he?

It is not as in the Bible, that God created man in his own image. But, on the contrary, man created God in his own image.

The year before was my first collection for Emilio Pucci, and I was just starting the job and working in his Renaissance Palazzo, where Pucci is headquartered, so that inspired me. I found this image in the book. It was an old image of Emilio Pucci hanging out by the seaside with all of these women, and that's exactly how I used to think about this house - more of a lifestyle thing. This beautiful life. So I'm really working on that.

I would have you imagine, then, that there exists in the mind of man a block of wax... and that we remember and know what is imprinted as long as the image lasts; but when the image is effaced, or cannot be taken, then we forget or do not know.

I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.

This is not a just image, this is just an image.

We have the need to be accepted and to be loved by others, but we cannot accept and love ourselves. The more self-love we have, the less we will experience self-abuse. Self-abuse comes from self-rejection, and self-rejection comes from having an image of what it means to be perfect and never measuring up to that ideal. Our image of perfection is the reason we reject ourselves the way we are, and why we don't accept others the way they are.

Just as the slave master required the slaves to imitate the image he had of them, so women, who live in a relatively powerless position, politically and economically, feel obliged by a kind of implicit force to live up to culture's image of what is female.

In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.

He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding, or the deck of a tumbling ship -- it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out.

Half the battle is selling music, not singing it. It's the image, not what you sing.

How can women be in the image of God if God cannot be imaged in female form?

I had learnt to seek intensity rather than happiness, not joys and prosperity but more of life, a concentrated sense of life, a strengthened feeling of existence, fullness and concentration of pulse, energy, growth, flowering, beyond the image of happiness or unhappiness.

Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.

Art does not organize parties, nor is it the servant or colleague of power. Rather, the work of art becomes a political force simply through the faithful representation of the spirit. It is a political act to create an image of the self or of the collective.

With all the arguments and discussions about the Vietnam War, what did the visual image do? It ended the war.

The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains.

If we only look within, we will see he Light as if we were seeing our own image in a mirror. (122)

All gamblers lose regularly, but they rarely discuss it in public. Losing is bad for the image, dude. Nobody buys Hot Tips from Losers. Remember that.