Quotes About Image

Spaces may or may not invite the image - if they do, they mostly do it with their spatial layers of time... It is then the image that takes the place of the space; the image in its own right.

For, in truth, an image is only dead matter shaped by the craftsman's hand. But we have no sensible image of sensible matter, but an image that is perceived by the mind alone: God, who alone is truly God.

The image of the woman as we know it is an image created by men and fashioned to suit their needs.

To love! To surrender absolutely, to prostrate oneself before the divine image, to die a thousand imaginary deaths, to annihilate every trace of self, to find the whole universe embodied and enshrined in the living image of another! Adolescent, we say. Rot! This is the germ of the future life, the seed which we hide away, which we bury deep within us, which we smother and stifle and do our utmost to destroy as we advance from one experience to another and flutter and flounder and lose our way.

We don't build a record. We're taking a picture of it. We're not building an image; we're capturing an image.

Cold words freeze people, and hot words scorch them, and bitter words make them bitter, and wrathful words make them wrathful. Kind words also produce their own image on men's souls; and a beautiful image it is. They smooth, and quiet, and comfort the hearer.

We become what we love and who we love shapes what we become. If we love things, we become a thing. If we love nothing, we become nothing. Imitation is not a literal mimicking of Christ, rather it means becoming the image of the beloved, an image disclosed through transformation. This means we are to become vessels of God's compassionate love for others.

We chose the most interesting image available to us to illustrate the theme of the cover, which is what we always try to do. We apply the same test to photographs of any public figure, male or female: does the image convey what we are saying? That is a gender-neutral standard.

One book that has meant much to my writing is W.G. Sebald's The Emigrants. He uses a photograph of Vladimir Nabokov hunting butterflies in a similar way. The image or a reference to the image is traced throughout the four separate narratives. It sometimes seems to be the only link between the pieces, while the symbol Nabokov cuts remains wide open, a pencil sketch, a mystery to interpret outside his role as emigrant/observer.

A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.

In the teen years, we often confuse self-image with self-esteem. Teenagers are very influenced by the image others have of them. All sorts of complexes come from this.

It doesn't surprise me that people can't see beyond my image. It's amazing, but I can understand it. That's what image is for. But it's never a problem for me. It's only a problem for them. I don't really care. I do what I want regardless.

Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.

Woman is the future of man. That means that the world which was once formed in man's image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!

If it be true that God and man are in one image or likeness (and the affirmation that they are so is not unplausible) then it is the duty of man to bring out into its full splendor that Divine Image which is latent, on one side, in the complexity of his own nature.

As the print of the seal on the wax is the express image of the seal itself, so Christ is the express image - the perfect representation of God.

I can't always reach the image in my mind... almost never, in fact... so that the abstract image I create is not quite there, but it gets to the point where I can leave it.

To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.

In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.

People have the idea that an image must stand for something else, that the real meaning needs to be described with language. Instead it is the image itself that is the meaning.

I listen to music cinematically. I think about music and how it would make me feel when it's put to an image, a moving image, and I love it.

To live greatly, we must develop the capacity to face trouble with courage, disappointment with cheerfulness, and triumph with humility. You ask, 'How might we achieve these goals?' I answer, 'By getting a true perspective of who we really are!' We are sons and daughters of a living God in whose image we have been created. Think of that truth: 'Created in the image of God!' We cannot sincerely hold this conviction without experiencing a profound new sense of strength and power, even the strength to live the commandments of God, the power to resist the temptations of Satan.

When you rest in quietness and your image of yourself fades, and your image of the world fades, and your ideas of others fade, what's left? A brightness, a radiant emptiness that is simply what you are.

The poetic image […] is not an echo of the past. On the contrary: through the brilliance of any image, the distant past resounds with echoes.

We never see a tree except through the image that we have of it, the concept of that tree; but the concept, the knowledge, the experience, is entirely different from the actual tree. Look at a tree and you will find how extraordinarily difficult it is to see it completely, so that no image, no screen, comes between the seeing and the actual fact. By completely I mean with the totality of your mind and heart, not a fragment of it.

I think that you have to present an image that is... true to you, and... the way you would like to be perceived, so I think that through the years I've worked really hard at trying to create an image that is true to me.

The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction.

That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.

Among archetypal images, the Sacred Tree is one of the most widely know symbols on Earth. There are few cultures in which the Sacred Tree does not figure: as an image of the cosmos, as a dwelling place of gods or spirits, as a medium of prophecy and knowledge, and as an agent of metamorphoses when the tree is transformed into human or divine form or when it bears a divine or human image as its fruit or flowers.

To be completely stripped bare of any image power or my hair. To step onstage and get the response that I got blew any problems I had about self-image out the door.

One's self-image and image of the future have a great deal to do with what that person is motivated to do and able to do, as well as the extent to which he is able to change his behavior.

Artists tend to be people of strong character and opinion. Often they are dismissed in our culture if they don't fit a certain mainstream media mold. It's a reason why filmmakers are now releasing films online. Art, in any form can invoke various emotions and actions. I think some can be frightened of the power that a simple image can invoke and that's why they tend to shy away from it. But art documents moments in our history and that image is often what many people remember of a certain time.

When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.

A man is as much affected pleasurably or painfully by the image of a thing past or future as by the image of a thing present.

A visual image in the hand of an artist is merely a tool to trigger a mental image.

Men, also, have in them enormous capacities that they have to repress and fear in themselves, living up to this obsolete and brutal man-eating, bear-killing, Ernest Hemingway, crewcut Prussian sadistic, napalm all the children in Vietnam, bang-bang you're dead, image of masculinity, the image of all powerful masculine superiority that is absolute.

The image is not a medium for which we have to find the proper use. It is what it is and it is beyond all our moral considerations. It is by its essence immoral, and the world's becoming-image is an immoral process.

What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernandez, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?

What you see and what you hear on YouTube and the News and all that, it's not what it looks like, it's not what it seems, it's not what it is. Most of the time when you look at somebody off of an image they've built, it's the exact reversal of whatever that image is.

Film is the best way to capture an image and project that image. It just is, hands down.

Very unfairly, there's a negative image of the kid, which really stems from the greed and selfishness of the NBA and NCAA. They're forcing these kids to go to school.

Here is another miserable mental image I will have to catalog and make room for.

I re-invented my image so many times that I'm in denial that I was originally an overweight Korean woman.

I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.

Do you not know that you are Eve? The judgment of God upon this sex lives on in this age; therefore, necessarily the guilt should live on also. You are the gateway of the devil; you are the one who unseals the curse of that tree, and you are the first one to turn your back on the divine law; you are the one who persuaded him whom the devil was not capable of corrupting; you easily destroyed the image of God, Adam. Because of what you deserve, that is, death, even the Son of God had to die.

Being a narcissist isn't easy when the question is not of loving your own image, but of recreating the self through deliberate acts of alienation.

And when you, O human, will return to Nature, that day your eyes will open, you will stare straight into the eyes of Nature and in its mirror you will see your image. You will knowthat when you hid from Nature, you hid from yourselfWe who have been turned away from Nature - if we desire life, we must establish a new relationship with Nature.

Made as we were in the image of God we scarcely find it strange to take again our God as our All. God was our original habitat and our hearts cannot but feel at home when they enter again that ancient and beautiful abode.