Quotes About Kind

One might say, for example, that a patient has a kind of St Vitus's dance; a kind of dropsy; a kind of nerve fever; a kind of ague. One would never say, however (to end once and for all the confusion of these names) He has St. Vitus's dance, He has nerve fever, He has dropsy, He has ague, since there simply are not any fixed, unchanging diseases to be known by such names.

The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.

I just think there's an awful part of rock-'n-roll music where people kind of pretend they're young all their lives, you know? And they kind of live off past glories. Especially now there's kind of a trend where people are performing only their old albums, in their entirety, beginning to end.

I've been in a few movies that really have the tendency to polarize people, and I kind of like that. I kind of like anything that pushes people's buttons. People will always take things as they want, and project stuff on it - it's just kind of what people do. Whether it's violence or teen pregnancy, whatever.

When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.

I choose kindness... I will be kind to the poor, for they are alone. Kind to the rich, for they are afraid. And kind to the unkind, for such is how God has treated me

We all have to pick our battles. You've got to draw a line in the sand and stand firm. And it's this squishiness that's really the enemy, like, "Well, I don't know, it's kind of OK but I kind of feel guilty, and I kind of want a bran muffin, I don't know, and I'm wearing a vest; it's crocheted." Shut up. Just pick your battle and just stand there, and whatever you are going to do, own it.

A single kind of red cell is supposed to have an enormous number of different substances on it, and in the same way there are substances in the serum to react with many different animal cells. In addition, the substances which match each kind of cell are different in each kind of serum. The number of hypothetical different substances postulated makes this conception so uneconomical that the question must be asked whether it is the only one possible. ... We ourselves hold that another, simpler, explanation is possible.

If real Satanism were allowed the kind of television time that Christianity has now, the kind of drawing out and patience that interviewers give sports figures, or the kind of coverage that a baseball game gets, Christianity would be completely eliminated in a few short months. If people were allowed to see the complete, unbiased truth, even for 60 minutes, it would be too dangerous. There would be no comparison.

I don't think there's any kind of preparation for sudden celebrity. I think you almost have this slight nervous breakdown when that kind of media attention happens. I mean, you're doing the same kind of thing that you do all the time, only you have to make these weird adjustments. Like, you're buying a slice of pizza and somebody's outside photographing you which is weird - that's not normal! It's very uncomfortable.

But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.

In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.

So I've always been kind of an apocalyptic kind of kid, and looking back at the movies I've done, there's some kind of apocalypse in them. So that must be what scares me... besides Republicans.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.

I figured I’d probably write 50 scripts in my life. Out of those 50, I figured maybe five would be produced, and that maybe one or two would be successful. So I always kind of expected I’d write at least one successful film in my life. [...] The way it all came together was kind of like Murphy's law in reverse—I don’t expect that kind of experience again any time soon.

The idea is that there is a kind of memory in nature. Each kind of thing has a collective memory. So, take a squirrel living in New York now. That squirrel is being influenced by all past squirrels.

From early childhood, I was interested in understanding how the world worked, and assumed I would be some kind of physical scientist or chemist. But the truth was, I didn't know there was another kind of world, the inner world, that was just as interesting, if not more relevant, than what was going on in the outside world.

Dawn Kotzer is the kind of coach who can see beauty and wisdom in circumstances that seem ugly and chaotic. She's kind, genuine and honest, willing and able to see where her clients get stuck and gently help them recover their freedom. Better than a coach who gives you the answers, Dawn will help you find the answers to your life's dilemmas that are already within you.

I just check my Instagram. I get a lot of inspiration from there, I follow a lot of different designers and not really people in particular, just kind of designers and shops, certain stores that I love and just kind of draw inspiration from there and bookmark them.

I grew up in a tough neighborhood and we used to say you can get further with a kind word and a gun than just a kind word.

I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.

I'd be surprised if non-fiction writers hate to be interviewed. We all hate them, because there's really nothing to say except "Read the book." Right? At least with non-fiction, you can kind of convey some information, and people can decide for themselves whether they want more of that kind of information. But with a novel, what am I going to do?

I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.

You have a good heart and you think the good thing is to be guilty and kind but it's not always kind to be gentle and soft, there's a genuine violence softness and kindness visit on people. Sometimes self-interested is the most generous thing you can be.

I hoped our lives would continue this way forever, but inevitably the past came knocking. Not the good kind that was collectible but the bad kind that had arthritis.

I kind of feel a bit insecure about things. At fashion parties, I do feel like people are kind of watching me and I get so shy, and I think, Oh, if only I could have a drink now. But then that feeling disappears - it actually disappears pretty quickly. I remember how happy I am that I don't drink anymore. I think about all the bad times I had when I was drunk. I messed up so many things. I don't want to do that anymore.

America is a new kind of society that produces a new kind of human being. That human being—confident, self-reliant, tolerant, generous, future-oriented—is a vast improvement over the wretched, servile, fatalistic and intolerant human being that traditional societies have always produced.

Not only do I have a great love for the game of golf - no matter how badly I play it - but I have also the belief that through every kind of meeting, through every kind of activity to which we can bring together more often and more intimately peoples of our several countries, by that measure we will do something to solve the difficulties and the tensions that this poor old world seems nowadays to so much endure.

I went to school to play sports, but I got involved in theatre in college kind of by mistake. I ended up taking an acting class almost just to get rid of an arts requirement, but I wound up in this wonderful acting class with this teacher named Alma Becker who really saved my life. I was just kind of this knucklehead kid from DC and I was in and out of trouble all of the time. I took a theatre class and she really discovered something in me and I absolutely fell in love with it.

I guess I'm fascinated with motion because I find that whenever anything is moving, I have some feeling about it. It doesn't matter what kind of motion it is. A motion will always evoke some kind of reaction.

What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.

I do believe that one of the major ways that we're out of alignment with our souls is in our disconnect from nature. I feel that we have kind of lost our natural way of being connected to the planet. We need to be rooted on the planet. We experience ourselves as kind of isolated from that, and I actually think that's a great cause of the suffering that many of us are experiencing, whether consciously or unconsciously.

A materialistic person is ruthless with other people but kind to himself. A spiritual person is ruthless with himself but kind to everybody else.

It doesn't seem to be that huge a commitment that would create, you know, some kind of really powerful constituency. But the history has been for the United States and Russia especially that nuclear weapons have kind of become part of the identity of the countries.

Marilyn Monro wasn't the brightest person in the world - that didn't make a difference one way or the other - but she was giving and kind. And that's what got her in trouble. She was so giving and kind to all of these people she met that she found herself doing these things that she didn't want to do.

And to the degree that the individual maintains a show before others that he himself does not believe, he can come to experience a special kind of alienation from self and a special kind of wariness of others.

There are two kinds of teachers: the kind that fill you with so much quail shot that you can't move, and the kind that just gives you a little prod behind and you jump to the skies.

Parents and leaders should give early help to the blase girl who is often overpainted and underdressed. She is the picture of an unhappy girl whose physical adornments, to her thinking, don't invite adequate attention. Heaven help the girl who gets the kind of attention she is seeking by being overpainted and underdressed! She will rue the day, of course, when she gets the kind of attention her flagrant invitation is giving.

The idea of protest organizing, as summarized by community organizer Saul Alinsky, is that if we put enough pressure on the government, it will do things to help people. We don't realize that that kind of organizing worked only when the government was very strong, when the West ruled the world, relatively speaking. But with globalization and the weakening of the nation-state, that kind of organizing doesn't work.

Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. ... Countless minor incidents - the kind you can never really foresee - combine to lower the general level of performance, so that one always falls short of the intended goal.

Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.

It wasn't the kind of touch that said, Hey, I've got a plan, so hang in there because we're going to get out of this. It was more like the kind of touch that simply said, You aren't alone. It was really the only thing he could offer. And in that moment, it was enough.

The human attitude of which classical music is the expression is always the same; it is always based on the same kind of insight into life and strives for the same kind of victory over blind change. Classical music as gesture signifies knowledge of the tragedy of the human condition, affirmation of human destiny, courage, cheerful serenity.

I didn't really care about money. I really wanted to follow my bliss. I really wanted to do the things that would make my life satisfying, in the fullest sense, and I was never thinking about money when I made those decisions. And I certainly didn't want my life to be driven by money. I'd seen my father's' life driven that way, and, although again, in retrospect, I understand fully why he did that, I didn't wanna live looking for that kind of financial reward. I wanted to live with the emotional, psychological, and even moral reward of doing the kind of work I do, which is, y'know, writing.

For anybody that works in any kind of demining or any kind of humanitarian aid work, there is danger and it's always a high-risk area [in Cambodia].

The only rule was that the stuff had to be funny and pretty short. To me, the quintessential Army Man joke was one of John Swartzwelder's: 'They can kill the Kennedys. Why can't they make a cup of coffee that tastes good?' It's a horrifying idea juxtaposed with something really banal-and yet there's a kind of logic to it. It's illuminating because it's kind of how Americans see things: Life's a big jumble, but somehow it leads to something I can consume. I love that.

I, perhaps, at that stage, had the kind of ambition that others may have had; you know, namely based on the concept that if you were trained the world was out there waiting for you to provide a certain kind of leadership and give you an opportunity. But with the Depression, I began to see that there were certain social forces over which the individual had very little control.