Quotes About Jazz

Jazz is an endless source of ideas, because you can use anything. You can play operatic arias. You can incorporate them into jazz. You can play gypsy music and incorporate it into jazz. You can European classical and you can incorporate it into jazz. You can use anything and jazz it up, as they used to say.

My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.

When I sort of step in my jazz world, it's somewhere between instrumental jazz and vocal jazz.

I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.

We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.

I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.

What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.

I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.

There was a time, from 1935-1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop charts and when influential clarinettists were household names. This was the swing era.

Nobody knows where jazz is going, because nobody has ever known where jazz was going. I mean, you couldn't possibly predict the Swing Era from the '20's or bebop from the Swing Era or Avant-garde from Bebop, or Effusion, or on and on and on. So, we don't really know where it's going.

Jazz has the power to make men forget their differences and come together... Jazz is the personification of transforming overwhelmingly negative circumstances into freedom, friendship, hope, and dignity.

I listen to jazz mainly. Mainstream jazz.

I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.

Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz.

Clint Eastwood said, the only things America has contributed to civilization are the western and jazz. And I don't think westerns are bad, but lots of people make great cinema. But jazz is right there.

Jazz isn't like pop, where you sell millions of records with a hit. Your spirit and soul aren't important in pop music. But jazz is like classical music. If people like you, they'll remember you and you'll last forever.

Jazz is the type of music that can absorb so many things and still be jazz.

If I'm not a jazz player all the time, I've at least been cued in to what I do by jazz.

The aim of jazz is the mechanical reproduction of a regressive moment, a castration symbolism. 'Give up your masculinity, let yourself be castrated,' the eunuchlike sound of the jazz band both mocks and proclaims, 'and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

Jazz is a music of great achievements but speed and chops serve a different function in jazz.

Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.

Not according to this," Jazz said, taking the report. "No evidence of sexual activity or anything like it." "Well, there's that," Howie said, sounding relieved. Jazz wondered at that - was it really so much better to be unmolested, but still murdered in a horrible fashion? To die in pain and terror, stripped, left in a field, your fingers cut off? But as long as you weren't raped, well, that was alright, then? Did it really matter at that point?

And more than anything, I like the improvisation of jazz. That's the same thing with DJ-ing. There's so much improvisation you can do with cuttin' and scratchin' that's reminiscent of jazz music, because it's all about how you feel. You're capturing a vibe and just going with it.

I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on.

I was into jazz even when I was a kid. My parents would play Ella Fitzgerald, George Shearing, and Dixieland music. I loved The Monkees, The Beatles, The Eagles, and America.

It (jazz) isn't like it used to be. The guys aren't together. They're all separated. Individuals now. Bird was a symbol. It was a clique, a clique of people. Who all believed in one thing: gettin' high. And playin'.

Black people invented jazz. But this story [in La La Land] wasn't ever claiming to be that. It's just a story about two people from one writer's point of view.

If jazz has to be termed as a wave, then music is a sea, but if the reflectors in the water is the chord.

I think we are in the midst of this period where we are committing this suicide on the planet and everybody is just using up all of our natural resources like a bunch of insane people. That's what I worry about more than I worry about jazz.

I like rock music. I like jazz better, though.

Sweets [Edison] can say more with one note than any other Jazz player alive... an approach that stresses simplicity, glorious tone, natural potency and an unmatched affinity. He is a unique stylist in our music.

If you're in jazz and more than ten people like you, you're labeled commercial.

There are 100,000 total marijuana smokers in the US, and most are Negroes, Hispanics, Filipinos and entertainers. Their Satanic music, jazz and swing, result from marijuana usage. This marijuana causes white women to seek sexual relations with Negroes, entertainers and any others.

Jazz is neither specific repertoire, nor academic exercise... but a way of life.

What I came back to is that jazz is a music to be played and not to be intellectualized on.

Whenever there's a change with Jazz & its aesthetics, it's almost always reflected with a change in the culture.

My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.

I started singing Folksongs with my mother when I was 6 years old. We sang at Folk festivals and concerts and schools. There was always music being played either on record, Jazz and Folk, by musician friends of my mother. I took to singing very early, I believe it has been a Gift I was born with.

Many people forget that Jazz, no matter what form it takes, must come from the heart as well as the mind.

Trust me, the only real way to understand 'Chic' is in highfalutin terms. Our chord progressions were based on European modal melodies. I made those early 'Chic' records to impress my jazz friends.

You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation.

There's the tradition in jazz of having the “Battle of the Bands” and you do not want to get your head cut when you're playing.

Jazz is the continual pulsation of the now.

I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.

It's hard to explain what happens when jazz and punk fuse with a violin twist but it works. Probably because Anson Choi takes off his shirt while he's playing the saxophone. Whoever's not chatting up a Cadet or a girl from Darling House or playing chess with the guys is watching the band. I turn into a groupie.

I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.

In jazz improv, there is no such thing as wrong notes, only notes that are better chosen and it's not about the note you play, it's about the note you play next.