Quotes About Jazz

I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.

My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.

I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.

I'm not a jazz artist. Don't get me wrong now, it's all music to me. I just played music and if it's likeable, someone liked the sound, then fine, but I'm not interested in being a jazz musician. I don't consider myself a jazz musician. I don't have anything to do with that word.

Certain music, jazz in particular, has the ability to make you a better citizen of the world. It helps you expand your world view and gives you more confidence in your cultural achievements. Improvisational jazz teaches you about yourself while the swing in jazz teaches you how to work with others

My dad, was, by trade, he had a Ph.D. in mechanical engineering. He's a huge, huge jazz fan. He used to travel all the time for projects, and he used to collect jazz records. He used to collect hundreds and hundreds of jazz records because he had this passion for it. That's kind of how they had certain hobbies together with my mom.

What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.

Comedians and jazz musicians have been more comforting and enlightening to me than preachers or politicians or philosophers or poets or painters or novelists of my time. Historians in the future, in my opinion, will congratulate us on very little other than our clowning and our jazz.

And what gift of America to the rest of the world is actually most appreciated by the rest of the world? It is African American jazz and its offshoots. What is my definition of jazz? Safe sex of the highest order.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.

At Carnegie Hall the Preservation Hall Jazz Band showed how easily it could hop from era to era. It could work like a rhythm-and-blues horn section or a tightly arranged little big band if need be, but it could also switch back into the polyphonic glories of vintage New Orleans jazz, in which nearly every instrument seems to improvise around the tune at the same time.

If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz.

If you're making money people don't think you're playing Jazz. When you're not making money they think you're a great Jazz musician.

Duke Ellington, Art Tatum, and many other great jazz musicians objected to their music being called jazz. While the outside world may want to put a label on it, those who create it think of it just as music, and tend not to classify it.

It seems all worlds of music - rock, blues, R&B, soul, hip-hop and others - are able to point to impromptu get-togethers as proud moments in their timelines, encounters that were recorded and created music of lasting impression. In the jazz tradition, there are a few, but none that has been revered for as long as Jazz at Massey Hall.

The aim of jazz is the mechanical reproduction of a regressive moment, a castration symbolism. 'Give up your masculinity, let yourself be castrated,' the eunuchlike sound of the jazz band both mocks and proclaims, 'and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.

Improvisation in the jazz sense - like the business sense - is not formless. It is built on a skill set. Jazz, for example, involves selecting a tune.

What has been America's most nurturing contribution to the culture of this planet so far? Many would say jazz. I, who love jazz, will say this instead: Alcoholics Anonymous.

I've listened to Jazz since I was born and always knew I'd be a Jazz singer!

The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.

Well, I had started a program which is even longer running than this one in 1967 which was a jazz program called The Best of Jazz and that still goes out on Monday nights. That's been going for 33 years or something.

Jazz is like a big secret club. The mainstream media doesn't pay any attention to it, it's like 1 percent of the music market - no one cares. Why? Because the majority of jazz is old.

Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.

Jazz is not the popular culture. Jazz is in the same position in our culture as classical music. A very small minority of people really love it.

Jazz is musical humor. The noun jazz describes a modern American technique for the playing of any music, accompanied by noise called harmony, and interpolated instrumental effects. It also describes music exhibiting influence of that technique which has as its traditional object to secure the effects of surprise, or in the broadest sense, humor.

It is Jazz's very nature to change, to develop & adapt to the circumstances of its environment.

Jazz vision for me is seeing my art in musical term. It offers me an visual expressions in an ever-changing musical palette.

I listen to jazz about three hours a day. I love Louis Armstrong.

When her muzzle grew more white than brown, the chipmunk forgot that she and the squirrel had had nothing to talk about. She forgot the definition of "jazz" as well and came to think of it as every beautiful thing she had ever failed to appreciate: the taste of warm rain; the smell of a baby; the din of a swollen river, rushing past her tree and onward to infinity.

The most common misconception about me is that I'm basically a jazz singer.

People always ask, "Why jazz?" and I'm like "Why not?" It's kind of like asking Seurat, "Why so many dots?" I imagine if you asked Bjork, "Why the Tibetan bells?" She'd probably be like "That's just what I heard." It's the same thing. This is just the way I see music.

When I was 12, I began listening to John Coltrane and I developed a love for jazz, which I still have more and more each year.

If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.

The virtuoso element in jazz playing, all those very fast runs in the upper extremes, simply doesn't appeal to me. That's why I don't want to make my concerto "virtuosic" in the sense of a technical show-off. I want a beautiful sound and a melodic and lyrical line. I am more interested in the way someone can play musically.

The value of jazz still has to be clarified. People involve themselves with its superficialities without digging for its soul.

I'm always looking for ways to develop as a Jazz artist, to find different ways of using my voice.

I love that pre-mod jazz look of the late Fifties, the Steve McQueen style that influenced the British modernists.

I anticipated all the changes in jazz because they were all problematical things, that I was dealing with myself. In New York in the late '50s, there were a lot of experiments being made on how to avoid playing popular standards and how to get improvising out of those constricting formats.

If the average jazz artist uses his head and at the outset of his career realizes he won't play as well at fifty as he does at twenty-five, he won't be in a line-up outside the Salvation Army when he's fifty.

Blues is like the roux in a gumbo. People ask me if jazz always has the blues in it. I say, if it sounds good it does.

Many people forget that Jazz, no matter what form it takes, must come from the heart as well as the mind.

Jazz musicians can be great teachers of business. Their creativity is not dependent on their mood, it does not have to be coaxed out of them, it has nothing to do with the phases of the moon or even how they feel that day. They go on stage and start playing. Being creative is their job.

I guess my biggest influence was actually my Grandfather. He used to play old records on vinyl, and would play old jazz and soul music like Ella Fitzgerald, Billie Holiday and The Rat Pack and swing music.

Make no mistake, this music is for everyone. Jazz is not an exclusive, elite club. Go ahead, listen to your Snoop Doggy Dog, Pearl Jam, Garth Brooks, but add a little Ellington, Basie and Coltrane to your life as well.

Jazz is an octopus. It will take whatever it can use and it will work with it.

Trust me, the only real way to understand 'Chic' is in highfalutin terms. Our chord progressions were based on European modal melodies. I made those early 'Chic' records to impress my jazz friends.

I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.