Quotes About Kind

It's not that kind of love. It's the real kind. The unconditional kind. The nonjudgemental kind. Not the physical kind. I love you as a fellow soul who inhabits this earth. I love you as a fellow immortal. I love you because I finally understand what made you the way you are. And if I could change it, I would. But I can't—so I choose to love you instead. And my hope is that my acceptance of you will spur you to do something good too, but if not—" I shrug. "At least I can say I tried.

Kind hearts are the garden, kind thoughts are the roots, kind words are the blossoms, kind deeds are the fruit.

I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.

The kind of loving women and men have in them and the ways it comes out from them makes for them the bottom nature in them, gives to them their kind of thinking, makes the character they have all their living in them, makes them then their kind of women and men and there are always many millions made of each kind of them.

The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.

I saw bubbling lava, and at the same moment I saw a reflection of a certain kind of inner turmoil. Because at the moment I looked into that crater, I slipped, and a large piece of volcanic rock took a hole out of my leg. The scar is still there 20, 30 years later. But it's one of those things that reminds you of the kind of risk or the kind of moment in order to push yourself.

People talk about apathy, especially in developed countries. We're kind of lulled into these tranquil lives, and we are pursuing our own thing and there is so much suffering on a mass scale around the world that you kind of become fatalistic. You might think suffering is inevitable, you kind of lose your sense of moral urgency. But there is always something you can do for someone in the world.

When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.

Recreation is not a secondary concern for a democracy. It is a primary concern, for the kind of recreation a people make for themselves determines the kind of people they become and the kind of society they build.

I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.

I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.

People generally worry about social networking more than they need to. In kind of consumer internet investing and on social and professional networks, I kind of look at time spending and time efficiency. You know, time saving sites. So on time spending sites, things where you play lots of games or that sort of thing, you might worry about a productivity loss if people are spending a lot of time doing that. So if there's a lot of kind of addictive gaming going on during work hours, that won't be as helpful to you.

If Trump is elected president... I just don't know what America looks like four years after his election, in terms of the kind of bigotry that will be erupting, in terms of the kind of divisiveness that we will see, the kind of demagoguery that we will see.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you were wrong about them. That's the part I still need to work on.

Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind of impossible.

Who knows whats going to happen with whole Internet Web series thing. I mean, obviously people are spending a lot more time on their computer.The great thing about it is so many short films have been done over the time and there is not a real, there is not a venue for them because everybody goes to see a feature length film so it really is a great vehicle to do these kind of short creative pieces, so its kind of fun to be a part of that and kind of see what can happen from that. But trailblazer, I don't know. I mean, that's a pretty fancy word.

Whenever you show up on a set where you haven't been from the beginning - at least myself - I'm kind of quiet. I just watch the politics and how everything unfolds. It's kind of like going to a new high school. You want to see who everyone is before you introduce yourself, really, to kind of make friends. I think any smart person does that in social situations

I can always be reminded how small I am when I try to surf a wave that's a little bit out of my league, and I just get pummeled. And, when your life flashes before your eyes kind of stuff, deep down under the water where you don't know what's up or down, and that kind of thing, or just Mother Nature reminding you how small you are compared to it. That's kind of the main thing for me.

You know, everyone is always talking about plastic surgery, or the technology, what to do. I really think it's important to help yourself with the technology if you want to feel better, but I am absolutely against any kind of monstrous cuts of the body, lifting that is beyond recognition, this kind of stuff.

I think it's important to remember that an artist could be at the center of healing our problems because, every day, that's what we do. Every day, our job is to make something that wasn't there before. We're kind of built to go into situations that need a kind of fresh thought to solve them so I'm happy about that and I would encourage anyone with any problem in the world that needs to be solved to consider having any person in the creative arts be at the core of its solution. I think that's one of our unused or untapped values.

The idea is that there is a kind of memory in nature. Each kind of thing has a collective memory. So, take a squirrel living in New York now. That squirrel is being influenced by all past squirrels.

You'll get this kind of psychological relationship to the imagery of the music, but that idea is translated to iPhone apps. It's translated to the small, you know, kind of icons on your computer. You name it.

LSD should be treated as a sacred drug and receive corresponding preparation, preparation of quite a different kind than other psychotropic agents. It is one kind of thing if you have a pain-relieving substance or some euphoriant and (another to) have an agent that engages the very essence of human beings, their consciousness.

The difference between us and the other side is that they use populist and...kind of slogans that are...they fool the people. They are the kind of dishonest and populist slogans that we are not willing to use.

Cornwall has lots of folk and Celtic music and has that kind of surfer vibe as well. That was my kind of upbringing.

Sometimes I'll have a scene that strikes me, I just feel like writing a scene, a mini-story that seems like it might lead somewhere. But that is such a tentative, fishing-hook way to go about it that these days I've found it's easier to kind of at least have your concept and start attaching things to a skeleton. So I try to find the armature, the kind of backbone of it first that you can start to hang those scenes on.

Because I've never made this kind of movie before, so I've never even been to Comic-Con. And Hugh and Evangeline keep telling me, 'Oh, my god... This is such Comic-Con fodder. We're going to have such a fun summer!' Is this the kind of thing they show? That length?

I just check my Instagram. I get a lot of inspiration from there, I follow a lot of different designers and not really people in particular, just kind of designers and shops, certain stores that I love and just kind of draw inspiration from there and bookmark them.

I like my name. My mom named me after a song by the 1970s group Bread. So, it's meaningful, and I like the song. It's a love song - kind of - but it's kind of depressing and dark.

I'd always liked to read, but when I picked up books I wasn't getting the same kind of excitement from them that I was from going out clubbing. I wanted to get the same kind of feel.

I so love the animation process. Interesting, everything that I do in animation, the kind of crafting and skills of storytelling, totally work within the structure of the Disney nature films. In a weird way, I like to think that animation is like painting, and Disney nature is like sculpting. Animation you start with a blank canvas and you paint. With Disney nature, you start with a big block of imagery and you hone it down into your final story. Somewhere you end up with something kind of pretty to watch.

It's my first sort of commercial attempt, but it made sense for me because I'm not that kind of guy and I'm not going to continue to do that kind of movie.

Well, the experience for me making a film is the most profound one. I really don’t have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you’re done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I’m kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself.

You have a good heart and you think the good thing is to be guilty and kind but it's not always kind to be gentle and soft, there's a genuine violence softness and kindness visit on people. Sometimes self-interested is the most generous thing you can be.

The thing about Depeche songs is that they’re so descriptive. For me, they tell some kind of story about a character who’s trying to redeem himself or to find something to believe in-some kind of faith or hope.

I believe it, she's a very good person, kind. There's weariness there, but no bitterness or spite. When you're with a girl like that you feel like a different person. You try to be better, and that's a strain. Men prefer to be friends with her kind, flirt a bit, share confidences. They don't often fall in love with girls like that, but everybody loves them.

Lean toward love at all times, cut people slack, forgive and forget, and be kind, very kind; the more you do that, the less fear you will have. People will raise up to support you. Refuse to be scared in this lifetime.

If nature has made you for a giver, your hands are born open, and so is your heart; and though there may be times when your hands are empty, your heart is always full, and you can give things out of that--warm things, kind things, sweet things--help and comfort and laughter--and sometimes gay, kind laughter is the best help of all.

Last year, when Zora was a freshman, sophomores had seemed altogether a different kind of human: so very definite in their tastes and opinions, in ther loves and ideas. Zora woke up this morning hopeful that a transformation of this kind might have visited her in the night, but, finding it hadn't, she did what girls generally do when they don't feel the part: she dressed it instead.

The kind of organic wave, the way that waves move, and I'm not just talking about feminism, the way that a social movement might rise like a wave. It's harder to build any kind of wave now. Things are important to you and then they recede within a day. That's the only thing that keeps me from believing that there's going to be any one organic big wave; although the Americana (music) thing has been happening for a while.

Obviously over the years, it's been America, it's been Europe. It's all been very kind of divided between those two continents. It's nice to kind of see that Asia is starting - and especially China - starting to get recognized in this sport, too.

If there's no unity in your work, then you've deliberately made yourself into that kind of person. You don't want that unity in your work. You've made some kind of satisfactory arrangement with your culture.

Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.

I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.

Marilyn Monro wasn't the brightest person in the world - that didn't make a difference one way or the other - but she was giving and kind. And that's what got her in trouble. She was so giving and kind to all of these people she met that she found herself doing these things that she didn't want to do.

If we don't plant the right things, we will reap the wrong things. It goes without saying. And you don't have to be, you know, a brilliant biochemist and you don't have to have an IQ of 150. Just common sense tells you to be kind, ninny, fool. Be kind.

I define poetry as celebration and confrontation. When we witness something, are we responsible for what we witness? That's an on-going existential question. Perhaps we are and perhaps there's a kind of daring, a kind of necessary energetic questioning. Because often I say it's not what we know, it's what we can risk discovering.