Quotes About Letters

I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.

You know when a company wants to use letters in their phone number, but often they'll use too many letters? "Call 1-800-I-Really-Enjoy-Brand-New-Carpeting." Too many letters, man, must I dial them all? "Hello? Hold on, man, I'm only on 'Enjoy.' How did you know I was calling? You're good, I can see why they hired you!"

I will be gone from here and sing my songs/ In the forest wilderness where the wild beasts are,/ And carve in letters on the little trees/ The story of my love, and as the trees/ Will grow letters too will grow, to cry/ In a louder voice the story of my love.

Listen and learn: you need fourteen characters, minimum. Use random letters, not words. Here’s a tip: think of a sentence, and use the first letter in each of those words. Mix it up between upper and lower case. Then pick two numbers that mean something to you – not dates – and stick them somewhere between the letters. Put a punctuation mark at the beginning of the password and then a symbol, like a dollar sign, at the end.

In a Man's Letters you know, Madam, his soul lies naked, his letters are only the mirrour of his breast.

The Greeks according to official history used letters for hundreds, for tens, and ones.It was extremely complicated. If you talk about Archimedes, you should use Greek letters.

When we were children, letters were like fun toys. We played with them through our building blocks. We colored them in books. We danced and sang along with TV puppets while learning C was for “cookie.” Soon, letters turned into words. Words turned into sentences. Sentences turned into thoughts. And along the way, we stopped playing with them and stopped marveling at A through Z.

At the end, [Eva Braun] begged me to spare these letters [to Adolf Hitler] and bury them. She specifically wrote to me and told me over the phone not to read any of the letters, she made me promise.

LOVE LETTERS TO YOURSELF This is taken from a love letter (a gentle reminder) I wrote to myself recently. Live in your joy today. Be authentic. Love yourself. First. Love others from your own abundance. Life Changes. Circumstances change. Sometimes you try to fit your old way of being into new circumstances rather than becoming new yourself. Embrace transformation as an opportunity. And keep on writing love letters to yourself.

In a man's letters you know, Madam, his soul lies naked, his letters are only the mirror of his breast, whatever passes within him is shown undisguised in its natural process. Nothing is inverted, nothing distorted, you see systems in their elements, you discover actions in their motives.

There's a lot of letters, and a lot of people come say "hi" at book signings, but I'm amazed at how normal everybody is.

Don Pedro - (...)'In time the savage bull doth bear the yoke.' Benedick - The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull's horns and set them in my forehead, and let me be vildly painted; and in such great letters as they writes, 'Here is good horse for hire', let them signify under my sign, 'Here you may see Benedick the married man.

Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.

Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.

Surely education has no meaning unless it helps you understand the vast experience of life with all its subtleties, with its extraordinary beauty, its sorrows and joys. You may earn degrees, you may have a series of letters after your name and land a good job, but then what? What is the point of it all if in the process your mind becomes dull, weary, stupid?

There prevails among men of letters, an opinion, that all appearance of science is particularly hateful to Women; and that therefore whoever desires to be well received in female assemblies, must qualify himself by a total rejection of all that is serious, rational, or important; must consider argument or criticism as perpetually interdicted; and devote all his attention to trifles, and all his eloquence to compliment.

I'm making records, my fans they can't wait. They write me letters, tell me I'm great.

In small letters, someone has written NEVER FORGET on one of the slats. I know it's supposed to be a pledge, but it feels like a curse. Don't we have to forget some of it? Don't we have to forget this feeling? If we don't, how will we live?

This is the worst problem with living history museums. They always leave the best parts out. Like typhus. And opium. And scarlet letters. Shunning. Witch-burning.

P. G. Wodehouse... used, when in town, to solve the problem of the long walk to the post-office by the simple expedient of tossing his letters out of his window: his belief that the average human, finding a stamped and addressed envelope on the pavement, would naturally pop it into the nearest pillar-box was never once, in decades, shown to be unfounded.

I took all of my rejection letters - there must have been thousands of them in a huge box - and I went out on the curb and burned them all, crying.

I get letters every year from women who think Valentine's Day is an empty exercise, but are ironically pretty exercised when their boyfriends neglect or forget it.

But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.

It was '86. We were a big enough name and we had enough cache that MTV wanted to play us, so, along with Michael Jackson and Madonna, they played our upside-down, black-and-white, backward, single unedited footage of a rock quarry with orange letters over the top of it and called it art.

There are other letters for the child to learn than those which Cadmus invented. The Spaniards have a good term to express this wild and dusky knolwedge, Grammatica parda, tawny grammar, a kind of mother-wit derived from that same leopard to which I have referred.

[John Adams] diary, of course, is even more revealing of his feelings. Both his letters to [his wife] Abigail and his diary tell us what he really thinks about people and events.

Pico Iyer describes his writing as "intimate letters to a stranger," and I think that is what the writing process is. It begins with a question, and then you follow this path of exploration.

What I'm thinking about are the millions of people, many of whom write me very personal letters :"Dear Mr. President: I did not vote for you. I was against Obamacare. And then my son who didn't have health insurance signed up and we just found out that he had an illness. And thankfully he's now covered, otherwise he might not have gotten treatment and I might have lost my house."

How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten letters? Is it going to seem cheesy? What do I do?'

At present I answer about 100 letters a month, and read 300 emails.

For ages past the Genius of Literature and the Genius of Art have walked together hand in hand. For the Goddess of letters is blind, and only she of Art can lend her sight.

The black revolt is as palpable in letters as it is in the streets.

Imagination bound us stronger than love. Within its limitless borders we launched ships and love affairs, discovered lost worlds, made buildings and babies, found husbands, wrote letters and Broadway plays. We made ourselves up everyday.

To live with the work and the letters of James Joyce was an enormous privilege and a daunting education. Yes, I came to admire Joyce even more because he never ceased working, those words and the transubstantiation of words obsessed him. He was a broken man at the end of his life, unaware that Ulysses would be the number one book of the twentieth century and, for that matter, the twenty-first.

[I began to unload] the pyramid of honors, civic and literary, which had been heaped on me by the headlong process of rewarding a popular success. One day, I sat down and wrote a wholesale lot of letters of resignation. When I finished, I didn't belong to a single authors club or patriotic society. I was myself again, whatever that was.

In making up my mind as to what Mr. Lincoln really believed, I do not take into consideration the evidence of unnamed persons or the contents of anonymous letters; I take the testimony of those who knew and loved him, of those to whom he opened his heart and to whom he spoke in the freedom of perfect confidence.

Literature nowadays is a trade... the successful man of letters is your skilful tradesman. He thinks first and foremost of the markets.

I can imagine in years to come that my papers and memorabilia, my journals and letters, will find themselves always in the company of people who care about many of the things I do.

Spread the glad tidings that it will not disappoint Miss Heyer's many admirers. Judging from the letters I've received from obviously feeble-minded persons who do so wish I would write another These Old Shades, it ought to sell like hot cakes. I think myself I ought to be shot for writing such nonsense, but it's questionably good escapist literature and I think I should rather like it if I were sitting in an air-raid shelter, or recovering from flu. Its period detail is good; my husband says it's witty---and without going to these lengths, I will say that it is very good fun.

I love books, letters and texts visually as objects, and textually, for their content. The same book I write serves a different purpose when included in an exhibition of mine than when read on its own, outside of it.

Between Twitter and Facebook I have nearly 70,000 followers, so my colleagues receive the responses. They show some of them to me, and I am always interested to read what people have to say. I filter all the information that reaches me, from letters in the newspaper, to conversations. There are many influences that shape my decisions, and often people on Twitter are thinking along the same lines as I do on an issue.

I even got letters form kids in hospitals saying the music is what keeps them going, and that really touched my heart.

Kids made fun of me because I was dark skinned, had a wide nose, and was dyslexic. Even as an actor, it took me a long time to realize why words and letters got jumbled in my mind and came out differently.

There is snobbery in the idea that the modern cult of celebrity has not touched the lofty realm of letters. We are like visitors to a garden or flower show who wander the pathways and do not notice the beautiful flora but instead exchange murmurs about the appearance of the soil.

If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.

Jordan tattoos the words "forgive me" in thick black letters down the inside of his arm so that when he looks at his wrist he will remember not to hate himself so much. What he keeps forgetting is that there is life after survival.

I am strangely addicted to the writing of long letters, which, I am afraid, tire you; and for the future, I believe, I must be less communicative, in order to be less troublesome.

There is no mistaking a real book when one meets it. It is like falling in love, and like that colossal adventure it is an experience of great social import. Even as the tranced swain, the booklover yearns to tell others of his bliss. He writes letters about it, adds it to the postscript of all manner of communications, intrudes it into telephone messages, and insists on his friends writing down the title of the find. Like the simple-hearted betrothed, once certain of his conquest